Over 8,200 large city fires broke out between 1000 and 1939 CE in Central Europe.
Prometheus Tamed inquires into the long-term history of that fire ecology, its local and regional frequencies, its relationship to climate history. It asks for the visual and narrative representation of that threat in every-day life. Institutional forms of fire insurance emerged in the form of private joint stock companies (the British model, starting in 1681) or in the form of cameralist fire insurances (the German model, starting in 1676). They contributed to shape and change society, transforming old communities of charitable solidarity into risk communities, finally supplemented by networks of cosmopolite aid. After 1830, insurance agencies expanded tremendously quickly all over the globe: Cultural clashes of Western and native perceptions of fire risk and of what
is insurance can be studied as part of a critical archaeology of world risk society and the plurality of modernities.
Over the course of his career, Andrea del Sarto (1486-1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea’s paintings speak to a profound engagement with Christian theories of spiritual renewal—an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective,
Andrea del Sarto — Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself.
Confucian Concord, Federico Brusadelli offers an intellectual analysis of the
Datong Shu. Written by Kang Youwei (1858-1927) and conceived as his most esoteric and comprehensive legacy to posterity, the book was eventually published only posthumously, in 1935, being “too advanced for the times” in the author’s own opinion.
Connecting the book to the author’s intellectual biography and framing it within the intellectual and political debate of the time, Brusadelli investigates the conceptual and philosophical implications of Kang’s ‘global prophecy’, showing how an apparently ‘utopian’ and ‘escapist’ piece of literature was actually an attempt to save (at least ideally) the imperial political order, updating the traditional Confucian universalism to a new, ‘modern’ world.
Internationally acclaimed biographies are almost always written by British or American biographers. But what is the state of the art of biography in other parts of the world? Introduced by Richard Holmes, the volume
Different Lives offers a global perspective: seventeen scholars vividly describe the biographical tradition in their countries of interest. They show how biography functions as a public genre, featuring specific societal issues and opinion-making. Indeed, the volume aims to answer the question: how can biography contribute to a better understanding of differences between societies and cultures? Special attention is given to the US, China and the Netherlands. Other contributions are on Australia, Belgium, Canada, the Czech Republic, Denmark, Iceland, Iran, Italy, New Zealand, Spain, and South Africa.
‘This book represents a much needed breakdown of the history and current status of Biography Studies throughout the world. Any educator teaching a course in higher education that includes Biography Studies should definitely consider this as a major text for inclusion.’
Billy Tooma, filmmaker and Assistant Professor, Wessex County College
‘The rise of biography is the literary event of our time; Hamilton and Renders are its pioneer scholars, and their compelling primer is a mustread.’
Joanny Moulin (Institut Universitaire de France) on Nigel Hamilton and Hans Renders,
The ABC of Modern Biography (2018)
An Ethical Modernity? investigates the relation between Hegel’s doctrine of ethical life (
Sittlichkeit) and modernity as a historical category and a philosophical concept. In this collection of essays, the authors analyze Hegel’s theory of ethical life from various perspectives: social ontology, social practices and beliefs, theory of judgment, relations between Hegel’s theory of ethical life and Kant’s ethics, Hegel’s philosophy of family, relation of the modern market to ‘European values’, the ethos of state and of international relations, and Hegel’s metaphilosophical commitment to philosophy. This volume is of importance to anyone interested in how Hegel’s practical philosophy relates to us and our times.
The Exemplary Hercules explores the reception of the ancient Greek hero Herakles – the Roman Hercules – in European culture from the Renaissance to the Enlightenment and beyond. Each chapter considers a particular work or theme in detail, raising questions about the hero’s role as model of the princely ruler, and examining how the worthiness of this exemplary type came, in time, to be subverted. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture up to the present day, drawing together scholars from a range of disciplines to offer a unique insight into the hero’s perennial, but changingly problematic, appeal.
A Historical Study of Anselm's Proslogion, Toivo J. Holopainen offers a new overall interpretation of Anselm’s
Proslogion by providing an historical explanation for the distinctive combination of argument and devotion that this treatise exhibits. Part 1 clarifies Anselm’s outlook on the central arguments in the treatise by offering a careful analysis of the ‘single argument’, the discovery of which Anselm announces in the preface. Part 2 reassesses the conflicting views about faith and reason in the immediate background of the
Proslogion (the Eucharistic controversy, the publication of the Monologion). Part 3 examines the
Proslogion from a rhetorical perspective and argues that applying the ‘single argument’ in a devotional setting constitutes a subtle attempt to affect the audience’s ideas about method in theology.
This volume explores the influence that Lomazzo exerted on his contemporaries. It opens with two critical essays on Lomazzo’s
fortuna critica (Foreword and Introduction). The following contributions focus on 1) Lomazzo’s reflection on Gaudenzio Ferrari; 2) Lomazzo’s paintings; 3) Lomazzo’s influence on printmaking with Ambrogio Brambilla; 4) on painting and drawing with Aurelio Luini; 5) on embroidery with Caterina Cantoni; 6) on his pupils Ambrogio Figino and Girolamo Ciocca; and finally, 7) on sculpture.
The first collection of essays on this subject, this volume bridges the scholarship, hitherto disjoined, on Lomazzo-theorist and Lomazzo-artist. It expands our understanding on a pillar of Renaissance art theory reuniting generations of scholars, from Ciardi, the father of Lomazzo’s scholarship, to Chai, Marr, and others.
Contributors include Alessia Alberti, Federico Cavalieri, Jean Julia Chai, Roberto Paolo Ciardi, Alexander Marr, Silvia Mausoli, Mauro Pavesi, Rossana Sacchi, Paolo Sanvito, and Lucia Tantardini.
From a modern point of view, the four volumes of the
Atlantica of Olaus Rudbeck the elder (1630-1702) seem to be not only the climax of Gothicism, but a key example of an early modern polymath. In
Odins Imperium Bernd Roling reconstructs Rudbeck’s immense influence at Scandinavian universities, the debates he provoked, his manifold reception in early modern academic culture and the role Rudbeckianism played as paradigm of science until the Swedish romanticism of the 19th century. Taking into account all branches of science, Bernd Roling illustrates in detail Rudbeck’s majestic impact on antiquarianism, national mythology, and also on religious sciences and linguistics, but also documents the massive criticism the scholar from Uppsala received almost immediately.