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This groundbreaking work studies the Arabic literary culture of early modern Southeast Asia on the basis of largely unstudied and unknown manuscripts. It offers new perspectives on intellectual interactions between the Middle East and Southeast Asia, the development of Islam and especially Sufism in the region, the relationship between the Arabic and Malay literary traditions, and the manuscript culture of the Indian Ocean world. It brings to light a large number of hitherto unknown texts produced at or for the courts of Southeast Asia, and examines the role of royal patronage in supporting Arabic literary production in Southeast Asia.
Author:
This groundbreaking work studies the Arabic literary culture of early modern Southeast Asia on the basis of largely unstudied and unknown manuscripts. It offers new perspectives on intellectual interactions between the Middle East and Southeast Asia, the development of Islam and especially Sufism in the region, the relationship between the Arabic and Malay literary traditions, and the manuscript culture of the Indian Ocean world. It brings to light a large number of hitherto unknown texts produced at or for the courts of Southeast Asia, and examines the role of royal patronage in supporting Arabic literary production in Southeast Asia.
Author:
Dalā’il al-Nubuwwa literature that is centered on narratives from the Prophet Muḥammad’s life has most commonly been viewed, or even dismissed, as the product of popular veneration. Building extensive research on biographical and bibliographical sources, this book demonstrates that Dalā’il al-Nubuwwa literature emerged among the circles of early ḥadīth scholars of the late 2nd/8th century. By analyzing extant texts of Dalā’il al-Nubuwwa regarding their sources, structures, methodological approaches, and selection of contents, it showcases that these works were part of epistemological discourses on prophecy that transcended religious boundaries as well as the dividing lines between various Muslim scholarly disciplines.
Author:
Dalā’il al-Nubuwwa literature that is centered on narratives from the Prophet Muḥammad’s life has most commonly been viewed, or even dismissed, as the product of popular veneration. Building extensive research on biographical and bibliographical sources, this book demonstrates that Dalā’il al-Nubuwwa literature emerged among the circles of early ḥadīth scholars of the late 2nd/8th century. By analyzing extant texts of Dalā’il al-Nubuwwa regarding their sources, structures, methodological approaches, and selection of contents, it showcases that these works were part of epistemological discourses on prophecy that transcended religious boundaries as well as the dividing lines between various Muslim scholarly disciplines.
"Origins", Transmissions, and Metamorphoses of Adab literature
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.
"Origins", Transmissions, and Metamorphoses of Adab literature
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.