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Communication decisively impacts upon all our lives. This inherent need to connect may either be soothing or painful, a source of intimate understanding or violent discord. Consequently, how it is brokered is challenging and often crucial in situations where those involved have quite different ways of being in and seeing the world. Good communication is equated with skills that intentionally facilitate change, the realisation of desirable outcomes and the improvement of human situations. Withdrawal of communication, or its intentional manipulation, provokes misunderstanding, mistrust, and precipitates the decline into disorder. This international collection of work specifically interrogates conflict as an essential outworking of communication, and suggests that understanding of communication’s potency in contexts of conflict can directly influence reciprocally positive outcomes.
Communication decisively impacts upon all our lives. This inherent need to connect may either be soothing or painful, a source of intimate understanding or violent discord. Consequently, how it is brokered is challenging and often crucial in situations where those involved have quite different ways of being in and seeing the world. Good communication is equated with skills that intentionally facilitate change, the realisation of desirable outcomes and the improvement of human situations. Withdrawal of communication, or its intentional manipulation, provokes misunderstanding, mistrust, and precipitates the decline into disorder. This international collection of work specifically interrogates conflict as an essential outworking of communication, and suggests that understanding of communication’s potency in contexts of conflict can directly influence reciprocally positive outcomes.
Editor:
Fuat Gursozlu
Peace, Culture, and Violence examines deeper sources of violence by providing a critical reflection on the forms of violence that permeate everyday life and our inability to recognize these forms of violence. Exploring the elements of culture that legitimize and normalize violence, the essays collected in this volume invite us to recognize and critically approach the violent aspects of reality we live in and encourage us to envision peaceful alternatives. Including chapters written by important scholars in the fields of Peace Studies and Social and Political Philosophy, the volume represents an endeavour to seek peace in a world deeply marred by violence. Topics include: thug culture, language, hegemony, police violence, war on drugs, war, terrorism, gender, anti-Semitism, and other topics.
Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
Editor:
Fuat Gursozlu
Peace, Culture, and Violence examines deeper sources of violence by providing a critical reflection on the forms of violence that permeate everyday life and our inability to recognize these forms of violence. Exploring the elements of culture that legitimize and normalize violence, the essays collected in this volume invite us to recognize and critically approach the violent aspects of reality we live in and encourage us to envision peaceful alternatives. Including chapters written by important scholars in the fields of Peace Studies and Social and Political Philosophy, the volume represents an endeavour to seek peace in a world deeply marred by violence. Topics include: thug culture, language, hegemony, police violence, war on drugs, war, terrorism, gender, anti-Semitism, and other topics.
Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
From Normative Rules to Heuristics
Volume Editor:
Marek Hetmański
Rationality and Decision Making: From Normative Rules to Heuristics offers a broad overview of both classic and very recent discussions concerning rationality and strategies of individual and group decision making. They are considered from a methodological, ethical, sociological, historical, cultural as well as an evolutionary perspective. Decision making, both rational and irrational, is treated in its complexity as an algorithmic, heuristic and intuitive process. The volume analyzes the theoretical and practical aspects of decision making in individual intentional endeavors and group or institutionalized undertakings. The analyses are mostly theoretical but they also appeal to empirical studies, proposed by philosophers and cognitive scientists who have studied logical, cognitive, biological, social and evolutionary aspects of human rationality.
Contributors include María José Frápolli, Marek Hetmański, Jan F. Jacko, Artur Koterski, Agnieszka Lekka-Kowalik, Sofia Miguens, Ángeles J. Perona, Manueal de Pinedo, João Alberto Pinto, Krzysztof Polit, Marcin Rządeczka, Rui Sampaio da Silva, Joanna Sokołowska, Barbara Trybulec, Marcin Trybulec, Neftalí Villanueva, Monika Walczak, Jan Winkowski, Anna Wójtowicz, Jesús Zamora-Bonilla, and António Zilhão.
