USD $109.00
Browse results
Author:
Sui-Wai Cheung’s study of the institutional history of copper coins in the Ming dynasty reveals how emperors and statesmen perceived and used the copper coins at their disposal. In this process, he uncovers the reality of the Sons of Heaven, showing that although Ming emperors seemed to have unlimited power, they could not afford the upkeep on their palace.
In this revealing history of Ming China, Cheung argues that especially after the breakdown of the household registration system, the aim of the Ming coinage system was to create a new source of income in order to maintain the emperor's domain in Beijing.
In this revealing history of Ming China, Cheung argues that especially after the breakdown of the household registration system, the aim of the Ming coinage system was to create a new source of income in order to maintain the emperor's domain in Beijing.
Author:
Sui-Wai Cheung’s study of the institutional history of copper coins in the Ming dynasty reveals how emperors and statesmen perceived and used the copper coins at their disposal. In this process, he uncovers the reality of the Sons of Heaven, showing that although Ming emperors seemed to have unlimited power, they could not afford the upkeep on their palace.
In this revealing history of Ming China, Cheung argues that especially after the breakdown of the household registration system, the aim of the Ming coinage system was to create a new source of income in order to maintain the emperor's domain in Beijing.
In this revealing history of Ming China, Cheung argues that especially after the breakdown of the household registration system, the aim of the Ming coinage system was to create a new source of income in order to maintain the emperor's domain in Beijing.
Zuozhuan (Zuo Tradition) is the foundational text of Chinese historiography and the largest text from preimperial China. For two millennia, its immense complexity has given rise to countless controversies, with scholars debating its nature, time of composition, and historical reliability.
In the present volume—the first of its kind in any Western language—leading scholars of ancient China, Greece, and Rome approach Zuozhuan from multi-faceted perspectives to examine in detail Zuozhuan’s sources, narrative patterns, and meta-narrative devices; analyze the text in dialogue with other ancient Chinese works; and open it to the comparative study with ancient Greek and Roman historiography.
Contributors are: Chen Minzhen, Stephen Durrant, Joachim Gentz, Martin Kern, Wai-yee Li, Nino Luraghi, Ellen O’Gorman, Yuri Pines, David Schaberg, and Kai Vogelsang.
In the present volume—the first of its kind in any Western language—leading scholars of ancient China, Greece, and Rome approach Zuozhuan from multi-faceted perspectives to examine in detail Zuozhuan’s sources, narrative patterns, and meta-narrative devices; analyze the text in dialogue with other ancient Chinese works; and open it to the comparative study with ancient Greek and Roman historiography.
Contributors are: Chen Minzhen, Stephen Durrant, Joachim Gentz, Martin Kern, Wai-yee Li, Nino Luraghi, Ellen O’Gorman, Yuri Pines, David Schaberg, and Kai Vogelsang.
Zuozhuan (Zuo Tradition) is the foundational text of Chinese historiography and the largest text from preimperial China. For two millennia, its immense complexity has given rise to countless controversies, with scholars debating its nature, time of composition, and historical reliability.
In the present volume—the first of its kind in any Western language—leading scholars of ancient China, Greece, and Rome approach Zuozhuan from multi-faceted perspectives to examine in detail Zuozhuan’s sources, narrative patterns, and meta-narrative devices; analyze the text in dialogue with other ancient Chinese works; and open it to the comparative study with ancient Greek and Roman historiography.
Contributors are: Chen Minzhen, Stephen Durrant, Joachim Gentz, Martin Kern, Wai-yee Li, Nino Luraghi, Ellen O’Gorman, Yuri Pines, David Schaberg, and Kai Vogelsang.
In the present volume—the first of its kind in any Western language—leading scholars of ancient China, Greece, and Rome approach Zuozhuan from multi-faceted perspectives to examine in detail Zuozhuan’s sources, narrative patterns, and meta-narrative devices; analyze the text in dialogue with other ancient Chinese works; and open it to the comparative study with ancient Greek and Roman historiography.
Contributors are: Chen Minzhen, Stephen Durrant, Joachim Gentz, Martin Kern, Wai-yee Li, Nino Luraghi, Ellen O’Gorman, Yuri Pines, David Schaberg, and Kai Vogelsang.
Evidence from Dunhuang Manuscripts
Author:
Through close examination of a set of educational works discovered among the Dunhuang manuscripts, this book presents new insights into the literary training undertaken by the elite of medieval China. In their contents and structures, these works tell us what parts of the literary and cultural inheritance the elite were expected to learn and how they learned them.
The material aspects of these manuscripts—including handwriting, copying errors, and paratextual additions—show how students in Dunhuang used and reproduced them. What emerges is a picture of a literary education that is more diverse in its sources, and also more haphazard, than previously imagined.
