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This book provides a comprehensive study of the origins of seminal early modern debates on the certainty and ontology of mathematics. It analyzes Alessandro Piccolomini’s De certitudine mathematicarum (1547), a work that ignited widespread controversy by challenging the scientific status of mathematics. The study delves into Piccolomini’s logical doctrines, his philosophy of mathematics, and his perspectives on the relationship between mechanics and natural philosophy. Special attention is given to Piccolomini’s ancient and medieval sources, the 16th-century rediscovery of Proclus’ In Euclidem, and the influence of Priscian’s In De Anima.
Author:
This book provides a comprehensive study of the origins of seminal early modern debates on the certainty and ontology of mathematics. It analyzes Alessandro Piccolomini’s De certitudine mathematicarum (1547), a work that ignited widespread controversy by challenging the scientific status of mathematics. The study delves into Piccolomini’s logical doctrines, his philosophy of mathematics, and his perspectives on the relationship between mechanics and natural philosophy. Special attention is given to Piccolomini’s ancient and medieval sources, the 16th-century rediscovery of Proclus’ In Euclidem, and the influence of Priscian’s In De Anima.
The Renaissance has a peculiar status in philosophical historiography: it tends to disappear from the dominant narrative—as Charles Schmitt famously noticed—but it also resurfaces unexpectedly in marginal reception histories. This book casts light on intellectual constellations or geographical areas, which have traditionally been considered peripheral to the emergence of the Renaissance. The case studies presented in the book explore philosophical historiography as a political practice, showing how, in times of cultural crisis or change, the scholarly rediscovery of the Renaissance often served to develop or legitimise an ideal of social, religious or moral reform. Driven by personal concerns and political choices, historiography is revealed as an act of dissent against mainstream reconstructions.
The Renaissance has a peculiar status in philosophical historiography: it tends to disappear from the dominant narrative—as Charles Schmitt famously noticed—but it also resurfaces unexpectedly in marginal reception histories. This book casts light on intellectual constellations or geographical areas, which have traditionally been considered peripheral to the emergence of the Renaissance. The case studies presented in the book explore philosophical historiography as a political practice, showing how, in times of cultural crisis or change, the scholarly rediscovery of the Renaissance often served to develop or legitimise an ideal of social, religious or moral reform. Driven by personal concerns and political choices, historiography is revealed as an act of dissent against mainstream reconstructions.
Volume Editor:
Early modern culture was multilingual, and so were many of the works produced across Europe and beyond its borders. The contributors to this volume draw new interrelations between different humanistic traditions and multilingual and translational writing practices using a wide range of primary sources—documents produced in Norwich, scientific treatises by Galileo and Stevin, travel accounts and dictionaries by James Howell, translations an retranslations of Antoine de Nervèze’s moral letters, Aljamiado documents and short comic plays in Spain, Jesuit pedagogical theater in New France, grammars, dictionaries and historiographical accounts in missionary contexts, and a mining law code in South Central Europe—that highlight the significance of polyglossia in early modern cultural production and transmission. Covering a wide range of languages, including Latin, Nahuatl and Turkish, their analysis invites comparison with today’s polyglot practices in a globalized world, as we also adapt to new technologies and ever-changing realities.
Volume Editor:
Early modern culture was multilingual, and so were many of the works produced across Europe and beyond its borders. The contributors to this volume draw new interrelations between different humanistic traditions and multilingual and translational writing practices using a wide range of primary sources—documents produced in Norwich, scientific treatises by Galileo and Stevin, travel accounts and dictionaries by James Howell, translations an retranslations of Antoine de Nervèze’s moral letters, Aljamiado documents and short comic plays in Spain, Jesuit pedagogical theater in New France, grammars, dictionaries and historiographical accounts in missionary contexts, and a mining law code in South Central Europe—that highlight the significance of polyglossia in early modern cultural production and transmission. Covering a wide range of languages, including Latin, Nahuatl and Turkish, their analysis invites comparison with today’s polyglot practices in a globalized world, as we also adapt to new technologies and ever-changing realities.
