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This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposure to verbal and physical abuse, illness, war, captivity, incarceration, and chemical exposure, amongst others, leads to a new understanding of the transformed self and empowering post-traumatic developments.

Contributors are Peter Bray, Francesca Brencio, Mark Callaghan, M. Candace Christensen, Diedra L. Clay, Leanne Dodd, Marie France Forcier, Gen’ichiro Itakura, Jacqueline Linder, Elwin Susan John, Kori D. Novak, Cassie Pedersen, Danielle Schaub, Nicholas Quin Serenati, Aslı Tekinay, Tony M. Vinci and Claudio Zanini.
Eschewing the all-pervading contextual approach to literary criticism, this book takes a Lacanian view of several popular British fantasy texts of the late 19th century such as Bram Stoker’s Dracula, revealing the significance of the historical context; the advent of a modern democratic urban society in place of the traditional agrarian one. Moreover, counter-intuitively it turns out that fantasy literature is analogous to modern Galilean science in its manipulation of the symbolic thereby changing our conception of reality. It is imaginary devices such as vampires and ape-men, which in conjunction with Lacanian theory say something additional of the truth about – primarily sexual – aspects of human subjectivity and culture, repressed by the contemporary hegemonic discourses.
Toward a Literary and Psychological Definition of Human Evil
Author: Vera B. Profit
Rather than theoretical or abstract, above all else, this monograph endeavors to serve as a practical guide, a handbook for helping us navigate a dark terrain. It neither presumes to examine the sources of evil nor suggest radical cures. These pages strive only to continue the process of naming the signs of individual evil that we might recognize these persons before they inflict even more damage. Scott Peck says it best. “If evil were easy to recognize, identify, and manage, there would be no need for this book.” Of course, he was referring to his own pioneering treatise; given the realities of our day, the need remains as great as ever.
In: Joys and Sorrows of Imaginary Persons
In: Joys and Sorrows of Imaginary Persons
In: Joys and Sorrows of Imaginary Persons
In: Joys and Sorrows of Imaginary Persons
Author: Donald Wesling
Joys and Sorrows of Imaginary Persons is a literary approach to consciousness where Donald Wesling denies that emotion is the scandal or handmaid of reason—rather emotion is the co-creator with reason of human life in the world. Discoveries in neuro-science in the 1990s Decade of the Brain have proven that thinking and feeling are wrapped with each other, and regulate and fulfill each other. Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing.
The first half of Joys and Sorrows of Imaginary Persons offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. The second half gives three focused studies, rich in examples, of emotion as cognition, as story, and as historical structure of feeling.
In: Joys and Sorrows of Imaginary Persons