The material aspects of these manuscripts—including handwriting, copying errors, and paratextual additions—show how students in Dunhuang used and reproduced them. What emerges is a picture of a literary education that is more diverse in its sources, and also more haphazard, than previously imagined.
Evidence from Dunhuang Manuscripts
Author:
Through close examination of a set of educational works discovered among the Dunhuang manuscripts, this book presents new insights into the literary training undertaken by the elite of medieval China. In their contents and structures, these works tell us what parts of the literary and cultural inheritance the elite were expected to learn and how they learned them.
The material aspects of these manuscripts—including handwriting, copying errors, and paratextual additions—show how students in Dunhuang used and reproduced them. What emerges is a picture of a literary education that is more diverse in its sources, and also more haphazard, than previously imagined.
The material aspects of these manuscripts—including handwriting, copying errors, and paratextual additions—show how students in Dunhuang used and reproduced them. What emerges is a picture of a literary education that is more diverse in its sources, and also more haphazard, than previously imagined.
Author:
Wei Shi’s well-crafted study weaves together historical context, ideological complexities, and insightful case studies on Confucian metaphysics, ethics, and politics. Engagingly written, it seamlessly bridges the gap between universal and nationalist (particular) perspectives, offering a rich tapestry of ideas and satisfying unity.
Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Author:
Wei Shi’s well-crafted study weaves together historical context, ideological complexities, and insightful case studies on Confucian metaphysics, ethics, and politics. Engagingly written, it seamlessly bridges the gap between universal and nationalist (particular) perspectives, offering a rich tapestry of ideas and satisfying unity.
Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Author:
Who was Yang Tinghe? Despite being one of Ming China’s most eminent officials, Yang and his career have long eluded scholarly study in the West.
In this volume, Aaron Throness engages a trove of untapped Ming sources and secondary scholarship to recount Yang Tinghe’s political life, and in unprecedented detail. Throness explores how Yang, a pragmatic politician and conservative Confucian, rose through the bureaucracy and responded to dire threats to the Ming court from within and without. He also traces Yang’s meteoric rise to power, the clashes that occasioned his downfall, and his apotheosis as dynastic savior. Through Yang Tinghe’s successes, struggles, and failures this political biography offers a critical appraisal of both the man and his times.
In this volume, Aaron Throness engages a trove of untapped Ming sources and secondary scholarship to recount Yang Tinghe’s political life, and in unprecedented detail. Throness explores how Yang, a pragmatic politician and conservative Confucian, rose through the bureaucracy and responded to dire threats to the Ming court from within and without. He also traces Yang’s meteoric rise to power, the clashes that occasioned his downfall, and his apotheosis as dynastic savior. Through Yang Tinghe’s successes, struggles, and failures this political biography offers a critical appraisal of both the man and his times.
Series:
Sinica Leidensia, Volume: 161
Author:
Who was Yang Tinghe? Despite being one of Ming China’s most eminent officials, Yang and his career have long eluded scholarly study in the West.
In this volume, Aaron Throness engages a trove of untapped Ming sources and secondary scholarship to recount Yang Tinghe’s political life, and in unprecedented detail. Throness explores how Yang, a pragmatic politician and conservative Confucian, rose through the bureaucracy and responded to dire threats to the Ming court from within and without. He also traces Yang’s meteoric rise to power, the clashes that occasioned his downfall, and his apotheosis as dynastic savior. Through Yang Tinghe’s successes, struggles, and failures this political biography offers a critical appraisal of both the man and his times.
In this volume, Aaron Throness engages a trove of untapped Ming sources and secondary scholarship to recount Yang Tinghe’s political life, and in unprecedented detail. Throness explores how Yang, a pragmatic politician and conservative Confucian, rose through the bureaucracy and responded to dire threats to the Ming court from within and without. He also traces Yang’s meteoric rise to power, the clashes that occasioned his downfall, and his apotheosis as dynastic savior. Through Yang Tinghe’s successes, struggles, and failures this political biography offers a critical appraisal of both the man and his times.
The Global Travels of Judge Dee
Author:
In the post-war mid-century Robert van Gulik produced a series of stories set in Imperial China and featuring a Chinese Judge: Judge Dee. This book examines the author’s unprecedented effort in hybridising two heterogenous crime writing traditions – traditional Chinese gong’an (court-case) fiction and its Anglo-American counterpart – bringing to light how his fiction draws elements from these two traditions for plots, narrative features, visual images, and gender representation.
Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.
Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.
The Global Travels of Judge Dee
Author:
In the post-war mid-century Robert van Gulik produced a series of stories set in Imperial China and featuring a Chinese Judge: Judge Dee. This book examines the author’s unprecedented effort in hybridising two heterogenous crime writing traditions – traditional Chinese gong’an (court-case) fiction and its Anglo-American counterpart – bringing to light how his fiction draws elements from these two traditions for plots, narrative features, visual images, and gender representation.
Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.
Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.