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Sun’s work represents a high level of academic merit in the field of logic in China, embodying traditional Chinese culture, reflecting the frontiers of Chinese academia, effectively advocating for Chinese academia to engage with the rest of the world, deepening the academic conversation between China and the rest of the world, furthering the world’s understanding of Chinese thought, and strengthening its influence and discursive power.
Sun’s work represents a high level of academic merit in the field of logic in China, embodying traditional Chinese culture, reflecting the frontiers of Chinese academia, effectively advocating for Chinese academia to engage with the rest of the world, deepening the academic conversation between China and the rest of the world, furthering the world’s understanding of Chinese thought, and strengthening its influence and discursive power.
Specifically, he addresses these key questions. First, how were Chinese laws, and the quasi-legal norms that created a system of legal pluralism in Qing, reformed by the drive for legal modernization in the late Qing and Republican China as a response to the challenge of western laws? And second, how was the pluralistic structure of Chinese laws and norms in Qing China diffused and transplanted to Taiwan, Hong Kong and South East Asia in the form of ‘Chinese customary law’? Also, how was Chinese law subdued by the imposed legal systems of the colonisers, mainly Great Britain and Japan?
Specifically, he addresses these key questions. First, how were Chinese laws, and the quasi-legal norms that created a system of legal pluralism in Qing, reformed by the drive for legal modernization in the late Qing and Republican China as a response to the challenge of western laws? And second, how was the pluralistic structure of Chinese laws and norms in Qing China diffused and transplanted to Taiwan, Hong Kong and South East Asia in the form of ‘Chinese customary law’? Also, how was Chinese law subdued by the imposed legal systems of the colonisers, mainly Great Britain and Japan?
In this landmark text, Huang Xingtao uses a cultural approach to the history of ideas. He traces the complex contours in the discursive debates around the concept of the Chinese nation (Zhonghua minzu) from its origins in the late Qing; through the pivotal moment of the 1911 Revolution; into the contentious revolutionary upheavals of the 1920s, amidst the national crisis brought on by Japanese invasions in the 1930s; and culminating in the widespread acceptance of the concept during the Civil War. By the late 1940s, the Chinese nation came to represent the idea that all peoples within the country, whatever their ethnicity, were equal citizens who shared common goals and aspirations.
In this landmark text, Huang Xingtao uses a cultural approach to the history of ideas. He traces the complex contours in the discursive debates around the concept of the Chinese nation (Zhonghua minzu) from its origins in the late Qing; through the pivotal moment of the 1911 Revolution; into the contentious revolutionary upheavals of the 1920s, amidst the national crisis brought on by Japanese invasions in the 1930s; and culminating in the widespread acceptance of the concept during the Civil War. By the late 1940s, the Chinese nation came to represent the idea that all peoples within the country, whatever their ethnicity, were equal citizens who shared common goals and aspirations.
The contributors examine connections, parallels, and dialogic relations among canonical literary forms and other kinds of materials, both diachronically and synchronically, across and within texts, and between different modes of representation. A wide range of theoretical issues are elucidated, including cultural memory, gender, sexuality, visuality, theatricality, and regional identity. Expanding conventional understanding of what constitutes the literary, these studies also complicate and contribute to intellectual discourses beyond China studies.
The contributors examine connections, parallels, and dialogic relations among canonical literary forms and other kinds of materials, both diachronically and synchronically, across and within texts, and between different modes of representation. A wide range of theoretical issues are elucidated, including cultural memory, gender, sexuality, visuality, theatricality, and regional identity. Expanding conventional understanding of what constitutes the literary, these studies also complicate and contribute to intellectual discourses beyond China studies.
A comprehensive index of English equivalents allows readers to easily locate the corresponding Chinese terms.
Beyond serving as a reference for those reading, studying, or translating Neidan texts, the dictionary's entries offer glimpses into the rich imagery and poetic language of Internal Alchemy.
A comprehensive index of English equivalents allows readers to easily locate the corresponding Chinese terms.
Beyond serving as a reference for those reading, studying, or translating Neidan texts, the dictionary's entries offer glimpses into the rich imagery and poetic language of Internal Alchemy.
The new translation makes the text’s political philosophy and its literary gems accessible to the interested readers.
The new translation makes the text’s political philosophy and its literary gems accessible to the interested readers.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.
The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.