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Insights into Latinx Identity in the Twenty-First Century
In
Latinidad at the Crossroad: Insights into Latinx identity in the Twenty-First Century Gerke and González Rodríguez provide flashing glimpses into the ways in which Latinas/os struggle to forge their multiracial and multicultural identities within their own communities and in mainstream U.S. society. This volume encompasses an interdisciplinary perspective on the complex range of latinidades that confronts stereotypical connotations, and simultaneously advocates a more flexible (re)definition that may overcome static collective representations of identity, ethnicity and belonging. Well-positioned in the current political context, the notion of latinidad is examined as a complex sociological phenomenon of identity-construction which is affected by outside influences and is used as a powerful linguistic, cultural and ideological weapon to denounce oppression and deconstruct stereotypes. Including chapters from foundational and influential scholars, this collection moves towards a dynamic exploration of how Latinx are remapping their identity positions in twenty-first century America.
Contributors: Francisco A. Lomelí, José Antonio Gurpegui, Esther Álvarez López, Ylce Irizarry, Luisa María González Rodríguez, Ewa Antoszek, Fernando Aquino.
Contributors: Francisco A. Lomelí, José Antonio Gurpegui, Esther Álvarez López, Ylce Irizarry, Luisa María González Rodríguez, Ewa Antoszek, Fernando Aquino.
Insights into Latinx Identity in the Twenty-First Century
In
Latinidad at the Crossroad: Insights into Latinx identity in the Twenty-First Century Gerke and González Rodríguez provide flashing glimpses into the ways in which Latinas/os struggle to forge their multiracial and multicultural identities within their own communities and in mainstream U.S. society. This volume encompasses an interdisciplinary perspective on the complex range of latinidades that confronts stereotypical connotations, and simultaneously advocates a more flexible (re)definition that may overcome static collective representations of identity, ethnicity and belonging. Well-positioned in the current political context, the notion of latinidad is examined as a complex sociological phenomenon of identity-construction which is affected by outside influences and is used as a powerful linguistic, cultural and ideological weapon to denounce oppression and deconstruct stereotypes. Including chapters from foundational and influential scholars, this collection moves towards a dynamic exploration of how Latinx are remapping their identity positions in twenty-first century America.
Contributors: Francisco A. Lomelí, José Antonio Gurpegui, Esther Álvarez López, Ylce Irizarry, Luisa María González Rodríguez, Ewa Antoszek, Fernando Aquino.
Contributors: Francisco A. Lomelí, José Antonio Gurpegui, Esther Álvarez López, Ylce Irizarry, Luisa María González Rodríguez, Ewa Antoszek, Fernando Aquino.
Experimental forms in Argentina, 1955-1968
Series:
Foro Hispánico, Volume: 62
Dematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country’s intense period of modernization. Elize Mazadiego presents Oscar Masotta’s notion of dematerialization as a concept for interpreting experimental art practices that negated the object’s primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires’ changing social life. A critical examination of art’s materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art.
Experimental forms in Argentina, 1955-1968
Series:
Foro Hispánico, Volume: 62
Dematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country’s intense period of modernization. Elize Mazadiego presents Oscar Masotta’s notion of dematerialization as a concept for interpreting experimental art practices that negated the object’s primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires’ changing social life. A critical examination of art’s materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art.
This series looks at the different literary traditions of the United States, including African American literature, Native American literature, Chicano and US latino literature, Asian American literature, as well as emergent literatures such as Indian or Arab American.
Although the series' focus is mostly comparative, multiethnic, and intercultural, it also welcomes feature analyses of single literary traditions.
Issues of race, ethnicity, class gender, and the interspace between the political and the aesthetic, among other possible topics, figure prominently in the series.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Although the series' focus is mostly comparative, multiethnic, and intercultural, it also welcomes feature analyses of single literary traditions.
Issues of race, ethnicity, class gender, and the interspace between the political and the aesthetic, among other possible topics, figure prominently in the series.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
California Sojourns in Five Installations
Series:
Spatial Practices, Volume: 34
Site-Seeing Aesthetics: California Sojourns in Five Installations takes the reader to Dodger Stadium, Fort Ross, Chinese Camp, the Winchester House, and letters from the Gold Country in a writing and reading of cultural time and site performance. These sojourns’ are informed by insights from among other literary and cultural studies, site-specific performance studies, human geography, archeology, and history into a kind of “literary chorography.” Along the road, the book considers how places come before us as dramatized, hybrid creations of layered and “haunted” scripts. In its interdisciplinary nature, Site-Seeing in California thus gestures to alternate paths into our time’s fascination with place, region, and memory, engaging also with questions of and dialogues between region and transnationalism in their aesthetic reflections.
California Sojourns in Five Installations
Series:
Spatial Practices, Volume: 34
Site-Seeing Aesthetics: California Sojourns in Five Installations takes the reader to Dodger Stadium, Fort Ross, Chinese Camp, the Winchester House, and letters from the Gold Country in a writing and reading of cultural time and site performance. These sojourns’ are informed by insights from among other literary and cultural studies, site-specific performance studies, human geography, archeology, and history into a kind of “literary chorography.” Along the road, the book considers how places come before us as dramatized, hybrid creations of layered and “haunted” scripts. In its interdisciplinary nature, Site-Seeing in California thus gestures to alternate paths into our time’s fascination with place, region, and memory, engaging also with questions of and dialogues between region and transnationalism in their aesthetic reflections.