Contributors include María José Frápolli, Marek Hetmański, Jan F. Jacko, Artur Koterski, Agnieszka Lekka-Kowalik, Sofia Miguens, Ángeles J. Perona, Manueal de Pinedo, João Alberto Pinto, Krzysztof Polit, Marcin Rządeczka, Rui Sampaio da Silva, Joanna Sokołowska, Barbara Trybulec, Marcin Trybulec, Neftalí Villanueva, Monika Walczak, Jan Winkowski, Anna Wójtowicz, Jesús Zamora-Bonilla, and António Zilhão.
From Normative Rules to Heuristics
Volume Editor:
Marek Hetmański
Rationality and Decision Making: From Normative Rules to Heuristics offers a broad overview of both classic and very recent discussions concerning rationality and strategies of individual and group decision making. They are considered from a methodological, ethical, sociological, historical, cultural as well as an evolutionary perspective. Decision making, both rational and irrational, is treated in its complexity as an algorithmic, heuristic and intuitive process. The volume analyzes the theoretical and practical aspects of decision making in individual intentional endeavors and group or institutionalized undertakings. The analyses are mostly theoretical but they also appeal to empirical studies, proposed by philosophers and cognitive scientists who have studied logical, cognitive, biological, social and evolutionary aspects of human rationality.
Contributors include María José Frápolli, Marek Hetmański, Jan F. Jacko, Artur Koterski, Agnieszka Lekka-Kowalik, Sofia Miguens, Ángeles J. Perona, Manueal de Pinedo, João Alberto Pinto, Krzysztof Polit, Marcin Rządeczka, Rui Sampaio da Silva, Joanna Sokołowska, Barbara Trybulec, Marcin Trybulec, Neftalí Villanueva, Monika Walczak, Jan Winkowski, Anna Wójtowicz, Jesús Zamora-Bonilla, and António Zilhão.
Contributors include María José Frápolli, Marek Hetmański, Jan F. Jacko, Artur Koterski, Agnieszka Lekka-Kowalik, Sofia Miguens, Ángeles J. Perona, Manueal de Pinedo, João Alberto Pinto, Krzysztof Polit, Marcin Rządeczka, Rui Sampaio da Silva, Joanna Sokołowska, Barbara Trybulec, Marcin Trybulec, Neftalí Villanueva, Monika Walczak, Jan Winkowski, Anna Wójtowicz, Jesús Zamora-Bonilla, and António Zilhão.
Media as Infrastructures and Cultural Practices
Traffic: Media as Infrastructures and Cultural Practices presents a collection of texts by distinguished international media and cultural scholars that addresses fundamental relationships between the logistic, symbolic, and infrastructural dimensions of media. The volume discusses the role of traffic and infrastructures within the history of media theory as well as in a broader cultural context: Traffic is shown to constitute an important epistemological and technical principle, a paradigm for exchanges and circulations between discoursive and non-discoursive cultural practices. This opens an encompassing perspective of media ecology, and at the same time illuminates the formative power of traffic as structuring time and space: material and informational traffic creates, maintains, and undermines power, configures meaning, and facilitates appropriation and resistance.
Media as Infrastructures and Cultural Practices
Traffic: Media as Infrastructures and Cultural Practices presents a collection of texts by distinguished international media and cultural scholars that addresses fundamental relationships between the logistic, symbolic, and infrastructural dimensions of media. The volume discusses the role of traffic and infrastructures within the history of media theory as well as in a broader cultural context: Traffic is shown to constitute an important epistemological and technical principle, a paradigm for exchanges and circulations between discoursive and non-discoursive cultural practices. This opens an encompassing perspective of media ecology, and at the same time illuminates the formative power of traffic as structuring time and space: material and informational traffic creates, maintains, and undermines power, configures meaning, and facilitates appropriation and resistance.
