A Journey of Discovery
Thomás A. S. Haddad
Thomás A. S. Haddad
When does a depiction of the moon become a lunar map? This essay addresses this question from theoretical and historical standpoints. It is argued that moon maps are of crucial importance to the history of cartography, for they challenge established notions of what is a map, how it functions, what are its purposes, and what kind of power it embodies and performs. The work also shows how terrestrial cartography has shaped the history of lunar mapping since the seventeenth century, through visual and nomenclature conventions, the cultural currency of maps, mapmakers’ social standing, and data-gathering and projection practices. It further demonstrates that lunar cartography has also been organized by an internal principle that is born of the fundamental problem of how to create static map spaces capable of representing a referent that is constantly changing to our eyes, as is the visible face of the moon. It is suggested that moon maps may be classed on three broad categories, according to the kinds of solutions for this representational problem that have been devised over the last 400 years.
Books, Maps and Encounters in the Atlantic World
Michiel van Groesen
History & Catalogue of Dutch Charts Printed on Vellum 1580-1725
Günter Schilder and Hans Kok
Approaches of Study and Practices in Portraying War since 19th Century
André Reyes Novaes
Approaches to Study and Practices in Portraying War since the 19th Century
André Reyes Novaes
Maps in newspapers generated many discussions among cartographers and geographers working from different approaches and theoretical backgrounds. This work examines these maps from a historiographical as well as a historical perspective. It considers three main questions, namely how maps in the press should be conceptualized, how cartographic images in newspapers have been studied, and how these images changed over time. In order to provide a perspective on the origins, development, and impact of war maps in the press, this work will explore maps representing three geopolitical conflicts for Brazilian audiences: The War of the Triple Alliance (1864–1870), World War II (1939–1945) and the War on Drugs in Rio de Janeiro’s favelas (1994–2010). By exploring these war maps, specific cartographic practices used in this genre as well as the connections that this mode has with other types of map production and consumption will be identified.
Geschiedenis en Cartobibliografie van het Hertogdom Brabant tot 1795
Mario Dorigo and Mathieu Franssen
De cartobibliografie bevat kaarten van het hele hertogdom, de vier kwartieren, het noorden en het zuiden en een viertal historische kaarten. Alle kaarttitels zijn volledig, aangevuld met een toelichting, de publicatiewijze en een lijst van vindplaatsen, met nadruk op Nederland en België.
This catalogue of printed maps of the Duchy of Brabant includes all the maps published between 1536, the date of the earliest mention of a map of Brabant, and 1795, when the feudal duchy was abolished. It includes woodcuts and intaglio prints. Four introductory chapters discribe the history of the duchy, the catrography of the duchy, the changes in the cartographic image over time and the evolution of the accuracy of the maps over time.
The cartobibliography contains maps of the entire duchy, maps of the four quarters, and maps of the north and south. All map titles are complete and supplemented with explanatory remarks, the manner of publication, and a list of locations where copies can be found, emphasizing the Netherlands and Belgium.
In Dutch, with an English summary.
Mapping German Cities in Sebastian Münster’s 'Cosmographia'
Jasper Cornelis van Putten
Edited by Surekha Davies and Asa Simon Mittman
The editors welcome submissions from scholars of the histories of art, material culture, colonialism, exploration, ethnography (including that of peoples described as monsters), encounters, literature, philosophy, religion, science and knowledge, as well as of the history of cartography and related disciplines. They encourage interdisciplinary submissions that cross traditional historical, geographical, or methodological boundaries, that include works from outside Western Europe and outside the Christian tradition, and that develop new analytical approaches to pre-modern spatial thinking, cartography, and the geographical imagination.