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A Memorial in the World offers a new appraisal of the reception and role of Constantine the Great and Ardashir I (the founder of the Sasanian Empire c.224-651), in their respective cultural spheres. Concentrating on marked parallels in the legendary material attached to both men it argues that the memories of both were reshaped by processes referencing the same deep literary heritage.

What is more, as “founders” of imperial systems that identified with a particular religious community, the literature that developed around these late antique figures applied these ancient tropes in a startlingly parallel direction. This parallel offers a new angle on the Kārnāmag tradition, an originally Middle Persian biographical tradition of Ardashir I.
Editor: Elton L. Daniel
The Encyclopædia Iranica is dedicated to the study of Iranian civilization in the Middle East, the Caucasus, Central Asia, and the Indian Subcontinent. It also includes scholarly articles related to the reciprocal influences between Persia and its neighbors, extending from pre-history to the present. The disciplines represented include: anthropology, archaeology, geography, art history, ethnology, sociology, economics, history of religion, philosophy, mysticism, history of science and medicine, Islamic history, botany, zoology, folklore, development of agriculture and industry, political science, international relations, and diplomatic history.
Fascicle 2 of Volume XVII (pp. 113-224) starts with the entry "Khotan III. History in the Islamic Period" and ends with "King of the Benighted." The 112 new pages of the Encyclopædia Iranica project reflect the latest developments in the field of Iranian studies.
Volume XVII Fascicle 1
Editor: Elton L. Daniel
The Encyclopædia Iranica is dedicated to the study of Iranian civilization in the Middle East, the Caucasus, Central Asia, and the Indian Subcontinent. It also includes scholarly articles related to the reciprocal influences between Persia and its neighbors, extending from pre-history to the present. The disciplines represented include: anthropology, archaeology, geography, art history, ethnology, sociology, economics, history of religion, philosophy, mysticism, history of science and medicine, Islamic history, botany, zoology, folklore, development of agriculture and industry, political science, international relations, and diplomatic history.
Fascicle 1 of Volume XVII (pp. 1-112) starts with the article on xv. The Babi-Bahai Community in Khorasan and ends with the entry on Khotan iii. History in the Islamic Period.The 112 new pages of the Encyclopædia Iranica project reflect the latest developments in the field of Iranian studies.
Studies on the History of Central Asian Religions in Honor of Devin DeWeese
The volume's unifying theme, inspired by the scholarly legacy of Professor Devin DeWeese, and indeed the subject of all the contributions, is the history of religion among the Muslim peoples of Inner and Central Asia, grounded in ignored or hitherto unknown indigenous sources. Individually, and as a whole, the articles pay tribute to DeWeese’s pathbreaking contributions to the disciplines of history and religious studies by exploring new approaches and new sources to build on this legacy. The volume pays particular attention to DeWeese's point d'appui: the centrality of Sufism in the region's religious, social, and literary history.
The volume’s focus is thus twofold: to bring a new set of rich, largely unused materials into the scholarly domain among specialists on Central Asia, and to challenge historians of Islam to recognize that understanding the religious history of Central Asia, and Sufism in particular, is crucial in evaluating the Islamic world as a whole.

Contributors:
Peter B. Golden, Jürgen Paul, Ron Sela, Nicholas Walmsley, Jo-Ann Gross, Daniel Beben, Jeff Eden, Jamal Elias, Michael Kemper, Paolo Sartori, Eren Tasar, Stéphane A. Dudoignon, Allen J. Frank
Persian Calligraphy and related traditional arts of books make up the most important forms of Iranian-Islamic art, which are still living practiced traditions up to today. This volume puts together a first-of-a-kind handbook and contains the most important termini technici as well as expressions and techniques connected to the traditional art of Persian calligraphy (mostly Nastaʿlīq), calligraphy tools such as the reed pen, paper and ink as well as some related fields, like taẕhīb (illumination), tašʿīr (historiated painting), book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries. All terms and expressions are followed by an English description and often accompanied by an illustration. These expressions, which are key to understanding old calligraphic treatises and many relevant sources on Islamic art, are meant to familiarise the reader with both common and forgotten techniques and terminology of calligraphic traditions. The volume addresses not only the artists and scholars of Iranian and Islamic art history, but also those, who are dealt with Islamic and Iranian manuscripts, manuscript cultures, codicology and palaeography.
Both the author and the editor of this volume are trained practicing calligraphers and illuminators, who learned the art of calligraphy and illumination through long, traditional study under masters of this art.
A Complete English Translation
Author: Sohrab Sepehri
Editors / Translators: Pouneh Shabani-Jadidi and Prashant Keshavmurthy
The Eight Books: A Complete English Translation is the first complete translation of the collected poems of Sohrab Sepehri (1928-1980), a major Iranian modernist poet and painter and yet under-translated into English. The introduction takes up Sepehri's famously difficult if languidly beautiful style to explain it as a series of appropriations of global modernisms in poetry and painting. It offers close readings of how Sepehri's modernism follows and breaks with the jagged rhythms of Nima Yushij (d.1960), Iran's inaugural modernist poet. In keeping with this modernist framing, the translations replicate Sepehri's rhymes where possible, his fluctuations between formal and colloquial registers, his syntactic distortions, and his embeddings of governmental and other jargons. It also includes Sepehri's autobiography.
This book is the first full text and translation of a prosimetric tale from the rich repertoire of Central and West Asian bards to be published with ready access to recordings of both the prose narration and the sung verse. In Iranian Khorasan, bards known as bakhshi present tales that in other regions are performed wholly in a Turkic language with prose narration in Persian, Khorasani Turkish or Kurmanji Kurdish and most verses in Turkish. We compare portions of the full performance transcribed here with excerpts from two performances of Iranian bakhshis in the 1970s. Three introductory chapters and a commentary discuss musical and verbal dimensions of the bakhshi’s art in relation to relevant social, historical, and literary contexts.