Three Introductions to Psalms on Poetry, Translation, and Music by Joel Bril (Berlin 1791). A Bilingual Edition, translated with Commentary and an Introduction
This annotated bilingual edition presents to readers for the first time a key Hebrew book of Jewish Enlightenment. Printed in Berlin in 1791, Joel Bril’s Hebrew introductions to Psalms constitute the earliest interpretation of Moses Mendelssohn’s language philosophy, translation theory, and aesthetics. In these introductions, Mendelssohn emerges as a critic of Maimonides who located eternal felicity not in union with the Active Intellect but in the aesthetic experience of the divine through sacred poetry. Bril’s theoretical insights, the broad range of his myriad textual sources, and his linguistic innovations make the Book of the Songs of Israel a touchstone of modern Hebrew literary theory and Jewish thought.
Three Introductions to Psalms on Poetry, Translation, and Music by Joel Bril (Berlin 1791). A Bilingual Edition, translated with Commentary and an Introduction
This annotated bilingual edition presents to readers for the first time a key Hebrew book of Jewish Enlightenment. Printed in Berlin in 1791, Joel Bril’s Hebrew introductions to Psalms constitute the earliest interpretation of Moses Mendelssohn’s language philosophy, translation theory, and aesthetics. In these introductions, Mendelssohn emerges as a critic of Maimonides who located eternal felicity not in union with the Active Intellect but in the aesthetic experience of the divine through sacred poetry. Bril’s theoretical insights, the broad range of his myriad textual sources, and his linguistic innovations make the Book of the Songs of Israel a touchstone of modern Hebrew literary theory and Jewish thought.
Proceedings of the Sixteenth International Symposium of the Orion Center for the Study of the Dead Sea Scrolls and Associated Literature, Cosponsored by the University of Vienna, New York University, the Israel Antiquities Authority, and the Israel Museum
The Sixteenth Orion Symposium celebrated seventy years of Dead Sea Scrolls research under the theme, “Clear a path in the wilderness!” (Isaiah 40:3). Papers use the wilderness rubric to address the self-identification of the Qumran group; dimensions of religious experience reflected in the Dead Sea writings; biblical interpretation as shaper and conveyor of that experience; the significance of the Qumran texts for critical biblical scholarship; points of contact with the early Jesus movement; and new developments in understanding the archaeology of the Qumran caves. The volume both honors past insights and charts new paths for the future of Qumran studies.
Proceedings of the Sixteenth International Symposium of the Orion Center for the Study of the Dead Sea Scrolls and Associated Literature, Cosponsored by the University of Vienna, New York University, the Israel Antiquities Authority, and the Israel Museum
The Sixteenth Orion Symposium celebrated seventy years of Dead Sea Scrolls research under the theme, “Clear a path in the wilderness!” (Isaiah 40:3). Papers use the wilderness rubric to address the self-identification of the Qumran group; dimensions of religious experience reflected in the Dead Sea writings; biblical interpretation as shaper and conveyor of that experience; the significance of the Qumran texts for critical biblical scholarship; points of contact with the early Jesus movement; and new developments in understanding the archaeology of the Qumran caves. The volume both honors past insights and charts new paths for the future of Qumran studies.