The Role of Visual Arts and Artists in the Making of the Latvian Identity, 1905-1940
Focusing on the role of arts in the construction of national identity, Suzanne Pourchier-Plasseraud has chosen to study the case of a country lacking an ancient state history of its own, Latvia. This book analyses the part played by the visual arts in transmuting the cultural concept of a nation, advocated by a small intelligentsia, into a widespread claim for independence. By the end of the 19th century, fretting under Russian political domination and German economic and cultural supremacy, the Latvians turned back to their own language, culture and folklore, with a special interest for their
dainas, their timeless common heritage rooted into a mythical golden age. Latvian artists thus found themselves entrusted with the mission of creating a national iconographic representation and a specifically Latvian art, freed from Russian and German influences. The author shows how the links between the cultural and political spheres evolved between 1905 and 1940, including during the period of authoritarian government preceding WWII. An enlightening contribution to understanding how art and history can be turned into social and political instruments, this book reaches far beyond the Latvian case to a European and even global scope.
The Role of Visual Arts and Artists in the Making of the Latvian Identity, 1905-1940
Focusing on the role of arts in the construction of national identity, Suzanne Pourchier-Plasseraud has chosen to study the case of a country lacking an ancient state history of its own, Latvia. This book analyses the part played by the visual arts in transmuting the cultural concept of a nation, advocated by a small intelligentsia, into a widespread claim for independence. By the end of the 19th century, fretting under Russian political domination and German economic and cultural supremacy, the Latvians turned back to their own language, culture and folklore, with a special interest for their
dainas, their timeless common heritage rooted into a mythical golden age. Latvian artists thus found themselves entrusted with the mission of creating a national iconographic representation and a specifically Latvian art, freed from Russian and German influences. The author shows how the links between the cultural and political spheres evolved between 1905 and 1940, including during the period of authoritarian government preceding WWII. An enlightening contribution to understanding how art and history can be turned into social and political instruments, this book reaches far beyond the Latvian case to a European and even global scope.
Essays on the Philosophy of Richard J. Bernstein
The topics addressed by Richard J. Bernstein in his extensive and illuminating work span the stream of contemporary thought in several directions: ethics, politics, epistemology, philosophy of history, and social theory. In reflecting on them Bernstein has played an intermediary role between the most recognizable product of American philosophical tradition, i.e. Pragmatism, and such central trends in European 20th century thought as Marxism, Psychoanalysis, Critical Theory, and Hermeneutics.
In this volume a host of prominent scholars from the United States, Europe, and Latin America pays tribute to Bernstein’s lifelong reflection on such present human problems as: the achievements and the dilemmas of modern societies, the legitimation crisis of democracy, the uses and abuses of public space, the role of scientific knowledge and technology in shaping the modern life, the ethical and political interplay between identity and community, and the preconditions and limits of understanding in multicultural contexts.
The fifteen essays in this book, accompanied by separate replies by Bernstein, are organized in four sections: “Bernstein, Rorty and American Pragmatism,” “Epistemology and Hermeneutics,” “Good, Evil and Judgment,” and “Democratic Vistas.” As Prof. Bernstein declares in his Preface, these “contributions are expressions of my own commitment to engaged fallibilistic pluralism.”
In this volume a host of prominent scholars from the United States, Europe, and Latin America pays tribute to Bernstein’s lifelong reflection on such present human problems as: the achievements and the dilemmas of modern societies, the legitimation crisis of democracy, the uses and abuses of public space, the role of scientific knowledge and technology in shaping the modern life, the ethical and political interplay between identity and community, and the preconditions and limits of understanding in multicultural contexts.
The fifteen essays in this book, accompanied by separate replies by Bernstein, are organized in four sections: “Bernstein, Rorty and American Pragmatism,” “Epistemology and Hermeneutics,” “Good, Evil and Judgment,” and “Democratic Vistas.” As Prof. Bernstein declares in his Preface, these “contributions are expressions of my own commitment to engaged fallibilistic pluralism.”
