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Thought, Form, and Performance of Revolt
Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet – like many free-minded women of the Caribbean and the African diaspora – was banned from the public sphere, leaving her work largely ignored for decades. Following on a renewed interest in Chauvet, this collection makes essential contributions to Africana Studies, Theatre Studies, Performance Studies, Postcolonial Studies, and Global South Feminisms.

Contributors are: Alessandra Benedicty-Kokken, Stéphanie Bérard, Christian Flaugh, Gabrielle Gallo, Jeremy Matthew Glick, Kaiama L. Glover, Régine Michelle Jean-Charles, Cae Joseph-Massena, Nehanda Loiseau, Judith G. Miller, Lizabeth Paravisini-Gebert, Anthony Phelps, Ioana Pribiag, Charlee M. Redman Bezilla, Guy Régis Jr, and Lena Taub Robles.

This collection is a beautiful gathering of voices exploring Chauvet’s theatrical work, along with the role of theatre in her novels. The richly textured and evocatively written essays offer many new and necessary insights into the work of one of Haiti’s greatest writers.
— Laurent Dubois, Marcello Lotti Professor of Romance Studies and History, Duke University. Author of Haiti: The Aftershocks of History

This collection draws necessary critical attention to how theatre and performance animate the work of a key figure in Caribbean fiction and drama. Using an innovative scholarly and artistic approach, the collection incorporates leading and new voices in Haitian studies and Francophone studies on Chauvet’s depictions of revolt.
— Soyica Diggs Colbert, Professor of African American Studies and Theater & Performance Studies, Georgetown University. Author of Black Movements: Performance and Cultural Politics
New Perspectives in Edward Albee Studies is an annual peer-reviewed book series meant to provide an outlet for scholarship and criticism on, or related to, Edward Albee and his works. Volumes feature original, academic essays and review-essays centered around a special topic. Each volume is edited by a Guest Editor. The series welcomes and encourages different critical and theoretical scholarly approaches to Albee studies. In keeping with Albee’s own view that drama is literature, New Perspectives in Edward Albee Studies is also very interested in essays that examine Albee’s plays as dramatic literature.
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
In: The Reception of Aeschylus’ Plays through Shifting Models and Frontiers