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The journal welcomes research on traveling cinematic tropes, transnational practices, remakes and adaptations, translation cultures, migrant and diasporic films and film cultures, postcolonial and accented cinemas, collaborations and exchanges among filmmakers, co-productions and multinational filmmaking practices and networks, early cinematic practices, and other time-based media and screen productions such as television series, web series, and video installations. Together we aim to develop a fruitful and more enriching understanding of our world cinema.
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