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Thomas Renz

Abstract

The final clause of Hab 2:2 which originally may have referred to the confident proclamation of the message by those who read it was rendered in the LXX and Vulgate in ways which to interpreters in antiquity suggested quick understanding. But the Vulgate could also be read as a reference to being able to scan the text quickly or easily and this has become a prominent understanding of the clause. It is found in many modern translations across a variety of languages. Luther imagined a scenario in which the text was written in such large letters that even someone running past could read it. This novel understanding has persisted in some corners and is reflected in a number of translations. It is an indefensible variant of the view that the text refers to fluent reading, a view which is itself questionable but possible.

David Toshio Tsumura

Abstract

In Hebrew poetry, a vertical grammatical relation between two parallel lines can be noted in bicolons such as Ps 18:42. One can also recognize the vertical grammar between the first and the last lines of a tetracolon, in such passages as Amos 1:5, Job 12:24-25, 2 Sam 3:33b-34c, Ps 89:36-37, and 2 Sam 7:22. In this pattern, the AXX’B pattern, the middle two lines are a bicolon (XX’) inserted into another bicolon (AB). In this article I focus on the vertical grammatical relationship between line A and line B, which constitute either a simple sentence or a complex sentence in the Hebrew text.

Wie Samaria so auch Jerusalem

Umfang und Pragmatik einer frühen Micha-Komposition

Kristin Weingart

Abstract

By naming Micah and citing Mi 3:12 the book of Jeremiah (Jer 26:18) provides an explicit example of the reception of older prophetic texts and traditions in later compositions. In addition, Jer 26:18f. also offer a historical setting for Micah’s activity—the time of Hezekiah and most probably the events of 701 BCE. The paper argues that the literary history of the book of Micah substantiates the assumption of an early Micah composition originating from the late 8th century BCE and discusses the extent, structure, and pragmatics of the composition which comprises Mi *1:5-3:12. Focussing on the situation of the eminent Assyrian threat, Micah uses the the fate of Samaria as a rhetorical device in order to persuade his Judean addressees of his message. In doing so, Micah not only displays a familiarity with North Israelite prophetic traditions, the composition also adopts compositional elements and rhetorical strategies found in Hosea and Amos.

Anna E. de Wilde

Abstract

As a first step towards more research in the field of Jewish private libraries and Hebrew auction catalogues, this zuta focuses on the understudied corpus of 18th-century Hebrew book sales catalogues printed in the Dutch Republic. It is not always clear if these 18th-century catalogues contain collections from private libraries or retail stocks of publishers, printers, or booksellers. In this article I will analyse and compare the title pages of several catalogues, in order to understand the meaning of the phrase ʿal yede in relation to ownership of the catalogued collections.