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Volume 1
Series:
Heterodoxia Iberica, Volume: 6.1
Martín Del Río (1551-1608) was a remarkably learned Jesuit scholar. His prolific output includes six volumes of Investigations into Magic which sought to be the last word on magic, witchcraft, and allied subjects such as divination and superstition, and a detailed manual of advice for judges and confessors engaged in combatting what was seen at the time as a dangerous threat to the spiritual life of humanity in this world and the next. First published in 1599-1600, Investigations was heralded as a major contribution to the armoury of the Counter-Reformation, and went through several editions, the last appearing in 1747.
Volume 1
Series:
Heterodoxia Iberica, Volume: 6.1
Martín Del Río (1551-1608) was a remarkably learned Jesuit scholar. His prolific output includes six volumes of Investigations into Magic which sought to be the last word on magic, witchcraft, and allied subjects such as divination and superstition, and a detailed manual of advice for judges and confessors engaged in combatting what was seen at the time as a dangerous threat to the spiritual life of humanity in this world and the next. First published in 1599-1600, Investigations was heralded as a major contribution to the armoury of the Counter-Reformation, and went through several editions, the last appearing in 1747.
Merchant Letters from the Eastern Mediterranean Around 1800
Arab Traders in their Own Words explores for the first time the largest unified corpus of merchant correspondence to have survived from the Ottoman period. The writers chosen for this first volume were mostly Christian merchants who traded within a network that connected the Syrian and Egyptian provinces and extended from Damascus in the North to Alexandria in the South with particular centers in Jerusalem and Damietta. They lived through one of the most turbulent intersections of Ottoman and European imperial history, the 1790s and early 1800s, and had to navigate their fortunes through diplomacy, culture, and commerce. Besides an edition of more than 190 letters in colloquial Arabic this volume also offers a profound introductory study.
Merchant Letters from the Eastern Mediterranean Around 1800
Arab Traders in their Own Words explores for the first time the largest unified corpus of merchant correspondence to have survived from the Ottoman period. The writers chosen for this first volume were mostly Christian merchants who traded within a network that connected the Syrian and Egyptian provinces and extended from Damascus in the North to Alexandria in the South with particular centers in Jerusalem and Damietta. They lived through one of the most turbulent intersections of Ottoman and European imperial history, the 1790s and early 1800s, and had to navigate their fortunes through diplomacy, culture, and commerce. Besides an edition of more than 190 letters in colloquial Arabic this volume also offers a profound introductory study.
From Its Beginnings to the 14th Century
Baghdād: From its Beginnings to the 14th Century offers an exhaustive handbook that covers all possible themes connected to the history of this urban complex in Iraq, from its origins rooted in late antique Mesopotamia up to the aftermath of the Mongol invasion in 1258.
Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
From Its Beginnings to the 14th Century
Baghdād: From its Beginnings to the 14th Century offers an exhaustive handbook that covers all possible themes connected to the history of this urban complex in Iraq, from its origins rooted in late antique Mesopotamia up to the aftermath of the Mongol invasion in 1258.
Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
Against the common perception of a city founded 762 in a vacuum, which, after experiencing a heyday in a mythical “golden age” under the early ʿAbbāsids, entered since 900 a long period of decline that ended with a complete collapse by savage people from the East in 1258, the volume emphasizes the continuity of Baghdād’s urban life, and shows how it was marked by its destiny as caliphal seat and cultural hub.
Contributors
Mehmetcan Akpınar, Nuha Alshaar, Pavel Basharin, David Bennett, Michal Biran, Richard W. Bulliet, Kirill Dmitriev, Desmond Durkin-Meisterernst, Hend Gilli-Elewy, Beatrice Gruendler, Sebastian Günther, Olof Heilo, Damien Janos, Christopher Melchert, Michael Morony, Bernard O’Kane, Klaus Oschema, Letizia Osti, Parvaneh Pourshariati, Vanessa van Renterghem, Jens Scheiner, Angela Schottenhammer, Y. Zvi Stampfer, Johannes Thomann, Isabel Toral.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Series:
Arabic Christianity, Volume: 4
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.
