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Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Already in 1854, Henry David Thoreau had declared in Walden that “Most men appear never to have considered what a house is” (225). Like Thoreau, many other renowned American writers have considered what houses are and, particularly, what houses do, and they have created fictional dwellings that function not only as settings, but as actual central characters in their works. The volume is specifically concerned with the structure, the organization, and the objects inside houses, and argues that the space defined by rooms and their contents influences the consciousness, the imaginations, and the experiences of the humans who inhabit them.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
Contributors are: Cristina Alsina Rísquez, Rodrigo Andrés, Vicent Cucarella-Ramon, Arturo Corujo, Mar Gallego, Ian Green, Michael Jonik, Wyn Kelley, Cynthia Lytle, Carme Manuel, Paula Martín-Salván, Elena Ortells, Eva Puyuelo-Ureña, Dolores Resano, and Cynthia Stretch.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
F. Scott Fitzgerald on Silent Film recalibrates the celebrated author’s early career and brings fresh understanding to the life of one of America’s truly great literary figures. Scholars have previously focused on Fitzgerald’s connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald’s burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea’s exciting discovery of the first film ever adapted from a work by Fitzgerald.
If you want to better understand not only international but also social diplomacy, then this book is for you. If you are a practitioner in traditional diplomacy or a person who want to apply diplomatic ideas and methods in social life, you can find many useful insights in this original work. A scholar and experienced diplomat, the author argues that international and social diplomacy can learn from each other. He explores genuine diplomacy as a goodwill mission, constructive engagement, and dialogical interaction that can help states, non-state organizations, companies, groups, individuals, and their aggregations to create public goods and make positive social changes.
Series:
Diplomatic Studies, Volume: 20
If you want to better understand not only international but also social diplomacy, then this book is for you. If you are a practitioner in traditional diplomacy or a person who want to apply diplomatic ideas and methods in social life, you can find many useful insights in this original work. A scholar and experienced diplomat, the author argues that international and social diplomacy can learn from each other. He explores genuine diplomacy as a goodwill mission, constructive engagement, and dialogical interaction that can help states, non-state organizations, companies, groups, individuals, and their aggregations to create public goods and make positive social changes.
An Ethnographic and Socio-semiotic Analysis of Tourism and Ocean Cruising
Written in an accessible style, with many photographs of important tourist sites and drawings by the author, Smooth Sailing provides an ethnographically informed introduction to the nature of tourism and an important aspect of tourism, ocean cruising. The book discusses topics such as the nature of tourism, different kinds of tourists, the role that myths play in tourism, gratifications from tourism, and travel as a means of personal transformation. It also deals with ocean cruising and considers the notion that cruises are boring, social class and cruising, cruising and addiction, and cruising and the psyche.
An Ethnographic and Socio-semiotic Analysis of Tourism and Ocean Cruising
Written in an accessible style, with many photographs of important tourist sites and drawings by the author, Smooth Sailing provides an ethnographically informed introduction to the nature of tourism and an important aspect of tourism, ocean cruising. The book discusses topics such as the nature of tourism, different kinds of tourists, the role that myths play in tourism, gratifications from tourism, and travel as a means of personal transformation. It also deals with ocean cruising and considers the notion that cruises are boring, social class and cruising, cruising and addiction, and cruising and the psyche.
In Lost-Time Injury Rates Rodrigo Finkelstein examines the information-intensive operations of recording and processing work-related accidents, diseases and fatalities carried out by Workers’ Compensation Systems. Situated within the field of political economy of information, this critique contributes to the understanding of how injury rates service a specific sector of the economy by constructing lost labour power for sale.
The central argument of this critique can be stated as follows: grounded in the capitalist mode of production, injury rates constitute a historical social relation that, by taking the semblance of inductive indicators, conceal specific capitalist relations that bring about the exchange and distribution of lost labour power among capitalists and wage labourers.
The central argument of this critique can be stated as follows: grounded in the capitalist mode of production, injury rates constitute a historical social relation that, by taking the semblance of inductive indicators, conceal specific capitalist relations that bring about the exchange and distribution of lost labour power among capitalists and wage labourers.
In Lost-Time Injury Rates Rodrigo Finkelstein examines the information-intensive operations of recording and processing work-related accidents, diseases and fatalities carried out by Workers’ Compensation Systems. Situated within the field of political economy of information, this critique contributes to the understanding of how injury rates service a specific sector of the economy by constructing lost labour power for sale.
The central argument of this critique can be stated as follows: grounded in the capitalist mode of production, injury rates constitute a historical social relation that, by taking the semblance of inductive indicators, conceal specific capitalist relations that bring about the exchange and distribution of lost labour power among capitalists and wage labourers.
The central argument of this critique can be stated as follows: grounded in the capitalist mode of production, injury rates constitute a historical social relation that, by taking the semblance of inductive indicators, conceal specific capitalist relations that bring about the exchange and distribution of lost labour power among capitalists and wage labourers.