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Akkadian Royal Letters in Later Mespotamian Tradition reconsiders the question of the authenticity of the letters attributed to earlier royal correspondents that were studied in Assyrian and Babylonian scribal centres ca. 700–100 BCE. By scrutinizing the letters’ contents, language, possible transmission histories ca. 1400–100 BCE and the epistemic limitations of authenticity criticism, the book grounds scepticism about the letters’ authenticity in previously undiscussed features of the texts. It also provides a new foundation for research into the related questions of when and why these beguiling texts were composed in the first place.
The Austrian Review of International and European Law is an annual publication that provides a scholarly forum for the discussion of issues of international and European law, with emphasis on topics of special interest for Austria. Each volume of the Review includes general articles, current developments, and the comprehensive annual digest of Austrian practice in international law, encompassing judicial decisions, executive as well as parliamentary documents relating to international law. The concluding parts of the Review contain longer book reviews and shorter book notes. Volume 27 covers 2022 and features a special issue on the intersection between international economic law and human rights.
The Art and Culture of the Oratorians of Saint Philip Neri
There is scant research on the art produced under the Congregation of the Oratory of Saint Philip Neri, with the exception of a couple of general books focused primarily on major Oratorian art pieces. Therefore, this book of essays aims to discuss the art and culture produced by or associated with the Oratorians by providing a broad overview focused especially on rarely investigated issues. The authors focus on this very important artistic production, commonly forgotten when compared with other religious productions of art, by covering geographical areas spanning from Sri Lanka to Mexico, including Italy, Spain, the United Kingdom, India and Brazil.
Newly edited with a transcription faithful to the original manuscript and provided with an Introduction
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
A Minority South Ryukyuan Language of the Miyako Islands
Spoken on Kurima, a miniscule island in the Miyakojima municipality in Okinawa Prefecture, Japan, Kurima-Miyako is a South Ryukyuan topolect, a regional variant of the Miyako language. With most fluent speakers aged 80 or older and the island’s depopulation progressing, the topolect of Kurima faces imminent extinction, a reflection of a common pattern in the Ryukyus, whereupon the vernaculars of small islands and isolated remote areas have been facing multifold minorization for decades on the part of the dominant variety/varieties of the area (Shimoji and Hirara in the case of Kurima), Okinawan, and standard Japanese. Responding to the urgent task of producing a comprehensive description while it still has native speakers, the present volume is the first ever attempt at a systemic presentation of the Kurima topolect in any language. It also uses comparative evidence from Ryukyuan and Mainland Japonic languages to provide new proto-language reconstructions and offer insights into the history of Japonic languages.
Volume Editors: and
Can a scientific instrument be regarded as a failure? Why and how? By shedding light on the complexity of these questions, the volume marks a step forward in the way historical scientific instruments can be analysed and displayed.
The essays show how diverse failures can be, and how the assessment of scientific devices may change over time — some surprisingly becoming more successful. In addition to studies of how technical features led to failure, the authors examine the roles played by social bias and behaviour, commercial and economic circumstances, and political factors.
Volume Editors: and
Step into the lives of extraordinary women leaders in this groundbreaking volume. This compelling collection presents autoethnographies of twenty-five women leaders in English Language Teaching (ELT) from around the world. Grounded in key leadership theories and ELT research, these narratives examine the intersectionality of gender, race, culture, and transnational experiences in shaping leadership identities. Authors candidly share their triumphs and challenges, inspiring readers to embrace their own leadership potential and effect change in their communities and beyond. By articulating the personal, institutional and global complexities, the narratives inform our understanding of how ELT teachers navigate the path to leadership.

Contributors are: Tasha Austin, Lena Barrantes-Elizondo, Kisha Bryan, Quanisha Charles, May F. Chung, Ayanna Cooper, Tanya Cowie, Taslim Damji, Darlyne de Haan, Su Yin Khor, Sarah Henderson Lee, Gloria Park, Ana-Marija Petrunic, Doaa Rashed, Kate Mastruserio Reynolds, Teri Rose Dominica Roh, Mary Romney-Schaab, Amira Salama, Cristina Sánchez-Martín, Xatli Stox, Debra Suarez, Shannon Tanghe, Lan Wang-Hiles, Marie Webb and Amea Wilbur.
Global Arabic Literary Culture is a peer reviewed book series that aims to extend Brill’s coverage of the Middle Eastern Literatures and Cultures program to include Arabic literature that has moved into the realm of global literature. It focuses on the global dimensions of Arabic and aims to be a platform to assemble and foster studies on this topic. Arabic literature has become a model for many of the concerns involved in the motions, interactions, and temporal dynamics of the literatures of this world. It is one of the important literary cultures beyond Europe, but having evolved in close quarters with it since premodern times.

The series welcomes monographs, thematic edited volumes, conference volumes, text editions and translations of significant primary texts.The series will accept proposals and manuscripts in the default western languages English, French, and German. It will be hybrid to include both open access and non-open access publications.

The studies that are published in this series may include the following aspects:

(1) Global Arabic Literature: Works of global literature with an Arabic phase, such as Kalila and Dimna, The Seven Sages/Sindbad, Barlaam, the Ahiqar-Legend etc. All of these have ancient Indian or Ancient Near Eastern roots and were disseminated via Arabic into many literatures and languages of Europe, the Near East, South Asia, and South East Asia.

(2) The Arabic Cosmopolis: Usages of the Arabic language and the dissemination of Arabic works in regions beyond the Arabic world, notably Africa and South Asia, but also South America and Central Asia, from what Ronit Ricci has termed an “Arabic Cosmopolis.”

(3) The Evolution of the Arabic Language(s): Studies of cultural production that examine the evolution of the Arabic language(s) over time. This may include explorations of Middle Arabic in a number of literary genres in premodern times, as well as the current use of diverse vernacular forms of Arabic in contemporary and digital media.

The first volume, An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions, by Beatrice Gruendler and Isabel Toral-Niehoff, is expected end of 2022, early 2023.

CALL FOR MANUSCRIPTS: Authors are cordially invited to submit proposals and/or full manuscripts by e-mail to Series Editor Beatrice Gruendler (beatrice.gruendler@fu-berlin.de) or Acquisitions Editor Teddi Dols (Teddi.Dols@brill.com).
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“The most important of all things sought.” Thus the Syriac Orthodox monk Rabban Daniel Ibn al-Ḥaṭṭāb describes the subject of The Principles of Religion, written in the 13th century, probably in South-East Anatolia. In this treatise, Rabban Daniel Ibn al-Ḥaṭṭāb systematically explained and defended fundamental commitments of Syriac Orthodox theology.
This volume provides an introduction, a critical edition of the Arabic text, an English translation, and extensive commentary on the influences on The Principles of Religion, particularly from Syriac sources. This editio princeps offers the reader a new window into the literary culture of the Syriac Orthodox Church during the years of the Syriac Renaissance.
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This monograph offers the first-ever, full-length analysis of the most irreverent book of Italian Futurism: L’anguria lirica, printed in 1934 on tin metal sheets, with design and poetic text by Tullio d’Albisola and illustrations by Bruno Munari. This study, which features the unabridged reproduction of the pages of the tin book, accompanied by the first English translation of the poem, aims to disentangle the complex relationship between text and image in this total artwork. It shows how the endless series of material transformations at its core – of woman into food, of love into desecrating religion, of man into machine, of poetry into matter – fostered a radical change in poetry-writing, thus breaking away from a stagnant lyrical past.