The excavated foundations of a ninth-century sacral building in the northeastern suburb of Pohansko, an important centre of Great Moravia, and especially the find of the nobleman’s grave H 153, has focused scholarly attention onto the nature of the Mojmirid state and the reasons behind its sudden disintegration. In this volume, a group of archaeologists, historians and a natural scientist aim to incorporate this remarkable discovery into the wider frameworks of Moravian power, society, and culture, and thereby arrive at some surprising conclusions.
Contributors: are Stefan Eichert, David Kalhous, Pavel Kouřil, Jiří Macháček, Vladimír Sládek, Ivo Štefan, Martin Wihoda, Roman Zehetmayer.
Richard Pipes and Marc Raeff were two of the most prolific and influential historians of Russia that America ever produced. They met at Harvard in 1946 and went on, for most of the following six decades, to debate history, share ideas, comment on each other's work, and inspire one another intellectually. In
Pillars of the Profession: The Correspondence of Richard Pipes and Marc Raeff, Jonathan Daly presents the 158 letters these scholars and friends exchanged from 1948 until 2007. Thoughtful introductory and concluding essays, detailed annotations, a wealth of photographs and other illustrations, a chronology of major events, and four maps make this volume an important addition to Russian historiography.
Art for the workers explores the mythology and reality of post-revolutionary proletarian art in Russia as well as its expression in the festive decorations of Petrograd between 1917 and 1920. It covers this brief period chronologically, and so permits a close inspection of the development of artistic policies in Russia under the Provisional Government followed by the Bolsheviks. Specifically, this book focuses on the pre-and post-revolutionary debate about the nature of proletarian art and its role in the new Socialist society, particularly focusing on festive decorations, parades and mass performances as expressions of proletarian art and forms of propaganda.
Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa, Jelena Erdeljan focuses on the Old Testament topic of the divinely-chosen status of Jerusalem and translatio Hierosolymi, including the history, process and media of formulating and disseminating this idea and its spatial-visual matrix in Christian visual culture. Firstly the study presents the case of Constantinople, the capital of the Byzantine Empire, as New Jerusalem, and secondly, in relation to Constatinople, discussion focuses on the cases of the capitals of Slavia Orthodoxa in the later Middle Ages: Turnovo, Belgrade and Moscow. The idea of Jerusalem corresponds with the idea of a mystical center, the center of the historical Christian world, which travels and follows the path of eschatologial realisation.
This book is devoted to the Old Rus’ dress of the Upper Volga area, as gleaned from the archaeological evidence of the burial sites.
The organic remains of dress and metal and glass ornaments and fasteners are considered. Issues such as the social status and age of the buried individuals, as well as the influence of various ethnic groups (including East Slavic groups, Finno-Ugric tribes and the Balts ) on the dress of the Old Rus’, are addressed through the study of variants of male and female headdresses, clothes and accessories. Furthermore, a detailed study of the evolution of the headdress and the structure of jewelry from the late 10th century to the 13th century is offered.