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Dogs, cats and horses, of course, play central roles. But this volume also features human reflections upon parrots, songbirds, monkeys, a rhino, an elephant, pigs, and geese – all the way through to the admired silkworms and the not-so-admired bookworms.
An exceptionally wide array of source materials are used in this volume’s ten separate contributions, plus the editorial introduction, to demonstrate this diversity. As eighteenth-century humans came to realise that they too are animals, they had to recast their relationships with their fellow living-beings on Planet Earth. And these considerations remain very much live ones to this day.
Dogs, cats and horses, of course, play central roles. But this volume also features human reflections upon parrots, songbirds, monkeys, a rhino, an elephant, pigs, and geese – all the way through to the admired silkworms and the not-so-admired bookworms.
An exceptionally wide array of source materials are used in this volume’s ten separate contributions, plus the editorial introduction, to demonstrate this diversity. As eighteenth-century humans came to realise that they too are animals, they had to recast their relationships with their fellow living-beings on Planet Earth. And these considerations remain very much live ones to this day.
Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.
Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.
The book is especially of interest to advanced undergraduates, graduate students, and scholars in the areas of German idealism, phenomenology, social and political philosophy, and the history of philosophy.
The book is especially of interest to advanced undergraduates, graduate students, and scholars in the areas of German idealism, phenomenology, social and political philosophy, and the history of philosophy.