Three Treatises
The second volume in the Anti-Jesuit Literature series at Brill casts a revealing light on a crucial moment in eighteenth-century France: the suppression of the Jesuits. Through the expert translation of three representative treatises by Jotham Parsons and Patricia M. Ranum, this collection delves into the heart of the conflict, presenting views from Jansenist-Gallican magistrates, conservative clerics, and Enlightenment thinkers. Edited with contextual commentary by Robert A. Maryks and Jotham Parsons, the volume not only navigates the complexities of the Jesuits’ decline but also places it in the context of the broader Enlightenment critique, exploring the intricate interplay between evolving ideas of governance, faith, and intellectual freedom.
Three Treatises
Editor:
The second volume in the Anti-Jesuit Literature series at Brill casts a revealing light on a crucial moment in eighteenth-century France: the suppression of the Jesuits. Through the expert translation of three representative treatises by Jotham Parsons and Patricia M. Ranum, this collection delves into the heart of the conflict, presenting views from Jansenist-Gallican magistrates, conservative clerics, and Enlightenment thinkers. Edited with contextual commentary by Robert A. Maryks and Jotham Parsons, the volume not only navigates the complexities of the Jesuits’ decline but also places it in the context of the broader Enlightenment critique, exploring the intricate interplay between evolving ideas of governance, faith, and intellectual freedom.
An Alchemist in the Amphitheatre of Eternal Wisdom
Series:
Universal Reform, Volume: 4
The German physician, alchemist, kabbalist, and theosopher Heinrich Khunrath (ca. 1560–1605) is one of the most remarkable figures in the intellectual history of the Renaissance. His work, combining text and images in a new way, is a fusion of the contemporary currents of thought in which alchemy went hand-in-hand with philosophy and Lutheran heterodox theology. As a follower of Paracelsus, Khunrath was in search of both the secrets of nature and and the knowledge of God -- the “theosophy”.
An Alchemist in the Amphitheatre of Eternal Wisdom
Series:
Universal Reform, Volume: 4
The German physician, alchemist, kabbalist, and theosopher Heinrich Khunrath (ca. 1560–1605) is one of the most remarkable figures in the intellectual history of the Renaissance. His work, combining text and images in a new way, is a fusion of the contemporary currents of thought in which alchemy went hand-in-hand with philosophy and Lutheran heterodox theology. As a follower of Paracelsus, Khunrath was in search of both the secrets of nature and and the knowledge of God -- the “theosophy”.
Editor:
This volume sheds new light on the intellectual history of the Renaissance by focusing on the neglected paradigm of scholasticism. Its chapters aim to recast our present understanding of familiar features of Renaissance thought by showing that many of the assumed innovations of the period took place as a result of a dialogue between plural traditions of scholasticism and the emerging methods of humanism. Written by a team of internationally recognized experts, the volume seeks to further enfranchise scholasticism as an integral aspect of Renaissance intellectual history and explain its value to the study of humanism and early modern philosophy.
Fighting Back
Editor:
This volume sheds new light on the intellectual history of the Renaissance by focusing on the neglected paradigm of scholasticism. Its chapters aim to recast our present understanding of familiar features of Renaissance thought by showing that many of the assumed innovations of the period took place as a result of a dialogue between plural traditions of scholasticism and the emerging methods of humanism. Written by a team of internationally recognized experts, the volume seeks to further enfranchise scholasticism as an integral aspect of Renaissance intellectual history and explain its value to the study of humanism and early modern philosophy.
Prologue: Bio-Bibliography & Introduction to Khunrath’s Images
Series:
Aries Book Series, Volume: 37
Author:
This is the 1st volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.
Prologue: Bio-Bibliography & Introduction to Khunrath’s Images
Series:
Aries Book Series, Volume: 37
Author:
This is the 1st volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.