Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 68 (2018)

Lessons in Art. Art, Education, and Modes of Instruction since 1500

Edited by Ann-Sophie Lehmann and Bart Ramakers

Why, how, to whom and by whom was art taught? Lessons in Art (Netherlands Yearbook for History of Art, Vol 68) provides new answers to these questions by addressing the relation between art and education in the Netherlands from 1500 to the 1970s. The authors gathered in this volume consider the practical education of artists within a wide societal context. They present new ways of looking at teaching materials and methods and show how art was employed as a powerful teaching aid. From early-modernity to the present, education, it appears, fuels the production and perception of art.

Table of Contents
1. Ann-Sophie Lehmann & Bart Ramakers, Introduction
2. Caecilie Weissert, Clément Perret’s Exercitatio alphabetica (1569). A calligraphic textbook and sample book on eloquence
3. Koen Jonckheere, Aertsen, Rubens and the questye in early modern painting
4. Edward H. Wouk, From Lambert Lombard to Aby Warburg. Pathosformel as grammar
5. Bart Ramakers, Paper, paint, and metal foil. How to costume a tyrant in late sixteenth century Holland
6. Jenny Boulboullé, Drawn up by a learned physician from the mouths of artisans. The Mayerne manuscript revisited
7. Erin Travers, Jacob van der Gracht’s Anatomie for artists
8. Julie Remond, ‘Draw everything that exists in the world’. ’t Light der Teken en Schilderkonst and the shaping of art education in early modern northern Europe
9. Ann-Sophie Lehmann, An alphabet of colours. Painting as practice and metaphor in seventeenth-century pedagogy
10. Joost Keizer, Rembrandt’s nature. The ethics of teaching style in the Dutch Republic
11. Erin Downey, Learning in Netherlandish workshops in seventeenth-century Rome
12. Annemarie Kok, Do it yourself! Lessons in participation in a dynamic labyrinth in the Stedelijk Museum Amsterdam

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Edited by Mary C. Madden and Precious McKenzie

Teaching Modernist Anglophone Literature features fresh classroom approaches to teaching modernism, with an emphasis on pedagogy grounded in educational theory and contemporary digital media tools. It offers techniques for improving students’ close reading, critical thinking/writing, and engagement with issues of gender, race, class, and social justice. Discussions are raised of subjectivity, perception, the nature of language, and the function of art. Innovative project ideas, assignments, and examples of student work are offered in a special annex. This volume fills a gap in higher education pedagogy uniquely suited to the experimental nature of modernism. Madden and McKenzie’s inspiring volume can steer the teaching of modernist literature in creative, new directions that benefit both teachers and students.

Contributors are: Susan Hays Bussey, William A. Johnsen, Benjamin Johnson, Mary C. Madden, Laci Mattison, Precious McKenzie, Susan Rowland, and Kelsey Squire.

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Edited by Mary C. Madden and Precious McKenzie

Series:

Mary C. Madden

Series:

Edited by Mary C. Madden and Precious McKenzie