Essays on the Philosophy of Richard J. Bernstein
The topics addressed by Richard J. Bernstein in his extensive and illuminating work span the stream of contemporary thought in several directions: ethics, politics, epistemology, philosophy of history, and social theory. In reflecting on them Bernstein has played an intermediary role between the most recognizable product of American philosophical tradition, i.e. Pragmatism, and such central trends in European 20th century thought as Marxism, Psychoanalysis, Critical Theory, and Hermeneutics.
In this volume a host of prominent scholars from the United States, Europe, and Latin America pays tribute to Bernstein’s lifelong reflection on such present human problems as: the achievements and the dilemmas of modern societies, the legitimation crisis of democracy, the uses and abuses of public space, the role of scientific knowledge and technology in shaping the modern life, the ethical and political interplay between identity and community, and the preconditions and limits of understanding in multicultural contexts.
The fifteen essays in this book, accompanied by separate replies by Bernstein, are organized in four sections: “Bernstein, Rorty and American Pragmatism,” “Epistemology and Hermeneutics,” “Good, Evil and Judgment,” and “Democratic Vistas.” As Prof. Bernstein declares in his Preface, these “contributions are expressions of my own commitment to engaged fallibilistic pluralism.”
In this volume a host of prominent scholars from the United States, Europe, and Latin America pays tribute to Bernstein’s lifelong reflection on such present human problems as: the achievements and the dilemmas of modern societies, the legitimation crisis of democracy, the uses and abuses of public space, the role of scientific knowledge and technology in shaping the modern life, the ethical and political interplay between identity and community, and the preconditions and limits of understanding in multicultural contexts.
The fifteen essays in this book, accompanied by separate replies by Bernstein, are organized in four sections: “Bernstein, Rorty and American Pragmatism,” “Epistemology and Hermeneutics,” “Good, Evil and Judgment,” and “Democratic Vistas.” As Prof. Bernstein declares in his Preface, these “contributions are expressions of my own commitment to engaged fallibilistic pluralism.”
Essays on Ecology, Nature, Nonviolence, and Peace
Volume Editor:
Andrew Fiala
The essays collected in
The Peace of Nature and the Nature of Peace consider connections between ecology, environmental ethics, nonviolence, and philosophy of peace. Edited by Andrew Fiala, this book includes essays written by important scholars in the field of peace studies, pacifism, and nonviolence, including Michael Allen Fox, Andrew Fitz-Gibbon, Bill Gay, and others. Topics include: ecological consciousness and nonviolence, environmental activism and peace activism, the environmental impact of militarism, native and indigenous peoples and peace, food ethics and nonviolence, and other topics.
The book should be of interest to scholars, students, and activists who are interested in the relationship between peace movements and environmentalism.
The book should be of interest to scholars, students, and activists who are interested in the relationship between peace movements and environmentalism.
Essays on Ecology, Nature, Nonviolence, and Peace
Volume Editor:
Andrew Fiala
The essays collected in
The Peace of Nature and the Nature of Peace consider connections between ecology, environmental ethics, nonviolence, and philosophy of peace. Edited by Andrew Fiala, this book includes essays written by important scholars in the field of peace studies, pacifism, and nonviolence, including Michael Allen Fox, Andrew Fitz-Gibbon, Bill Gay, and others. Topics include: ecological consciousness and nonviolence, environmental activism and peace activism, the environmental impact of militarism, native and indigenous peoples and peace, food ethics and nonviolence, and other topics.
The book should be of interest to scholars, students, and activists who are interested in the relationship between peace movements and environmentalism.
The book should be of interest to scholars, students, and activists who are interested in the relationship between peace movements and environmentalism.
