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Essays on the Deuteronomistic History, Chronicles, and Ezra-Nehemiah
Shortly before his untimely death Gary Knoppers prepared a number of articles on the historical books in the Hebrew Bible for this volume. Many had not previously been published and the others were heavily revised. They combine a fine attention to historical method with sensitivity for literary-critical analysis, constructive use of classical as well as other sources for comparative evidence, and wide-ranging attention to economic, social, religious, and political circumstances relating in particular to the Persian and early Hellenistic periods. Knoppers advances many new suggestions about significant themes in these texts, about how they relate one to another, and about the light they shed on the various communities’ self-consciousness at a time when new religious identities were being forged.
Das Leben und Wirken eines westgotischen Bischofs des siebten Jahrhunderts
Author: Stefan Pabst
In Das theologische Profil des Julian von Toledo analysiert Stefan Pabst das Leben und Wirken des westgotischen Bischofs Julian von Toledo (ca. 642–690). Im Anschluss an eine Hinführung zum historischen Umfeld und zur Biographie des Julian werden sämtliche erhaltene Schriften untersucht. Dies betrifft sowohl die nicht-theologischen als auch die theologischen Werke. Im Zentrum der Analyse steht einerseits die Frage nach der Originalität des Autors. Julian zitiert nämlich intensiv aus den Schriften der Kirchenväter, insbesondere des Augustinus. Andererseits werden die Zielgruppe und die Intention jeder einzelnen Schrift eingehend betrachtet. Abschließend wird so ein theologisches Profil des Julian von Toledo entwickelt, das ihn als einen patristischen, einen pädagogisch-pastoralen und damit als einen spezifisch westgotischen Theologen präsentiert.

In Das theologische Profil des Julian von Toledo Stefan Pabst analyses the life and work of the Visigothic bishop Julian of Toledo (ca. 642–690). After a presentation of Julian's historical environment and biography, all preserved writings are analysed in detail. This includes his non-theological as well as his theological works. While, on the one hand, the analysis focusses on the question of the author’s originality, for Julian quotes extensively from the works of the Church Fathers, Augustine in particular, on the other hand, the author’s addressed audience and the intention of each individual writing are considered in detail as well. As conclusion, Julian’s profile as theologian is presented: He is a patristic and pedagogical-pastoral theologian and thus a specifically Visigothic theologian.
Volume Editors: Jérôme Moreau and Olivier Munnich
Religion et rationalité. Philon d’Alexandrie et sa postérité propose un nouveau regard sur les travaux de Philon d’Alexandrie : prenant appui sur les mots de Moïse aussi bien que sur des concepts philosophiques, il les associe dans son commentaire de l’Écriture pour créer une nouvelle manière de penser. Les dix études rassemblées dans ce volume apportent un nouvel éclairage sur cette méthode et son originalité. Elles mettent également en évidence la pérennité de cette démarche aussi bien dans le néo-platonisme que chez les Pères de l’Église et ou dans l’exégèse médiévale.

Religion et rationalité. Philon d’Alexandrie et sa postérité offers a new insight into the works of Philo of Alexandria. Relying on the words of Moses as well as on philosophical concepts, Philo combines these in his commentary of Scripture to create a new way of thinking. The ten studies collected in this volume shed new light on the originality of this method. They also highlight the way it was echoed by Neo-Platonists, the Church Fathers and even medieval exegetes.
Papers in Memory of Sara B. Aleshire from the Second North American Congress of Greek and Latin Epigraphy
In Greek Epigraphy and Religion Emily Mackil and Nikolaos Papazarkadas bring together a series of papers first presented at a special session of the Second North American Congress of Greek and Latin Epigraphy (Berkeley 2016). That session was dedicated to the memory of Sara B. Aleshire, one of the leading Greek epigraphists of the twentieth century. The volume at hand includes a combination of previously unpublished inscriptions, overlooked epigraphical documents, and well known inscribed texts that are reexamined with fresh eyes and approaches. The relevant documents cover a wide geographical range, including Athens and Attica, the Peloponnese, Epirus, Thessaly, the Aegean islands, and Egypt. This collection ultimately explores the insights provided by epigraphical texts into the religious beliefs and practices of the ancient Greeks, but also revisits critically some entrenched doctrines in the field of Greek religion.
A Platonist philosopher and priest of Apollo at Delphi, Plutarch (ca. 45-120 CE) covers in his vast oeuvre of miscellaneous writings and biographies of great men virtually every aspect of ancient religion, Greek, Roman, Jewish, Egyptian, Persian. This collection of essays takes the reader on a hike through Plutarch’s Religious Landscapes offering as a compass the philosopher’s considerations on issues of philosophical theology, cult, ethics, politics, natural sciences, hermeneutics, atheism, and life after death. Plutarch provides a unique vantage point to reconstruct and understand many of the interesting developments that were taking in the philosophical and religious world of the first centuries CE.
Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād)
Author: Mahnaz Moazami
Laws of Ritual Purity: Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād) describes the various ways in which Zoroastrian authorities in the fifth-sixth centuries CE reinterpreted the purity laws of their community. Its redactor(s), conversant with the notions and practices of purity and impurity as developed by their predecessors, attempt(s) to determine the parameters of the various categories of pollution, the minimum measures of polluted substances, and the effect of the interaction of pollution with other substances that are important to humans. It is therefore in essence a technical legal corpus designed to provide a comprehensive picture of a central aspect of Zoroastrian ritual life: the extent of one’s liability contracting pollution and how atonement/purification can be achieved.
This book investigates the various paraphrastic techniques employed by Nonnus of Panopolis (5th century AD) for his poetic version of the Gospel of John. The authors look at Nonnus’ Paraphrase, the only extant poetic Greek paraphrase of the New Testament, in the light of ancient rhetorical theory while also exploring its multi-faceted relationship with poetic tradition and the theological debates of its era. The study shows how interpretation, cardinal both in ancient literary criticism and in theology, is exploited in a poem that is exegetical both from a philological and a Christian point of view and adheres, at the same time, to the literary principles of Hellenistic times and late antiquity.
This volume, the thirty-fifth year of published proceedings, contains five papers and commentaries presented to the Boston Area Colloquium in Ancient Philosophy during the academic year 2018-19. Paper topics include: evidence for Simplicius as author of the Commentary on the De Anima; Aristotle and Humean theory of motivation, ‘besires’ and desires; moderation in NE 3,10-12 as novel in Aristotle, differing greatly from his contemporaries, especially Plato’s Charmides; Platonic memory and oblivion, mythic sources and cultural influence; Aristotle’s final causality in recovering nature from inanimate mechanism. The commentators take up the themes of these papers, in some instances developing and building on the main argument, while in others offering direct challenges to the principal author’s thesis.
Author: Gaëlle Tallet
Que viennent faire les rayons solaires du dieu grec Hélios sur le front d’un dieu crocodile égyptien ? Cette question est au point de départ d’une enquête au cœur de la plasticité du système polythéiste de l’Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d’Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l’élaboration d’un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires.

Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne’s thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions.
Volume Editors: Nicole Belayche and Francesco Massa
Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their “mysteries” and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.