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  • Brill | Hes & De Graaf x
  • History of Cartography x
  • Book History and Cartography x

Series:

Diana Lange

Diana Lange's patient investigations have, in this wonderful piece of detective work, solved the mysteries of six extraordinary maps of routes across Tibet, clearly hand-drawn in the late 1850s by a local artist, known as the British Library's Wise Collection. Diana Lange now reveals not only the previously unknown identity of the Scottish colonial official who commissioned the maps from a Tibetan Buddhist lama, but also the story of how the Wise Collection came to be in the British Library. The result is both a spectacular illustrated ethnographic atlas and a unique compendium of knowledge concerning the mid-19th century Tibetan world, as well as a remarkable account of an academic journey of discovery. It will entertain and inform anyone with an interest in this fascinating region. This large format book is lavishly illustrated in colour and includes four separate large foldout maps.

Maps of the Moon

Lunar Cartography from the Seventeenth Century to the Space Age

Series:

Thomás A. S. Haddad

When does a depiction of the moon become a lunar map? This publication addresses this question from theoretical and historical standpoints. It is argued that moon maps are of crucial importance to the history of cartography, for they challenge established notions of what a map is, how it functions, what its purposes are, and what kind of power it embodies and performs. The publication also shows how terrestrial cartography has shaped the history of lunar mapping since the seventeenth century, through visual and nomenclature conventions, the cultural currency of maps, mapmakers’ social standing, and data-gathering and projection practices. It further demonstrates that lunar cartography has also been organized by an internal principle that is born of the fundamental problem of how to create static map spaces capable of representing a referent that is constantly changing to our eyes, as is the visible face of the moon. It is suggested that moon maps may be classed in three broad categories, according to the kinds of solutions for this representational problem that have been devised over the last 400 years.

Maps of the Moon

Lunar Cartography from the Seventeenth Century to the Space Age

Thomás A. S. Haddad

Abstract

When does a depiction of the moon become a lunar map? This essay addresses this question from theoretical and historical standpoints. It is argued that moon maps are of crucial importance to the history of cartography, for they challenge established notions of what is a map, how it functions, what are its purposes, and what kind of power it embodies and performs. The work also shows how terrestrial cartography has shaped the history of lunar mapping since the seventeenth century, through visual and nomenclature conventions, the cultural currency of maps, mapmakers’ social standing, and data-gathering and projection practices. It further demonstrates that lunar cartography has also been organized by an internal principle that is born of the fundamental problem of how to create static map spaces capable of representing a referent that is constantly changing to our eyes, as is the visible face of the moon. It is suggested that moon maps may be classed on three broad categories, according to the kinds of solutions for this representational problem that have been devised over the last 400 years.

Imagining the Americas in Print

Books, Maps and Encounters in the Atlantic World

Series:

Michiel van Groesen

In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.

Sailing Across the World's Oceans

History & Catalogue of Dutch Charts Printed on Vellum 1580-1725

Series:

Günter Schilder and Hans Kok

After covering the Dutch VOC manuscript charts on vellum in Sailing for the East (ESHC 10, 2010), the printed charts on vellum by commercial Amsterdam chart-publishers cried out for scrutiny as well. Sailing Across the World’s Oceans discusses these rare remaining charts, of which some 150 copies could be traced, mostly kept in international institutions. Their titles run from Europe to Indian Ocean and Atlantic Ocean, the latter commonly called West-Indische Paskaerten. The charts are described and analysed in an illustrated cartobibliography. The extensive introduction investigates the development of Amsterdam as a recognized centre for map production and distribution in Europe. It also discusses navigation techniques used in the sixteenth and seventeenth centuries. The developing world image is considered, as it may be derived from Dutch contributions. This book delivers insight into chart-making history that has not been available before.

Maps in Newspapers

Approaches of Study and Practices in Portraying War since 19th Century

Series:

André Reyes Novaes

Maps in newspapers generated many discussions among cartographers and geographers working from different approaches and theoretical backgrounds. This work examines these maps from a historiographical as well as a historical perspective. It considers three main questions, namely how maps in the press should be conceptualized, how cartographic images in newspapers have been studied, and how these images changed over time. In order to provide a perspective on the origins, development, and impact of war maps in the press, we will explore maps representing three geopolitical conflicts for Brazilian audiences: The War of the Triple Alliance (1864–1870), the World War II (1939–1945) and the War on Drugs in Rio de Janeiro’s favelas (1994–2010). By exploring maps on these wars, we will identify specific cartographic practices used in this genre as well as the connections that this mode has with other types of map production and consumption.

