Browse results

You are looking at 1 - 10 of 76 items for :

  • Literature & Culture x
  • Status (Books): Published x
  • Primary Language: English x
Clear All Modify Search

The Other Greek

An Introduction to Chinese and Japanese Characters, Their History and Influence

Arthur Cooper

Edited by Imre Galambos

In The Other Greek, Arthur Cooper offers a captivating and unorthodox introduction to the world of the Chinese script through the medium of poetry, explaining the structure, meaning and cultural significance of each character. Written nearly half a century ago, and now published posthumously, the book argues that the role of Chinese writing was analogous to the influence of Greek civilization on Western culture. Chinese is the Greek of the Far East, ‘the other Greek’! Originally a cryptanalyst, Cooper uses his professional—and distinctly non-academic—training to analyse Chinese characters and points out a series of unacknowledged associations between them. Ultimately, he aims to initiate the reader with no prior knowledge of the language into Chinese writing and poetry.

Series:

Edited by Gülru Necipoğlu and Maria J. Metzler

Muqarnas 34 features articles ranging from monumental architecture in seventh-century Jerusalem to modern Arab painting in Syria. It includes an archaeological study of the Agdal in Marrakesh, one of the few surviving medieval Islamic estates; as well as a fresh assessment of Ilkhanid polychrome stucco decoration in the Pir-i Bakran mausoleum. The volume contains several articles on interactions between Islamic and Christian societies as attested in architectural landscapes from the early modern period. One piece interprets an inscribed Renaissance gate at a Crimean palace; another provides a fascinating micro-history of Venetian merchants in Aleppo, who lived in commercial khans. Other highlights include an article exploring the impact of Shirazi poets and their tombs on the famous traveler, Pietro della Valle; and an investigation of the forgotten Galata New Mosque in Istanbul, built by the queen mother in 1698 to replace a prominent Catholic convent church following Ottoman military defeats.

The Notes and Sources section introduces several new texts, including a Neo-Latin poem that challenges recent modifications to the Alhambra’s iconic Fountain of Lions, and a hitherto undeciphered Persian chronogram poem, which sheds valuable light on the production sites of luster-painted ceramics in the Safavid period. Also featured is a sixteenth-century Arabic chronicle describing Ottoman construction projects in Mecca within the context of diplomatic relations between Istanbul and Gujarat.

Series:

Edited by Gülru Necipoğlu and Karen Leal

Muqarnas 33 contains articles that range chronologically and geographically from a study of architectural innovations in the early mosque under the Umayyads to an analysis of archaeological finds in medieval Armenia, the book culture of Bijapur, and a discussion of a nineteenth-century Muslim cemetery in Malta. Readers will also discover essays on, respectively, the influence of a Tabrizi workshop on Cairene architecture in the fourteenth century, and the brilliant ceramic tiles of the fifteenth-century Uzun Hasan Mosque in Tabriz, as well as the latest research on the coffeehouses of Safavid Isfahan and on the architectural patronage of Shah ʿAbbas. A study of a Timurid pilgrimage scroll in the Museum of Islamic Art in Doha and an essay on Bihari calligraphy round out the volume. The Notes and Sources section features a never-before-published treatise on the Sultan Ahmed Mosque in Istanbul. Muqarnas 33 includes articles by Heba Mostafa, Diana Isaac Bakhoum, Sandra Aube, David Roxburgh and Mounia Abudaya-Chehkhab, Eloïse Brac de la Perrière, Keelan Overton, Charles Melville, Farshid Emami, Conrad Thake, Ünver Rüstem, and Hans Barnard, Sneha Shah, Gregory E. Areshian, and Kym F. Faull.

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.


Series:

Edited by Vishwa Adluri and Joydeep Bagchee

Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it.
Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.

