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This book reads the Joseph novella alongside contemporary trauma novels in order to analyze the loss of the assumptive world of the writer and readers of the Joseph novella. In turn, it re-thinks trauma theory in light of the “religious,” understood as the belief in and relationship to a God who orders the universe. Thus, this book argues that when we read the Joseph novella alongside contemporary trauma novels, we see a story written by people trying to reconstruct their assumptive world after the shattering of their old one, highlighting the significance of the religious dimension in trauma theory.
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
In: Discovering the Religious Dimension of Trauma
Explorations of Consciousness in Contemporary Fiction is a collection of essays examining the potential of the contemporary English-language novel to represent and inquire into various aspects of the human mind. Grounded in contemporary literary theory as well as consciousness studies, the essays consider both narrative techniques by means of which writers attempt to render various states of consciousness (such as multimodality in digital fiction or experimental typography in post-traumatic narratives), and novelistic interpretations of issues currently being investigated by neurobiologists, cognitive scientists and philosophers of the mind (such as the adaptive value of consciousness or the process of self-integration by means of self-narration). The volume thus offers critical reflection upon the novel’s cognitive accomplishment in this challenging area.

Contributors are: Nathan D. Frank, Judit Friedrich, Justyna Galant, Marta Komsta, Péter Kristóf Makai, Ajitpaul Mangat, Grzegorz Maziarczyk, James McAdams, Daniel Panka, Barbara Puschmann-Nalenz, Joanna Klara Teske, Lloyd Issac Vayo, Dóra Vecsernyés, Sylwia Wilczewska
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Keri Hulme’s 1984 Booker Prize winning novel, the bone people, tells the story of the formation of a biologically unrelated nuclear family in the cultural context of New Zealand with its mixture of Maori heritage, English settlers and recent immigrants. The story is presented through the juxtaposition of dialogues and inner monologues of the main characters, demonstrating how the self negotiates its progress towards integration. On the individual level, the characters are battling their own pasts on their way towards growing into responsible persons. Taken together, they also represent the process of integrative development of a national self for New Zealand. In even more abstract terms, the novel presents the narrative development of a Self that will be able to contain, recognize and coordinate its animus, its shadow and its inner child, along with its conscious part. An interpretation relying on these Jungian concepts is justifiable not only because the novel, reportedly, originated in a dream, but also because it applies diverse mythical elements and strategies. The article aims to add another psychological dimension to the discussion of a novel that has continued to impress with the flexibility of its language, ranging from the poetic to the profane, and with its polyphonic exploration of the many voices in which the self addresses itself.

In: Explorations of Consciousness in Contemporary Fiction