USD $185.00
Browse results
A History of the Puerto Rico Independence Movement
Author:
Obstinate Star is a history of Puerto Rico’s independence struggle against Spanish and U.S. colonialism. From the time of the Napoleonic Wars, it traces the movement’s currents, within and beyond the island, linking them to ongoing social conflicts and international trends and conjunctures. Beginning with the radical democratic fight against Spanish control, it moves on to the early reactions to U.S. rule, the role of Nationalism, Communism and New Deal currents during the Great Depression and the Second World War, the rise of new forces in the wake of the Cuban revolution and recent struggles in the epoch of capitalist globalisation.
A History of the Puerto Rico Independence Movement
Author:
Obstinate Star is a history of Puerto Rico’s independence struggle against Spanish and U.S. colonialism. From the time of the Napoleonic Wars, it traces the movement’s currents, within and beyond the island, linking them to ongoing social conflicts and international trends and conjunctures. Beginning with the radical democratic fight against Spanish control, it moves on to the early reactions to U.S. rule, the role of Nationalism, Communism and New Deal currents during the Great Depression and the Second World War, the rise of new forces in the wake of the Cuban revolution and recent struggles in the epoch of capitalist globalisation.
Jerusalem 1918-1926
Author:
Addressing Zionists in 1923, the British artist C. R. Ashbee spoke of “that preposterous Balfour Declaration whose Arabic tail you people perpetually ignore, but the lash of which you will some day feel.” His warnings received no attention at the time, nor has his radical pro-Arab Palestinian political position been researched since. One hundred years later, this art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, Moya Tönnies analyses how three members of the British administration, Ashbee, architect Ernest Tatham Richmond, and governor Ronald Storrs, all three identifying with the International Arts and Crafts Movement, used art as a diplomatic sphere for their British colonial anti-Zionist interventions.
Jerusalem 1918-1926
Author:
Addressing Zionists in 1923, the British artist C. R. Ashbee spoke of “that preposterous Balfour Declaration whose Arabic tail you people perpetually ignore, but the lash of which you will some day feel.” His warnings received no attention at the time, nor has his radical pro-Arab Palestinian political position been researched since. One hundred years later, this art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, Moya Tönnies analyses how three members of the British administration, Ashbee, architect Ernest Tatham Richmond, and governor Ronald Storrs, all three identifying with the International Arts and Crafts Movement, used art as a diplomatic sphere for their British colonial anti-Zionist interventions.