Edited by Jonathan A. Silk
Leiden University, General Editor.
Managing Editors: Richard Bowring,
University of Cambridge and Vincent Eltschinger,
Austrian Academy of Sciences It has been evident for many years that no authoritative, reliable, and up-to-date reference work on Buddhism yet exists in any language.
Brill’s Encyclopedia of Buddhism aims to fill that gap with a comprehensive work, presented in two phases: a series of six thematic volumes including an index volume, addressing issues of global and regional importance, to be followed by an ever-expanding online resource providing access both to synthetic and comprehensive treatments and to more individuated details on persons, places, texts, doctrinal matters, and so on.
Illustrated with maps and photographs, and supplemented with extensive online resources, the print version of the thematic encyclopedia will present the latest research on the main aspects of the Buddhist traditions in original essays written by the world’s foremost scholars. The encyclopedia aims at a balanced and even-handed view of Buddhist traditions, presenting the most reliable accounts of well-known issues and filling gaps in heretofore-neglected areas. In doing so, it emphasizes that Buddhism is simultaneously constituted by a plurality of regional traditions and a far-reaching phenomenon spanning almost all of Asia, and more recently far beyond as well.
Volume I, published in 2015, surveys Buddhist literatures, scriptural and nonscriptural, and offers discussions of the languages of Buddhist traditions and the physical bases (manuscripts, epigraphy, etc.) available for the study of Buddhist literatures. Subsequent volumes will address issues of personages, communities, history, life and practice, doctrine, space and time, and Buddhism in the modern world.
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers, Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde calligraphy movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To realize this vision, the Bokujinkai established creative collaborations with artists from European Art Informel and American Abstract Expressionism, and soon began sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. By focusing on this exceptional moment in the history of Japanese calligraphy, I show how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.
Robert L. Rankin was a seminal figure in late 20th and early 21st centuries in the field of Siouan linguistics. His knowledge, like the papers he produced, was voluminous. We have gathered here a representation of his work that spans over thirty years. The papers presented here focus on both the languages Rankin studied in depth (Quapaw, Kansa, Biloxi, Ofo, and Tutelo) and comparative historical work on the Siouan language family in general. While many of the papers included have been previously published, one third of them have never before been made public including a grammatical sketch and dictionary of Ofo and his final paper on the place of Mandan in the larger Siouan family.