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Thinking in Many Tongues
Was plurilingualism the exception or the norm in traditional Eurasian scholarship? This volume presents a selection of primary sources—in many cases translated into English for the first time—with introductions that provide fascinating historical materials for challenging notions of the ways in which traditional Eurasian scholars dealt with plurilingualism and monolingualism. Comparative in approach, global in scope, and historical in orientation, it engages with the growing discussion of plurilingualism and focuses on fundamental scholarly practices in various premodern and early modern societies—Chinese, Indian, Mesopotamian, Jewish, Islamic, Ancient Greek, and Roman—asking how these were conceived by the agents themselves. The volume will be an indispensable resource for courses on these subjects and on the history of scholarship and reflection on language throughout the world.
Thinking in Many Tongues
Was plurilingualism the exception or the norm in traditional Eurasian scholarship? This volume presents a selection of primary sources—in many cases translated into English for the first time—with introductions that provide fascinating historical materials for challenging notions of the ways in which traditional Eurasian scholars dealt with plurilingualism and monolingualism. Comparative in approach, global in scope, and historical in orientation, it engages with the growing discussion of plurilingualism and focuses on fundamental scholarly practices in various premodern and early modern societies—Chinese, Indian, Mesopotamian, Jewish, Islamic, Ancient Greek, and Roman—asking how these were conceived by the agents themselves. The volume will be an indispensable resource for courses on these subjects and on the history of scholarship and reflection on language throughout the world.
Series:
Muqarnas, Volume: 37
Muqarnas 37 introduces new research on Islamic material culture ranging from Abbasid period mosaics to the early twentieth-century art market. Featured articles include Charles Melville’s introduction of a chronicle that sheds light on the architectural program of Shah ʿAbbas I, in particular his patronage of the dynastic shrine at Ardabil. From the Ottoman period, two essays discuss painted manuscripts: the first traces shifting representations of urban space in late sixteenth-century Istanbul, and the second focuses on sumptuous objects—namely, candy gardens and decorated palms—accompanying the extraordinary 1720 circumcision festival under Sultan Ahmed III. Another article seeks to unravel the mysterious origins of an unusually sophisticated painting of Mecca from the seventeenth or eighteenth century. Other topics covered are archaeological finds in Tunisia, and the legacy of Russian modernization efforts in the architecture of East Anatolia, especially the city of Kars. The Notes and Sources section examines the waqfiyya of the earliest surviving Halveti lodge in Amasya, as well as the function of various types of lamps in contemporary Pakistani Sufi shrines.
Series:
Muqarnas, Volume: 37
Muqarnas 37 introduces new research on Islamic material culture ranging from Abbasid period mosaics to the early twentieth-century art market. Featured articles include Charles Melville’s introduction of a chronicle that sheds light on the architectural program of Shah ʿAbbas I, in particular his patronage of the dynastic shrine at Ardabil. From the Ottoman period, two essays discuss painted manuscripts: the first traces shifting representations of urban space in late sixteenth-century Istanbul, and the second focuses on sumptuous objects—namely, candy gardens and decorated palms—accompanying the extraordinary 1720 circumcision festival under Sultan Ahmed III. Another article seeks to unravel the mysterious origins of an unusually sophisticated painting of Mecca from the seventeenth or eighteenth century. Other topics covered are archaeological finds in Tunisia, and the legacy of Russian modernization efforts in the architecture of East Anatolia, especially the city of Kars. The Notes and Sources section examines the waqfiyya of the earliest surviving Halveti lodge in Amasya, as well as the function of various types of lamps in contemporary Pakistani Sufi shrines.
Identity, Art and Transregional Connections
This interdisciplinary volume addresses the history, literature and material culture of peoples of Turkish origins in India over the eleventh to eighteenth centuries. Although many ruling dynasties and members of the elite in this period claimed Turkish descent, this aspect of their identity has seldom received much scholarly attention. The discussion is enriched by a focus on connections and comparisons with other parts of the broader Turko-Persian world, especially Anatolia. Although discussions of Turkish-Muslim rulers in India take account of their Central Asian origins and connections, links with Anatolia, stretching back to the medieval period, were also important in the formation of Turkish society and culture in India, and have been much less explored in the literature. The volume contains contributions by some of the leading scholars in the field.
Identity, Art and Transregional Connections
This interdisciplinary volume addresses the history, literature and material culture of peoples of Turkish origins in India over the eleventh to eighteenth centuries. Although many ruling dynasties and members of the elite in this period claimed Turkish descent, this aspect of their identity has seldom received much scholarly attention. The discussion is enriched by a focus on connections and comparisons with other parts of the broader Turko-Persian world, especially Anatolia. Although discussions of Turkish-Muslim rulers in India take account of their Central Asian origins and connections, links with Anatolia, stretching back to the medieval period, were also important in the formation of Turkish society and culture in India, and have been much less explored in the literature. The volume contains contributions by some of the leading scholars in the field.