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Experimental translation has been surging in popularity recently—with avant-garde translation at the combative forefront. But how to do it? How to read it?
Translator, Touretter plays on the Italian dictum traduttore, traditore—“translator, traitor”—to mobilize the affective intensity of Tourettic tics as a practical guide to making and reading avant-garde translations. It smashes the theoretical literature on the sublime from Longinus to Kant into Motherless Brooklyn, both the 1999 novel by Jonathan Lethem and its 2019 screen adaptation by Edward Norton, in order to generate out of their collision a series of models—visual, aural/oral, and kinesthetic—for avant-garde literary translation.
Using Kamel Daoud’s The Meursault Investigation and Juan Gabriel Vásquez’s The Secret History of Costaguana, this book asks you to serve as the jury on euro-modernism, specifically the canonical texts Camus’s The Stranger and Conrad’s Nostromo. The book reveals the extent to which euro-modernist aesthetics was culpable in rationalising colonialism.
In: Post-colonial Intertexts
In: Post-colonial Intertexts
In: Post-colonial Intertexts
In: Post-colonial Intertexts
In: Post-colonial Intertexts
In: Post-colonial Intertexts
In: Post-colonial Intertexts
This book makes the attempt to wed reason and the poetic. The tool for this attempt is Rational Poetic Experimentalism (RPE), which is introduced and explored in this book. According to RPE, it makes sense to look for poetic elements in human reality (including reason), outside of the realm of imaginative literature. Provocatively, RPE contends that philosophy’s search for truth has not been a great success so far. So, why not experiment with philosophical concepts and look for thought-provoking ideas by employing the principles of RPE, instead of fruitlessly searching for truths using conventional methods?