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Indeed, the editors of the book are led by the conviction that a fruitful dialogue between medieval philosophy and 20th century phenomenology may prove useful in addressing questions and problems that are still relevant in contemporary debates. The book is divided into three sections, devoted respectively to medieval philosophy, phenomenology and some of the possible systematic and historical intersections between them.
Contributors are Sarah Borden Sharkey, Antonio Calcagno, Therese Cory, Daniele De Santis, Andrew LaZella, Dominik Perler, Giorgio Pini, Francesco Valerio Tommasi, Anna Tropia, and Ingrid Vendrell Ferran.
Indeed, the editors of the book are led by the conviction that a fruitful dialogue between medieval philosophy and 20th century phenomenology may prove useful in addressing questions and problems that are still relevant in contemporary debates. The book is divided into three sections, devoted respectively to medieval philosophy, phenomenology and some of the possible systematic and historical intersections between them.
Contributors are Sarah Borden Sharkey, Antonio Calcagno, Therese Cory, Daniele De Santis, Andrew LaZella, Dominik Perler, Giorgio Pini, Francesco Valerio Tommasi, Anna Tropia, and Ingrid Vendrell Ferran.
The book was awarded the Dissertation Prize 2019 by the Academy for Islam in Research and Society (AIWG) and the Classical Islamic Book Prize by Gorgias Press (2020).
The book was awarded the Dissertation Prize 2019 by the Academy for Islam in Research and Society (AIWG) and the Classical Islamic Book Prize by Gorgias Press (2020).
Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century.
Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolò Crisafi, Anne-Gaëlle Cuif, Federica Franzè, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sălișteanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.
Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century.
Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolò Crisafi, Anne-Gaëlle Cuif, Federica Franzè, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sălișteanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.
This book offers a glimpse into their most unusual ideas, apocalyptic expectations, heretics, toads, and devils; assessments of Amalric of Bena, Moshe Taku, and Petrarch; and, last, but not least, the search for an immovable truth that fills their pages.
This book offers a glimpse into their most unusual ideas, apocalyptic expectations, heretics, toads, and devils; assessments of Amalric of Bena, Moshe Taku, and Petrarch; and, last, but not least, the search for an immovable truth that fills their pages.