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How was bestiality perceived in the Middle Ages? The answer is far from simple. Depending on the context, it might be a kingmaking ritual, a boys’ game, a pact with the devil, a peccadillo or a capital offense. As dangerous as it could be to be suspected by one’s own neighbors of committing bestiality, medieval literature and art are full of often exhilarating erotic interspecies encounters. In the end, this book suggests that there is a zoophilic streak in all humans – the medievals as well as ourselves.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Volume Editor:
How was bestiality perceived in the Middle Ages? The answer is far from simple. Depending on the context, it might be a kingmaking ritual, a boys’ game, a pact with the devil, a peccadillo or a capital offense. As dangerous as it could be to be suspected by one’s own neighbors of committing bestiality, medieval literature and art are full of often exhilarating erotic interspecies encounters. In the end, this book suggests that there is a zoophilic streak in all humans – the medievals as well as ourselves.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
The African American Novel in the Early Twenty-First Century comprises fourteen essays, each focussing on recent, widely known fiction by acclaimed African American authors. This volume showcases the originality, diversity, and vitality of contemporary African American literature, which has reached a bewildering yet exhilarating stage of disruption and continuity between today and yesterday, homegrown and diasporic identities, and local and global interrelatedness. Additionally, it delves into the complexity of the Black literary imagination and its interaction with broader cultural contexts. Lastly, it reflects on the evolution of the African American community, its tribulations, triumphs, challenges, and prospects.
Is there a special place for the Low Countries in art history’s current debates on global mobility? How should we conceive of the globalization of Netherlandish art in the early modern period, and in what ways does the distinctively worldly orientation of the Netherlands in this period contribute to early modern visual culture? This volume examines how artworks produced in the wake of European expansion—art produced in the Netherlands in reaction to the world outside of Europe and art made outside of Europe in reaction to encounters with the Netherlands—help us better understand the cultural impacts of globalization.
Is there a special place for the Low Countries in art history’s current debates on global mobility? How should we conceive of the globalization of Netherlandish art in the early modern period, and in what ways does the distinctively worldly orientation of the Netherlands in this period contribute to early modern visual culture? This volume examines how artworks produced in the wake of European expansion—art produced in the Netherlands in reaction to the world outside of Europe and art made outside of Europe in reaction to encounters with the Netherlands—help us better understand the cultural impacts of globalization.
Submerged Intelligence for Global Omens
Author:
This book acts as a cautionary tale, urging society to proactively invest in forging a path towards the future by drawing upon the insights gleaned from the past. Underwater cultural heritage is not merely a collection of broken ruins on the ocean floor; it holds the potential to provide strategic intelligence into global security challenges and future uncertainties. By understanding and valuing the unknown force of underwater cultural heritage, we can anticipate and navigate potential future challenges, harnessing its hidden power to shape the course of history.
Submerged Intelligence for Global Omens
Author:
This book acts as a cautionary tale, urging society to proactively invest in forging a path towards the future by drawing upon the insights gleaned from the past. Underwater cultural heritage is not merely a collection of broken ruins on the ocean floor; it holds the potential to provide strategic intelligence into global security challenges and future uncertainties. By understanding and valuing the unknown force of underwater cultural heritage, we can anticipate and navigate potential future challenges, harnessing its hidden power to shape the course of history.
Homo Mimeticus 2.0 in Art, Philosophy and Technics
Volume Editor:
It is tempting to affirm that on and about November 2022 (post)human character changed. The revolution in A.I. simulations certainly calls for an updated of the ancient realization that humans are imitative animals, or homo mimeticus. But the mimetic turn in posthuman studies is not limited to A.I.: from simulation to identification, affective contagion to viral mimesis, robotics to hypermimesis, the essays collected in this volume articulate the multiple facets of homo mimeticus 2.0. Challenging rationalist accounts of autonomous originality internal to the history of Homo sapiens, this volume argues from different—artistic, philosophical, technological—perspectives that the all too human tendency to imitate is, paradoxically, central to our ongoing process of becoming posthuman.
Homo Mimeticus 2.0 in Art, Philosophy and Technics
Volume Editor:
It is tempting to affirm that on and about November 2022 (post)human character changed. The revolution in A.I. simulations certainly calls for an updated of the ancient realization that humans are imitative animals, or homo mimeticus. But the mimetic turn in posthuman studies is not limited to A.I.: from simulation to identification, affective contagion to viral mimesis, robotics to hypermimesis, the essays collected in this volume articulate the multiple facets of homo mimeticus 2.0. Challenging rationalist accounts of autonomous originality internal to the history of Homo sapiens, this volume argues from different—artistic, philosophical, technological—perspectives that the all too human tendency to imitate is, paradoxically, central to our ongoing process of becoming posthuman.
A Cross-disciplinary Volume on Time, Narrativity, and Identity
Volume Editor:
This edited volume brings together authors from a wide variety of disciplines in the social sciences and humanities. A historian first investigates understudied samizdat literature, a film critic then analyzes Balkan cinema via psychoanalysis, a psychologist examines contemporary European border policies, and a political scientist analyzes the Confederate-memorial debate. Philosophers consider the space of those memorials, ethno-national narratives in India, the Anthropocene and the mind’s historical imaginary, and the notion of home. Literary critics examine recent developments in modes of storytelling and images of Orientalism. What emerges is a new understanding of history, memory, and time.
A Cross-disciplinary Volume on Time, Narrativity, and Identity
Volume Editor:
This edited volume brings together authors from a wide variety of disciplines in the social sciences and humanities. A historian first investigates understudied samizdat literature, a film critic then analyzes Balkan cinema via psychoanalysis, a psychologist examines contemporary European border policies, and a political scientist analyzes the Confederate-memorial debate. Philosophers consider the space of those memorials, ethno-national narratives in India, the Anthropocene and the mind’s historical imaginary, and the notion of home. Literary critics examine recent developments in modes of storytelling and images of Orientalism. What emerges is a new understanding of history, memory, and time.