In Fusion of East and West, Limin Bai presents a major work in the English language that focuses on Chinese textbooks and the education of children for a new China in a critical transitional period, 1902–1915. This study examines the life and work of Wang Hengtong (1868–1928), a Chinese Christian educator, and other Christian and secular writings through a historical and comparative lens and against the backdrop of the socio-political, ideological, and intellectual frameworks of the time. By doing so, it offers a fresh perspective on the significant connection between Christian education, Chinese Christian educators and the birth of a modern educational system. It unravels a cross-cultural process whereby missionary education and the Chinese education system were mutually re-shaped.
Comparative Remarks on Tibetan Dice and Mālā Divination: Tools, Poetry, Structures, and Ritual Dimensions
Divining with Achi and Tārā is a book on Tibetan methods of prognostics with dice and prayer beads ( mālā). Jan-Ulrich Sobisch offers a thorough discussion of Chinese, Indian, Turkic, and Tibetan traditions of divination, its techniques, rituals, tools, and poetic language. Interviews with Tibetan masters of divination introduce the main part with a translation of a dice divination manual of the deity Achi that is still part of a living tradition. Solvej Nielsen contributes further interviews, a mālā divination of Tārā and its oral tradition, and very useful glossaries of the terminology of Tibetan divination and fortune telling. Appendices provide lists of deities and spirits and of numerous identified ritual remedies and supports that are an essential element of a still vibrant Tibetan culture.
Agents of Vengeance
Eric Dodson-Robinson’s Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
Representations of Early Modern Positional Warfare
Edited by Anke Fischer-Kattner and Jamel Ostwald
The World of the Siege examines relations between the conduct and representations of early modern sieges. The volume offers case studies from various regions in Europe (England, France, the Low Countries, Germany, the Balkans) and throughout the world (the Chinese, Ottoman and Mughal Empires), from the 15th century into the 18th. The international contributors analyse how siege narratives were created and disseminated, and how early modern actors as well as later historians made sense of these violent events in both textual and visual artefacts. . The volume's chronological and geographical breadth provides insight into similarities and differences of siege warfare and military culture across several cultures, countries and centuries, as well as its impact on both combatants and observers.