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Volume Editor:
Salvatore Cosentino
This book offers a collection of essays on Byzantine Italy, the area from which we have inherited the richest and best-preserved historical evidence among all of the regions of the former Eastern Roman Empire up to the 11th century. The collection aims to provide readers with a critical overview of current research as well as new insights concerning political, institutional, economic, social, cultural and environmental aspects of the Italian regions under Byzantine rule. The methodological approach of the volume combines history with archaeology and art history, while remaining focused on the general framework of the early medieval Mediterranean. The result is a fresh and up-to-date synthesis that can be useful both for specialists and students.
Contributors are: Lucia Arcifa, Paul Arthur, Isabella Baldini, Massimo Bernabò, Brunella Bruno, Salvatore Cosentino, Nathaniel Cutajar, Francesco D’Aiuto, Paola Degni, Deborah Deliyannis, Vera von Falkenhausen, Sauro Gelichi, Federico Marazzi, Jean-Marie Martin, Alessandra Molinari, Enrico Morini, Annliese Nef, Ghislaine Noye, Annick Peters-Custot, Vivien Prigent, Mario Re, Denis Sami, Pier Giorgio Spanu, and Enrico Zanini.
Contributors are: Lucia Arcifa, Paul Arthur, Isabella Baldini, Massimo Bernabò, Brunella Bruno, Salvatore Cosentino, Nathaniel Cutajar, Francesco D’Aiuto, Paola Degni, Deborah Deliyannis, Vera von Falkenhausen, Sauro Gelichi, Federico Marazzi, Jean-Marie Martin, Alessandra Molinari, Enrico Morini, Annliese Nef, Ghislaine Noye, Annick Peters-Custot, Vivien Prigent, Mario Re, Denis Sami, Pier Giorgio Spanu, and Enrico Zanini.
Volume Editor:
Salvatore Cosentino
This book offers a collection of essays on Byzantine Italy, the area from which we have inherited the richest and best-preserved historical evidence among all of the regions of the former Eastern Roman Empire up to the 11th century. The collection aims to provide readers with a critical overview of current research as well as new insights concerning political, institutional, economic, social, cultural and environmental aspects of the Italian regions under Byzantine rule. The methodological approach of the volume combines history with archaeology and art history, while remaining focused on the general framework of the early medieval Mediterranean. The result is a fresh and up-to-date synthesis that can be useful both for specialists and students.
Contributors are: Lucia Arcifa, Paul Arthur, Isabella Baldini, Massimo Bernabò, Brunella Bruno, Salvatore Cosentino, Nathaniel Cutajar, Francesco D’Aiuto, Paola Degni, Deborah Deliyannis, Vera von Falkenhausen, Sauro Gelichi, Federico Marazzi, Jean-Marie Martin, Alessandra Molinari, Enrico Morini, Annliese Nef, Ghislaine Noye, Annick Peters-Custot, Vivien Prigent, Mario Re, Denis Sami, Pier Giorgio Spanu, and Enrico Zanini.
Contributors are: Lucia Arcifa, Paul Arthur, Isabella Baldini, Massimo Bernabò, Brunella Bruno, Salvatore Cosentino, Nathaniel Cutajar, Francesco D’Aiuto, Paola Degni, Deborah Deliyannis, Vera von Falkenhausen, Sauro Gelichi, Federico Marazzi, Jean-Marie Martin, Alessandra Molinari, Enrico Morini, Annliese Nef, Ghislaine Noye, Annick Peters-Custot, Vivien Prigent, Mario Re, Denis Sami, Pier Giorgio Spanu, and Enrico Zanini.
Transmitting and Circulating the Late Antique and Byzantine Worlds seeks to be a crucial contribution to the history of medieval connectedness. Using one of the methodological tools associated with the global history movement, this volume aims to use connectedness to revitalise local and regional networks of exchange and movement. Its case studies collectively point caution toward assuming or asserting global-scale transmission of meaning or items unchanged, and show instead how meaning is locally produced and regionally formulated, and how this is no less dynamic than any global-level connectedness. These case studies by early career scholars range from the movement of cotton growing practices to the transmission of information within individual texts. Their wide scope, however, is nonetheless united by their preoccupation with transmission and circulation as categories of analysing or explaining movement and change in history. This volume hopes to be, therefore, a useful contribution to the growing field of a history of connectivity and connectedness.
Contributors are Jovana Anđelković, Petér Bara, Mathew Barber, Julia Burdajewicz, Adele Curness, Carl Dixon, Alex MacFarlane, Anna Kelley, Matteo G. Randazzo, Katinka Sewing and Grace Stafford.
Contributors are Jovana Anđelković, Petér Bara, Mathew Barber, Julia Burdajewicz, Adele Curness, Carl Dixon, Alex MacFarlane, Anna Kelley, Matteo G. Randazzo, Katinka Sewing and Grace Stafford.
Transmitting and Circulating the Late Antique and Byzantine Worlds seeks to be a crucial contribution to the history of medieval connectedness. Using one of the methodological tools associated with the global history movement, this volume aims to use connectedness to revitalise local and regional networks of exchange and movement. Its case studies collectively point caution toward assuming or asserting global-scale transmission of meaning or items unchanged, and show instead how meaning is locally produced and regionally formulated, and how this is no less dynamic than any global-level connectedness. These case studies by early career scholars range from the movement of cotton growing practices to the transmission of information within individual texts. Their wide scope, however, is nonetheless united by their preoccupation with transmission and circulation as categories of analysing or explaining movement and change in history. This volume hopes to be, therefore, a useful contribution to the growing field of a history of connectivity and connectedness.
Contributors are Jovana Anđelković, Petér Bara, Mathew Barber, Julia Burdajewicz, Adele Curness, Carl Dixon, Alex MacFarlane, Anna Kelley, Matteo G. Randazzo, Katinka Sewing and Grace Stafford.
Contributors are Jovana Anđelković, Petér Bara, Mathew Barber, Julia Burdajewicz, Adele Curness, Carl Dixon, Alex MacFarlane, Anna Kelley, Matteo G. Randazzo, Katinka Sewing and Grace Stafford.
This book is the first full-length work concerning the restoration and excavations carried out at Qal’at Sem’an in Syria in the twentieth century. It was written by the notable architect and archaeologist Georges Tchalenko based on his notes, plans, photographs and sketches as he undertook the work in the years before and during the Second World War. Left unpublished at the time of his death during the Lebanese Civil War, it is published here for the first time in the original French with an English translation. The text is richly illustrated throughout and accompanied by a biographical essay by John Tchalenko and an introduction to the historiography of Qal’at Sem’an and Symeon Stylites by Emma Loosley Leeming.
This book is the first full-length work concerning the restoration and excavations carried out at Qal’at Sem’an in Syria in the twentieth century. It was written by the notable architect and archaeologist Georges Tchalenko based on his notes, plans, photographs and sketches as he undertook the work in the years before and during the Second World War. Left unpublished at the time of his death during the Lebanese Civil War, it is published here for the first time in the original French with an English translation. The text is richly illustrated throughout and accompanied by a biographical essay by John Tchalenko and an introduction to the historiography of Qal’at Sem’an and Symeon Stylites by Emma Loosley Leeming.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a
cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a
cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.