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Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Administrative Documents Excavated at Zoumalou, Hunan
Series:
Sinica Leidensia, Volume: 159
In 1996 archaeologists excavated over 70,000 inscribed pieces of wood from a well in Changsha, the largest such discovery ever made in China. They are local administrative records of the state of Wu in the 230s and provide remarkable detail on the society, governance, and economy of third century central China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
Although Wu was one of the famous Three Kingdoms, its administrative history was poorly known until these documents were found, so we have written this book to explain the context and content of these document to help researchers use these valuable texts to rewrite the history of South China.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.