The Fatimid Egyptian Convert Who Shaped Christian Views of Islam
Series:
Arabic Christianity, Volume: 4
Būluṣ ibn Rajāʾ (ca. 955–ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer (Kitāb al-Wāḍiḥ bi-l-Ḥaqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan’s origins, Muḥammad’s life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ’s life, along with an Arabic edition and English translation of The Truthful Exposer.
The Ends of Time in Ninth-Century Constantinople
The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past.
Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.
Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.
The Ends of Time in Ninth-Century Constantinople
The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past.
Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.
Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.
A great number of historical examples show how desperate people sought to obtain a glimpse of the future or explain certain incidents retrospectively through signs that had occurred in advance. In that sense, signs are always considered a portent of future events. In different societies, and at different times, the written or unwritten rules regarding their interpretation varied, although there was perhaps a common understanding of these processes.
This present volume collates essays from specialists in the field of prognostication in the European Middle Ages.
Contributors are Klaus Herbers, Wolfram Brandes, Zhao Lu, Rolf Scheuermann, Thomas Krümpel, Bernardo Bertholin Kerr, Gaelle Bosseman, Julia Eva Wannenmacher (†), Matthias Kaup, Vincent Gossaert, Jürgen Gebhardt, Matthias Gebauer, Richard Landes.
This present volume collates essays from specialists in the field of prognostication in the European Middle Ages.
Contributors are Klaus Herbers, Wolfram Brandes, Zhao Lu, Rolf Scheuermann, Thomas Krümpel, Bernardo Bertholin Kerr, Gaelle Bosseman, Julia Eva Wannenmacher (†), Matthias Kaup, Vincent Gossaert, Jürgen Gebhardt, Matthias Gebauer, Richard Landes.
A great number of historical examples show how desperate people sought to obtain a glimpse of the future or explain certain incidents retrospectively through signs that had occurred in advance. In that sense, signs are always considered a portent of future events. In different societies, and at different times, the written or unwritten rules regarding their interpretation varied, although there was perhaps a common understanding of these processes.
This present volume collates essays from specialists in the field of prognostication in the European Middle Ages.
Contributors are Klaus Herbers, Wolfram Brandes, Zhao Lu, Rolf Scheuermann, Thomas Krümpel, Bernardo Bertholin Kerr, Gaelle Bosseman, Julia Eva Wannenmacher (†), Matthias Kaup, Vincent Gossaert, Jürgen Gebhardt, Matthias Gebauer, Richard Landes.
This present volume collates essays from specialists in the field of prognostication in the European Middle Ages.
Contributors are Klaus Herbers, Wolfram Brandes, Zhao Lu, Rolf Scheuermann, Thomas Krümpel, Bernardo Bertholin Kerr, Gaelle Bosseman, Julia Eva Wannenmacher (†), Matthias Kaup, Vincent Gossaert, Jürgen Gebhardt, Matthias Gebauer, Richard Landes.
This collection of seventeen essays newly identifies contributions to musical culture made by women before 1500 across Europe. You will learn about repertoire from such diverse locations as Iceland, Spain, and Italy, and encounter examples of musicianship from the gender-fluid professional musicians at the Islamicate courts of Syria to the nuns of Barking Abbey in England.
The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
This collection of seventeen essays newly identifies contributions to musical culture made by women before 1500 across Europe. You will learn about repertoire from such diverse locations as Iceland, Spain, and Italy, and encounter examples of musicianship from the gender-fluid professional musicians at the Islamicate courts of Syria to the nuns of Barking Abbey in England.
The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists.
Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
Karl Barth and the Tasks of Eschatology
In this volume, leading systematic theologians and New Testament scholars working today undertake a fresh and constructive interdisciplinary engagement with key eschatological themes in Christian theology in close conversation with the work of Karl Barth. Ranging from close exegetical studies of Barth’s treatment of eschatological themes in his commentary on Romans or lectures on 1 Corinthians, to examination of his mature dogmatic discussions of death and evil, this volume offers a fascinating variety of insights into both Barth’s theology and its legacy, as well as the eschatological dimensions of the biblical witness and its salience for both the academy and church.
Contributors are: John M. G. Barclay, Douglas Campbell, Christophe Chalamet, Kaitlyn Dugan, Nancy J. Duff, Susan Eastman, Beverly Roberts Gaventa, Grant Macaskill, Kenneth Oakes, Christoph Schwöbel Christiane Tietz, Philip G. Ziegler.
Contributors are: John M. G. Barclay, Douglas Campbell, Christophe Chalamet, Kaitlyn Dugan, Nancy J. Duff, Susan Eastman, Beverly Roberts Gaventa, Grant Macaskill, Kenneth Oakes, Christoph Schwöbel Christiane Tietz, Philip G. Ziegler.
Karl Barth and the Tasks of Eschatology
In this volume, leading systematic theologians and New Testament scholars working today undertake a fresh and constructive interdisciplinary engagement with key eschatological themes in Christian theology in close conversation with the work of Karl Barth. Ranging from close exegetical studies of Barth’s treatment of eschatological themes in his commentary on Romans or lectures on 1 Corinthians, to examination of his mature dogmatic discussions of death and evil, this volume offers a fascinating variety of insights into both Barth’s theology and its legacy, as well as the eschatological dimensions of the biblical witness and its salience for both the academy and church.
Contributors are: John M. G. Barclay, Douglas Campbell, Christophe Chalamet, Kaitlyn Dugan, Nancy J. Duff, Susan Eastman, Beverly Roberts Gaventa, Grant Macaskill, Kenneth Oakes, Christoph Schwöbel Christiane Tietz, Philip G. Ziegler.
Contributors are: John M. G. Barclay, Douglas Campbell, Christophe Chalamet, Kaitlyn Dugan, Nancy J. Duff, Susan Eastman, Beverly Roberts Gaventa, Grant Macaskill, Kenneth Oakes, Christoph Schwöbel Christiane Tietz, Philip G. Ziegler.
Baron d'Holbach and His Time
Editor:
Laura Nicolì
Gathering together generations of scholars, The Great Protector of Wits provides a new assessment of baron d’Holbach (1723-1789) and his circle. A challenging figure of the European Enlightenment, Paul-Henri Thiry d’Holbach not only was a radically materialistic philosopher, a champion of anticlericalism, the author of the Système de la nature known as “the Bible of atheists”, an idéologue, a popularizer of the natural sciences and a prolific contributor to the Encyclopédie, but also played a crucial role as an organizer of intellectual networks, a master of disseminating clandestine literature and a consummate strategist in authorial fictions. In this collective volume, for the first time, all these different threads of d’Holbach’s “philosophy in action” are considered and analyzed in their interconnection.
Contributors include: Jacopo Agnesina, Nicholas Cronk, Mélanie Éphrème, Enrico Galvagni, Jonathan Israel, Alan Charles Kors, Mladen Kozul, Brunello Lotti, Emilio Mazza, Gianluca Mori, Iryna Mykhailova, Gianni Paganini, Paolo Quintili, Alain Sandrier, Ruggero Sciuto, Maria Susana Seguin, and Gerhardt Stenger
Contributors include: Jacopo Agnesina, Nicholas Cronk, Mélanie Éphrème, Enrico Galvagni, Jonathan Israel, Alan Charles Kors, Mladen Kozul, Brunello Lotti, Emilio Mazza, Gianluca Mori, Iryna Mykhailova, Gianni Paganini, Paolo Quintili, Alain Sandrier, Ruggero Sciuto, Maria Susana Seguin, and Gerhardt Stenger