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Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
In this volume, leading scholars of early Chinese literature offer new, multi-faceted research on the ancient anthology Lyrics of Chu (Chuci). Through meticulous textual analysis, richly annotated translations, and theoretical reflection, they challenge millennia-old assumptions about China’s arch-poet Qu Yuan (ca. 300 BCE), his authorship, and the composition of the lyrics attributed to him, above all the “Li sao” (Encountering Sorrow), ancient China’s grandest poem. Thoroughly original insights into the poetics and aesthetics of Chuci poetry reopen these resplendent lyrics to a fresh appraisal of their captivating qualities and their foundational significance for the Chinese literary tradition.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
New Approaches
In this volume, leading scholars of early Chinese literature offer new, multi-faceted research on the ancient anthology Lyrics of Chu (Chuci). Through meticulous textual analysis, richly annotated translations, and theoretical reflection, they challenge millennia-old assumptions about China’s arch-poet Qu Yuan (ca. 300 BCE), his authorship, and the composition of the lyrics attributed to him, above all the “Li sao” (Encountering Sorrow), ancient China’s grandest poem. Thoroughly original insights into the poetics and aesthetics of Chuci poetry reopen these resplendent lyrics to a fresh appraisal of their captivating qualities and their foundational significance for the Chinese literary tradition.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Genre, Print Culture and Knowledge Formation, 1902–1912
Series:
Sinica Leidensia, Volume: 160
Author:
Unlike previous studies that have examined the late Qing utopian imagination as an ahistorical motif, a literary theme, and a translation phenomenon, in this book Shuk Man Leung considers utopian fiction as a knowledge apparatus that helped develop Chinese nationalism and modernity. Based on untapped primary sources in Chinese, English, and Japanese, her research reveals how utopian imagination, blooming after Liang Qichao’s publication of The Future of New China, served as a tool of knowledge formation and dissemination that transformed China’s public sphere and catalysed historical change.
Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.
Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.
Genre, Print Culture and Knowledge Formation, 1902–1912
Series:
Sinica Leidensia, Volume: 160
Author:
Unlike previous studies that have examined the late Qing utopian imagination as an ahistorical motif, a literary theme, and a translation phenomenon, in this book Shuk Man Leung considers utopian fiction as a knowledge apparatus that helped develop Chinese nationalism and modernity. Based on untapped primary sources in Chinese, English, and Japanese, her research reveals how utopian imagination, blooming after Liang Qichao’s publication of The Future of New China, served as a tool of knowledge formation and dissemination that transformed China’s public sphere and catalysed historical change.
Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.
Embracing interdisciplinary approach from genre studies, studies on modern Chinese newspapers and intellectual history, this book provides an analysis of the development of utopian literary practices, epistemic meanings, and fictional narratives and the interactions between traditional and imported knowledge that helped shape the discourse in early 20th century China.