Abstract
I distinguish between the deep culture and the manifest culture, the relationship between the two constituting a circle, which constitutes the circulation of a radical theology of culture. The deep culture surfaces in the manifest, and the manifest draws upon the depths; neither one without the other. My hypothesis is that religion is an expression of the deep culture and for that reason, religion is not accidentally violent; religion is violent in virtue of something essential to religion. Religion is playing with the fire of the concealed depths, of the unconditional, of the impossible, of the undeconstructible. Religion is the best way to save the world, but it also the best way to burn it down. It is both of these things and in virtue of the same property. This is not to say that religion is structurally violent, always and necessarily violent. It is structurally ambiguous, dangerous, on the verge of violence, whipsawing between radical violence and radical non-violence, between martyrdom and murder. Religious beliefs are not the cause of the violence but often a façade for deeper, visceral nationalism or ethnic hatred, The reaction of Christian right to the contemporary world is naive and simplistic but not superficial; it reflects a visceral fear of the postmodern world. Religion is a matter of being claimed by something unconditional, which means it should have the good sense not to lay claim to it. We should never trust anything that has not passes through that apophasis. Before any claims we make, we are laid claim to in advance by the unconditional, the undeconstructible, which Schelling calls the prius, the “un-pre-thinkable” (das Unvordenkliche). The unconditional in the optimal sense is love, which is an expenditure made without the expectation of a return, like loving one’s enemies, which is impossible, the impossible. But love does not get a pass. What would we not do for love? In that question is concentrated all the ambiguity of love, all the courage of the martyr, but no less the violence of the suicide bomber.
