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The present volume is intended to historicize the question of religious authority in Muslim Central Eurasia, through historical and anthropological case studies about the exercise, negotiation, or institutionalization of authority, from the nineteenth to the early twenty-first century; it thus seeks to frame Islamic religious history in the areas shaped by Russian and Soviet rule in terms of issues relevant to Muslims themselves, as Muslims, rather than solely in terms of questions of colonial rule.
Contributors are Sergei Abashin, Ulfat Abdurasulov, Bakhtiyar Babajanov, Devin DeWeese, Allen J. Frank, Benjamin Gatling, Agnès Kefeli, Paolo Sartori, Wendell Schwab, Pavel Shabley, Shamil Shikhaliev, and William A. Wood.
The present volume is intended to historicize the question of religious authority in Muslim Central Eurasia, through historical and anthropological case studies about the exercise, negotiation, or institutionalization of authority, from the nineteenth to the early twenty-first century; it thus seeks to frame Islamic religious history in the areas shaped by Russian and Soviet rule in terms of issues relevant to Muslims themselves, as Muslims, rather than solely in terms of questions of colonial rule.
Contributors are Sergei Abashin, Ulfat Abdurasulov, Bakhtiyar Babajanov, Devin DeWeese, Allen J. Frank, Benjamin Gatling, Agnès Kefeli, Paolo Sartori, Wendell Schwab, Pavel Shabley, Shamil Shikhaliev, and William A. Wood.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.
Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era.