Maps in Newspapers

Approaches to Study and Practices in Portraying War since the 19th Century

André Reyes Novaes

Abstract

Maps in newspapers generated many discussions among cartographers and geographers working from different approaches and theoretical backgrounds. This work examines these maps from a historiographical as well as a historical perspective. It considers three main questions, namely how maps in the press should be conceptualized, how cartographic images in newspapers have been studied, and how these images changed over time. In order to provide a perspective on the origins, development, and impact of war maps in the press, this work will explore maps representing three geopolitical conflicts for Brazilian audiences: The War of the Triple Alliance (1864–1870), World War II (1939–1945) and the War on Drugs in Rio de Janeiro’s favelas (1994–2010). By exploring these war maps, specific cartographic practices used in this genre as well as the connections that this mode has with other types of map production and consumption will be identified.

Brabantia Ducatus

Geschiedenis en Cartobibliografie van het Hertogdom Brabant tot 1795

Series:

Mario Dorigo and Mathieu Franssen

Deze inventarisatie van de gedrukte kaarten van het hertogdom Brabant omvat alle kaarten die gepubliceerd zijn tussen 1536, wanneer voor het eerst een kaart van Brabant wordt vermeld, en 1795, toen het feodale hertogdom werd opgeheven. De cartobibliografie betreft uitsluitend gedrukte kaarten, zowel houtsneden als koperdiepdrukken. In vier introductiehoofdstukken worden achtereenvolgens de geschiedenis van het hertogdom, de cartografie van het hertogdom, de wijzingen in het kaartbeeld in de loop van de tijd en de ontwikkeling van de nauwkeurigheid van kaarten met behulp van het programma MapAnalyst beschreven.
De cartobibliografie bevat kaarten van het hele hertogdom, de vier kwartieren, het noorden en het zuiden en een viertal historische kaarten. Alle kaarttitels zijn volledig, aangevuld met een toelichting, de publicatiewijze en een lijst van vindplaatsen, met nadruk op Nederland en België.

This catalogue of printed maps of the Duchy of Brabant includes all the maps published between 1536, the date of the earliest mention of a map of Brabant, and 1795, when the feudal duchy was abolished. It includes woodcuts and intaglio prints. Four introductory chapters discribe the history of the duchy, the catrography of the duchy, the changes in the cartographic image over time and the evolution of the accuracy of the maps over time.
The cartobibliography contains maps of the entire duchy, maps of the four quarters, and maps of the north and south. All map titles are complete and supplemented with explanatory remarks, the manner of publication, and a list of locations where copies can be found, emphasizing the Netherlands and Belgium.
In Dutch, with an English summary.

Networked Nation

Mapping German Cities in Sebastian Münster’s 'Cosmographia'

Series:

Jasper Cornelis van Putten

In Networked Nation: Mapping German Cities in Sebastian Münster’s 'Cosmographia', Jasper van Putten examines the groundbreaking woodcut city views in the German humanist Sebastian Münster’s Cosmographia. This description of the world, published in Basel from 1544 to 1628, glorified the Holy Roman Empire of the German Nation and engendered the city book genre. Van Putten argues that Münster’s network of city view makers and contributors—from German princes and artists to Swiss woodcutters, draftsmen, and printers—expressed their local and national cultural identities in the views. The Cosmographia, and the city books it inspired, offer insights into the development of German and Swiss identity from 1550 to Switzerland’s independence from the empire in 1648.

Edited by Surekha Davies and Asa Simon Mittman

This innovative series seeks monographs and essay collections that investigate how notions of space, geography, and mapping shaped medieval and early modern cultures. While the history of cartography has traditionally focused on internal developments in European mapping conventions and technologies, pre-modern scribes, illuminators, and printers of maps tended to work in multiple genres. Spatial thinking informed and was informed by multiple epistemologies and perceptions of the order of nature. Maps, Spaces, Cultures therefore integrates the study of cartography and geography within cultural history. It puts genres that reflected and constituted spatial thinking into dialogue with the cultures that produced and consumed them, as well as with those they represented.

The editors welcome submissions from scholars of the histories of art, material culture, colonialism, exploration, ethnography (including that of peoples described as monsters), encounters, literature, philosophy, religion, science and knowledge, as well as of the history of cartography and related disciplines. They encourage interdisciplinary submissions that cross traditional historical, geographical, or methodological boundaries, that include works from outside Western Europe and outside the Christian tradition, and that develop new analytical approaches to pre-modern spatial thinking, cartography, and the geographical imagination.