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The Plurality of Historical Worlds from Epicurus to Modern Science
By digging through the stratigraphy of the history of ideas we can find within and beyond Marxism an ‘aleatory current’ that values the role of chance in history. Using this perspective, the book builds a case for a historical materialism that is stripped of all teleology. Starting in the ancient Mediterranean with Epicurus, it traces the history of conceiving history as plural up to Marxism and modern science. It shows that concrete historical ‘worlds’ such as ancient Mesoamerica and Eurasia cannot be reduced to a single template. Affirming the potentiality of a future non-capitalist ‘world’, it invalidates any ‘end of history’ thesis.
The Plurality of Historical Worlds from Epicurus to Modern Science
By digging through the stratigraphy of the history of ideas we can find within and beyond Marxism an ‘aleatory current’ that values the role of chance in history. Using this perspective, the book builds a case for a historical materialism that is stripped of all teleology. Starting in the ancient Mediterranean with Epicurus, it traces the history of conceiving history as plural up to Marxism and modern science. It shows that concrete historical ‘worlds’ such as ancient Mesoamerica and Eurasia cannot be reduced to a single template. Affirming the potentiality of a future non-capitalist ‘world’, it invalidates any ‘end of history’ thesis.
Abolitionist Cosmopolitanism redefines the potential of American antislavery literature as a cultural and political imaginary by situating antislavery literature in specific transnational contexts and highlighting the role of women as producers, subjects, and audiences of antislavery literature. Pia Wiegmink draws attention to locales, authors, and webs of entanglement between texts, ideas, and people. Perceived through the lens of gender and transnationalism, American antislavery literature emerges as a body of writing that presents profoundly reconfigured literary imaginations of freedom and equality in the United States prior to the Civil War.
Abolitionist Cosmopolitanism redefines the potential of American antislavery literature as a cultural and political imaginary by situating antislavery literature in specific transnational contexts and highlighting the role of women as producers, subjects, and audiences of antislavery literature. Pia Wiegmink draws attention to locales, authors, and webs of entanglement between texts, ideas, and people. Perceived through the lens of gender and transnationalism, American antislavery literature emerges as a body of writing that presents profoundly reconfigured literary imaginations of freedom and equality in the United States prior to the Civil War.
Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
In a seemingly offhand, often overlooked comment, Karl Marx deemed ‘human corporeal organisation’ the ‘first fact of human history’. Following Marx’s corporeal turn and pursuing the radical implications of his corporeal insight, this book undertakes a reconstruction of the corporeal foundations of historical materialism. Part I exposes the corporeal roots of Marx’s materialist conception of history and historical-materialist Wissenschaft. Part II attempts a historical-materialist mapping of human corporeal organisation. Suggesting how to approach human histories up from their corporeal foundations, Part III elaborates historical-materialism as ‘corporeal semiotics’. Part IV, a case study of Marx’s critique of capitalist socio-economic and cultural forms, reveals the corporeal foundations of that critique and the corporeal depth of his vision of human freedom and dignity.
In a seemingly offhand, often overlooked comment, Karl Marx deemed ‘human corporeal organisation’ the ‘first fact of human history’. Following Marx’s corporeal turn and pursuing the radical implications of his corporeal insight, this book undertakes a reconstruction of the corporeal foundations of historical materialism. Part I exposes the corporeal roots of Marx’s materialist conception of history and historical-materialist Wissenschaft. Part II attempts a historical-materialist mapping of human corporeal organisation. Suggesting how to approach human histories up from their corporeal foundations, Part III elaborates historical-materialism as ‘corporeal semiotics’. Part IV, a case study of Marx’s critique of capitalist socio-economic and cultural forms, reveals the corporeal foundations of that critique and the corporeal depth of his vision of human freedom and dignity.
Volume 1 – New Approaches
In The Struggle for Development and Democracy Alessandro Olsaretti argues that we need significantly new theories of development and democracy to answer the problem posed by neoliberalism and the populist backlash, namely, uneven development and divisive politics. This book proposes as a first step a truly multidisciplinary humanist social science, to overcome the flaws of neoliberal economic theories, and to recover a balanced approach to theories and policies alike that is especially needed in the wake of the 9/11 attacks. These led to divisive culture wars, which were compounded by the divisive populist politics. This book begins to sketch such a humanist social science, and applies it to answer one question: who is responsible for neoliberalism and the populist backlash?
