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Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
In this volume, leading scholars of early Chinese literature offer new, multi-faceted research on the ancient anthology Lyrics of Chu (Chuci). Through meticulous textual analysis, richly annotated translations, and theoretical reflection, they challenge millennia-old assumptions about China’s arch-poet Qu Yuan (ca. 300 BCE), his authorship, and the composition of the lyrics attributed to him, above all the “Li sao” (Encountering Sorrow), ancient China’s grandest poem. Thoroughly original insights into the poetics and aesthetics of Chuci poetry reopen these resplendent lyrics to a fresh appraisal of their captivating qualities and their foundational significance for the Chinese literary tradition.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
New Approaches
In this volume, leading scholars of early Chinese literature offer new, multi-faceted research on the ancient anthology Lyrics of Chu (Chuci). Through meticulous textual analysis, richly annotated translations, and theoretical reflection, they challenge millennia-old assumptions about China’s arch-poet Qu Yuan (ca. 300 BCE), his authorship, and the composition of the lyrics attributed to him, above all the “Li sao” (Encountering Sorrow), ancient China’s grandest poem. Thoroughly original insights into the poetics and aesthetics of Chuci poetry reopen these resplendent lyrics to a fresh appraisal of their captivating qualities and their foundational significance for the Chinese literary tradition.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Contributors are: Lucas Rambo Bender, Heng Du, Michael Hunter, Martin Kern, Paul W. Kroll, Stephen Owen.
Daily Lives, Racial Struggles and Transnational Citizenship of Migrants and Descendants
Volume Editor:
The day after the epidemic broke out in Wuhan, Chinese people in France are already busy sending masks across borders and sharing media information; at the same time, a significant number of Chinese people are victims of racist attacks, insults and discrimination in France. Based on both quantitative and qualitative empirical data, this book reveals the new dynamics and interactions generated by the Covid-19 pandemic not only between different sub-groups of Chinese in France, but also between ethnic Chinese and their both countries: China and France. Mutual aid, local or transnational solidarity, inclusion initiatives, like any act of exclusion and hostility, invite you to question the essence of humanity in transnational settings, beyond the racialization of the Covid-19 virus.
Daily Lives, Racial Struggles and Transnational Citizenship of Migrants and Descendants
Volume Editor:
The day after the epidemic broke out in Wuhan, Chinese people in France are already busy sending masks across borders and sharing media information; at the same time, a significant number of Chinese people are victims of racist attacks, insults and discrimination in France. Based on both quantitative and qualitative empirical data, this book reveals the new dynamics and interactions generated by the Covid-19 pandemic not only between different sub-groups of Chinese in France, but also between ethnic Chinese and their both countries: China and France. Mutual aid, local or transnational solidarity, inclusion initiatives, like any act of exclusion and hostility, invite you to question the essence of humanity in transnational settings, beyond the racialization of the Covid-19 virus.
From Sanguozhi yanyi to Samgukchi
Author:
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
From Sanguozhi yanyi to Samgukchi
Author:
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.