Discourses of Disease

Writing Illness, the Mind and the Body in Modern China

Edited by Howard Y. F. Choy

The meanings of disease have undergone such drastic changes with the introduction of modern Western medicine into China during the last two hundred years that new discourses have been invented to theorize illness, redefine health, and reconstruct classes and genders. As a consequence, medical literature is rewritten with histories of hygiene, studies of psychopathology, and stories of cancer, disabilities and pandemics. This edited volume includes studies of discourses about both bodily and psychiatric illness in modern China, bringing together ground-breaking scholarships that reconfigure the fields of history, literature, film, psychology, anthropology, and gender studies by tracing the pathological path of the “Sick Man of East Asia” through the nineteenth and twentieth centuries into the new millennium.

The Translation Chapter of the Late Ming Lulongsai Lüe

Bilingual Sections of a Chinese Military Collection

Series:

Ákos Bertalan Apatóczky

In this book, Ákos Bertalan Apatóczky offers a complete reconstruction of the Chinese-Mongol vocabulary of the 17th century comprehensive Chinese military work called Lulongsai lüe (盧龍塞略, LLSL), a document of key importance containing one of the last Sino-Mongol glossaries without proper critical reconstruction until now. The work has resulted in a clarification of the earlier sources the compilers of LLSL used in the bilingual part. The author argues that contrary to what scholars have thought of it until now, the linguistic corpus of the glossary is not homogeneous and does not represent a single linguistic status; it does, however, shed some light on chronological and philological questions concerning the earlier works incorporated in it.

Series:

Charles Exley

In Satō Haruo and Modern Japanese Literature, Charles Exley offers the first comprehensive examination of Satō’s literary oeuvre from the 1910s through the 1930s. The study examines the ways in which selected novels and short stories interact with cultural discourses of the time, including the fantastic, the discourse on melancholy and mental illness, detective fiction and early film, colonial encounter and critique of civilization, and hysteria and psychoanalysis.
Exley’s alignment of Satō’s fictional work with its cultural and historical context illustrates the complex ways in which Satō’s aesthetic projections derived from and comment on Japan’s experience with modernization during the twentieth century.

Series:

Timothy M. Davis

In Entombed Epigraphy and Commemorative Culture Timothy M. Davis presents a history of early muzhiming—the most versatile and persistent commemorative form employed in the elite burials of pre-modern China. While previous scholars have largely overlooked the contemporary religious, social, and cultural functions of these epigraphic objects, this study directly addresses these areas of concern, answering such basic questions as: Why were muzhiming buried in tombs? What distinguishes commemorative biography from dynastic history biography? And why did muzhiming develop into an essential commemorative genre esteemed by the upper classes? Furthermore, this study reveals how aspiring families used muzhiming to satisfy their obligations to deceased ancestors, establish a multi-generational sense of corporate identity, and strengthen their claims to elite status.

Harima Fudoki

A Record of Ancient Japan Reinterpreted, Translated, Annotated, and with Commentary

Series:

Edwina Palmer

Harima Fudoki, dated to 714CE, is one of Japan’s earliest extant written records. It is a rich account of the people, places, natural resources and stories in the Harima region of western Japan. Produced by the government as a tool for Japan’s early state formation, Harima Fudoki includes important myths of places and gods from a different perspective to the contemporaneous ‘national’ chronicles. This document is an essential primary source for all who are interested in ancient Japan.
In this new critical edition, Palmer draws upon recent research into the archaeology, history, orality and literature of ancient Japan to reinterpret this hitherto little-known document. Palmer’s insightful commentary contextualizes the Harima tales for the first time in English.

Imperial-Time-Order

Literature, Intellectual History, and China’s Road to Empire

Series:

Kun Qian

Imperial-Time-Order is an engagingly written critical study on a persistent historical way of thinking in modern China. Defined as normalization of unification and moralization of time, Qian suggests, the imperial-time-order signifies a temporal structure of empire that has continued to shape the way modern China developed itself conceptually. Weaving together intellectual debates with literary and media representations of imperial history since the late Qing period, ranging from novels, stage plays, films, to television series, Qian traces the different temporalities of each period and takes “time” as the analytical node by which issues of empire, nation, family, morality, individual and collective subjectivity are constructed and contested.