Volume 1 – New Approaches
In The Struggle for Development and Democracy Alessandro Olsaretti argues that we need significantly new theories of development and democracy to answer the problem posed by neoliberalism and the populist backlash, namely, uneven development and divisive politics. This book proposes as a first step a truly multidisciplinary humanist social science, to overcome the flaws of neoliberal economic theories, and to recover a balanced approach to theories and policies alike that is especially needed in the wake of the 9/11 attacks. These led to divisive culture wars, which were compounded by the divisive populist politics. This book begins to sketch such a humanist social science, and applies it to answer one question: who is responsible for neoliberalism and the populist backlash?
Selected Writings of Amadeo Bordiga (1912–1965)
Editor:
Translator:
The Science and Passion of Communism presents the battles of the brilliant Italian communist Amadeo Bordiga in the revolutionary cycle of the post-WWI period, through his writings against reformism and war, for Soviet power and internationalism, and then against fascism, on one side, Stalinism and the degeneration of the International, on the other.
Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come.
Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come.
Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
Selected Writings of Amadeo Bordiga (1912–1965)
Editor:
The Science and Passion of Communism presents the battles of the brilliant Italian communist Amadeo Bordiga in the revolutionary cycle of the post-WWI period, through his writings against reformism and war, for Soviet power and internationalism, and then against fascism, on one side, Stalinism and the degeneration of the International, on the other.
Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come.
Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
Equally important was his sharp critique of triumphant U.S. capitalism in the post-WWII period, and his original re-presentation of Marxist critique of political economy, which includes the capital-nature and capital-species relationships, and the programme of social transformations for the revolution to come.
Without any form of canonization, we can say that Bordiga’s huge workshop is a veritable goldmine, and anyone who decides to enter it will not be disappointed. He will guide you through a series of instructive, energizing and often highly topical excursions into the near and distant past, into the present that he largely foresaw, and into the future that he sketched with devouring passion.
Independence, Belonging, Contradiction
Nationalism, as an ideology coupling self-conscious peoples to fixed territories, is often seen as emerging from European historical developments, also in postcolonial countries outside Europe. André van Dokkum’s Nationalism and Territoriality in Barue and Mozambique shows that this view is not universally true. The precolonial Kingdom of Barue in what is now Mozambique showed characteristics generally associated with nationalism, giving the country great resilience against colonial encroachment. Postcolonial Mozambique, on the other hand, has so far not succeeded in creating national coherence. The former anti-colonial organization and now party in power Frelimo has always stressed national unity, but only under its own guidance, paradoxically producing disunity.
Independence, Belonging, Contradiction
Nationalism, as an ideology coupling self-conscious peoples to fixed territories, is often seen as emerging from European historical developments, also in postcolonial countries outside Europe. André van Dokkum’s Nationalism and Territoriality in Barue and Mozambique shows that this view is not universally true. The precolonial Kingdom of Barue in what is now Mozambique showed characteristics generally associated with nationalism, giving the country great resilience against colonial encroachment. Postcolonial Mozambique, on the other hand, has so far not succeeded in creating national coherence. The former anti-colonial organization and now party in power Frelimo has always stressed national unity, but only under its own guidance, paradoxically producing disunity.
Insatiable Appetite: Food as Cultural Signifier in the Middle East and Beyond explores the cultural ramifications of food and foodways in the Mediterranean, and Arab-Muslim countries in particular. The volume addresses the cultural meanings of food from a wider chronological scope, from antiquity to present, adopting approaches from various disciplines, including classical Greek philology, Arabic literature, Islamic studies, anthropology, and history. The contributions to the book are structured around six thematic parts, ranging in focus from social status to religious prohibitions, gender issues, intoxicants, vegetarianism, and management of scarcity.
Contributors are: Tarek Abu Hussein, Yasmin Amin, Kevin Blankinship, Tylor Brand, Kirill Dmitriev, Eric Dursteler, Anny Gaul, Julia Hauser, Christian Junge, Danilo Marino, Pedro Martins, Karen Moukheiber, Christian Saßmannshausen, Shaheed Tayob, and Lola Wilhelm.
Contributors are: Tarek Abu Hussein, Yasmin Amin, Kevin Blankinship, Tylor Brand, Kirill Dmitriev, Eric Dursteler, Anny Gaul, Julia Hauser, Christian Junge, Danilo Marino, Pedro Martins, Karen Moukheiber, Christian Saßmannshausen, Shaheed Tayob, and Lola Wilhelm.