Dutch Racism is the first comprehensive study of its kind. The approach is unique, not comparative but relational, in unraveling the legacy of racism in the Netherlands and the (former) colonies. Authors contribute to identifying the complex ways in which racism operates in and beyond the national borders, shaped by European and global influences, and intersecting with other systems of domination. Contrary to common sense beliefs it appears that old-fashioned biological notions of “race” never disappeared. At the same time the Netherlands echoes, if not leads, a wider European trend, where offensive statements about Muslims are an everyday phenomenon.
Dutch Racism challenges readers to question what happens when the moral rejection of racism looses ground.
The volume captures the layered nature of Dutch racism through a plurality of registers, methods, and disciplinary approaches: from sociology and history to literary analysis, art history and psychoanalysis, all different elements competing for relevance, truth value, and explanatory power. This range of voices and visions offers illuminating insights in the two closely related questions that organize this book: what factors contribute to the complexity of Dutch racism? And why is the concept of racism so intensely contested? The volume will speak to audiences across the humanities and social sciences and can be used as textbook in undergraduate as well as graduate courses.
The volume captures the layered nature of Dutch racism through a plurality of registers, methods, and disciplinary approaches: from sociology and history to literary analysis, art history and psychoanalysis, all different elements competing for relevance, truth value, and explanatory power. This range of voices and visions offers illuminating insights in the two closely related questions that organize this book: what factors contribute to the complexity of Dutch racism? And why is the concept of racism so intensely contested? The volume will speak to audiences across the humanities and social sciences and can be used as textbook in undergraduate as well as graduate courses.
Dutch Racism is the first comprehensive study of its kind. The approach is unique, not comparative but relational, in unraveling the legacy of racism in the Netherlands and the (former) colonies. Authors contribute to identifying the complex ways in which racism operates in and beyond the national borders, shaped by European and global influences, and intersecting with other systems of domination. Contrary to common sense beliefs it appears that old-fashioned biological notions of “race” never disappeared. At the same time the Netherlands echoes, if not leads, a wider European trend, where offensive statements about Muslims are an everyday phenomenon.
Dutch Racism challenges readers to question what happens when the moral rejection of racism looses ground.
The volume captures the layered nature of Dutch racism through a plurality of registers, methods, and disciplinary approaches: from sociology and history to literary analysis, art history and psychoanalysis, all different elements competing for relevance, truth value, and explanatory power. This range of voices and visions offers illuminating insights in the two closely related questions that organize this book: what factors contribute to the complexity of Dutch racism? And why is the concept of racism so intensely contested? The volume will speak to audiences across the humanities and social sciences and can be used as textbook in undergraduate as well as graduate courses.
The volume captures the layered nature of Dutch racism through a plurality of registers, methods, and disciplinary approaches: from sociology and history to literary analysis, art history and psychoanalysis, all different elements competing for relevance, truth value, and explanatory power. This range of voices and visions offers illuminating insights in the two closely related questions that organize this book: what factors contribute to the complexity of Dutch racism? And why is the concept of racism so intensely contested? The volume will speak to audiences across the humanities and social sciences and can be used as textbook in undergraduate as well as graduate courses.
Intellectual Exchange and the Rethinking of Europe 1914-1945
European Encounters explores the making and remaking of ideas of Europe between 1914 and 1945 as a result of intellectual encounters and intellectual exchange. Against the background of the first half of the twentieth century European intellectuals feverishly chased new and uncharted territories, most often across national borders. Their encounters with other intellectuals, or ideas, cultures, concepts and practices produced new understandings of Europe and triggered projects for Europe’s future. West-European writers turned to Russian literature, Catholic politicians from Northern Europe embraced corporatist and fascist solutions from Mediterranean Europe, scientists pointed at science and their network as sources of peace and reconciliation and others committed themselves to the European federalism of the Pan-Europa Movement. This volume unravels the encounters and exchanges that lie at the roots of this attempt at rethinking Europe.
Intellectual Exchange and the Rethinking of Europe 1914-1945
European Encounters explores the making and remaking of ideas of Europe between 1914 and 1945 as a result of intellectual encounters and intellectual exchange. Against the background of the first half of the twentieth century European intellectuals feverishly chased new and uncharted territories, most often across national borders. Their encounters with other intellectuals, or ideas, cultures, concepts and practices produced new understandings of Europe and triggered projects for Europe’s future. West-European writers turned to Russian literature, Catholic politicians from Northern Europe embraced corporatist and fascist solutions from Mediterranean Europe, scientists pointed at science and their network as sources of peace and reconciliation and others committed themselves to the European federalism of the Pan-Europa Movement. This volume unravels the encounters and exchanges that lie at the roots of this attempt at rethinking Europe.
Aesthetic Vision in the Wake of Darwin: 1870–1920
This book analyses Darwin’s influence on art and the effect of his science on experiences of beauty. The first chapter discusses Darwin’s great forerunner, Alexander von Humboldt, and his contribution to thinking about the relationship between science and beauty. The second examines the public reception of Darwin in Germany, focusing on the German Naturalists and the important scientific controversies which Darwin’s idea provoked. It shows the political use of science (Häckel and Virchow) and foreshadows present-day debates between Darwinism and Creationism, science and an idealized view of nature.
Against this background the book shows the effect of Darwin on three important fields: the perception of landscape in major writers (Zola, Lawrence, Jacobsen, Benn and Brecht) before 1920; the portrayal of wild life, as revealed in bird-painting; and the understanding of the relationship between the human body and character.
The book brings together for the first time Darwin’s The Expression of Emotion with the work of major European novelists (Eliot, Gutzkow and Freytag), focusing on the place of the older understandings contained in physiognomy, which Darwin challenged, on the portrayal of ethnicity, and on debates about acting, including for the young Brecht.
Against this background the book shows the effect of Darwin on three important fields: the perception of landscape in major writers (Zola, Lawrence, Jacobsen, Benn and Brecht) before 1920; the portrayal of wild life, as revealed in bird-painting; and the understanding of the relationship between the human body and character.
The book brings together for the first time Darwin’s The Expression of Emotion with the work of major European novelists (Eliot, Gutzkow and Freytag), focusing on the place of the older understandings contained in physiognomy, which Darwin challenged, on the portrayal of ethnicity, and on debates about acting, including for the young Brecht.
Aesthetic Vision in the Wake of Darwin: 1870–1920
This book analyses Darwin’s influence on art and the effect of his science on experiences of beauty. The first chapter discusses Darwin’s great forerunner, Alexander von Humboldt, and his contribution to thinking about the relationship between science and beauty. The second examines the public reception of Darwin in Germany, focusing on the German Naturalists and the important scientific controversies which Darwin’s idea provoked. It shows the political use of science (Häckel and Virchow) and foreshadows present-day debates between Darwinism and Creationism, science and an idealized view of nature.
Against this background the book shows the effect of Darwin on three important fields: the perception of landscape in major writers (Zola, Lawrence, Jacobsen, Benn and Brecht) before 1920; the portrayal of wild life, as revealed in bird-painting; and the understanding of the relationship between the human body and character.
The book brings together for the first time Darwin’s The Expression of Emotion with the work of major European novelists (Eliot, Gutzkow and Freytag), focusing on the place of the older understandings contained in physiognomy, which Darwin challenged, on the portrayal of ethnicity, and on debates about acting, including for the young Brecht.
Against this background the book shows the effect of Darwin on three important fields: the perception of landscape in major writers (Zola, Lawrence, Jacobsen, Benn and Brecht) before 1920; the portrayal of wild life, as revealed in bird-painting; and the understanding of the relationship between the human body and character.
The book brings together for the first time Darwin’s The Expression of Emotion with the work of major European novelists (Eliot, Gutzkow and Freytag), focusing on the place of the older understandings contained in physiognomy, which Darwin challenged, on the portrayal of ethnicity, and on debates about acting, including for the young Brecht.