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Religious Innovation and the Imperial Family
Ovid’s Fasti offers multifocal views of Augustan religion to convey ambivalences, inconsistencies and paradoxes in the imperial family’s religious agenda. Darja Šterbenc Erker explores Ovid's irreverent and ambiguous presentations of calendrical aeitiologies, deifications and imperial gods that humorously call to mind Arachne’s tapestry depicting faulty gods and that stand in sharp contrast to the poet’s more serious discussions of the values he cherishes, such as freedom and poetic immortality. Especially in the exilic revisions of the poem, Ovid emphasises the motif of bestowing divine honours upon mortals through poetry. For him, the stars in the heavens do not represent deified statesmen but immortal authors.
Religious Innovation and the Imperial Family
Ovid’s Fasti offers multifocal views of Augustan religion to convey ambivalences, inconsistencies and paradoxes in the imperial family’s religious agenda. Darja Šterbenc Erker explores Ovid's irreverent and ambiguous presentations of calendrical aeitiologies, deifications and imperial gods that humorously call to mind Arachne’s tapestry depicting faulty gods and that stand in sharp contrast to the poet’s more serious discussions of the values he cherishes, such as freedom and poetic immortality. Especially in the exilic revisions of the poem, Ovid emphasises the motif of bestowing divine honours upon mortals through poetry. For him, the stars in the heavens do not represent deified statesmen but immortal authors.
Apuleius’ Golden Ass and the Lucianic Loukios, or the Ass depend on and play with readers’ familiarity with the clear patterns of Greek and Roman stories of metamorphosis. The formulaic nature of these stories suggests that the appearance of a god at the end of the Golden Ass is unsurprising and that the end of the Loukios is more innovative. This context also sheds new light on the function of the Cupid and Psyche story, the meaning of these works’ titles, and the lost Metamorphoseis on which they are both based and of which the Golden Ass is a translation.
Apuleius’ Golden Ass and the Lucianic Loukios, or the Ass depend on and play with readers’ familiarity with the clear patterns of Greek and Roman stories of metamorphosis. The formulaic nature of these stories suggests that the appearance of a god at the end of the Golden Ass is unsurprising and that the end of the Loukios is more innovative. This context also sheds new light on the function of the Cupid and Psyche story, the meaning of these works’ titles, and the lost Metamorphoseis on which they are both based and of which the Golden Ass is a translation.
This volume contains the first edition of 66 papyri and ostraca in the collection of the Leiden Papyrological Institute. The texts are dated between the third century BCE and the eighth century CE and originate from Egypt. They include two Demotic literary papyri (one of which is written in Hieratic script), 19 Demotic ostraca, 44 Greek documentary papyri and one Coptic ostracon. All texts are published with transcription, translation, commentary and colour photographs.
This volume contains the first edition of 66 papyri and ostraca in the collection of the Leiden Papyrological Institute. The texts are dated between the third century BCE and the eighth century CE and originate from Egypt. They include two Demotic literary papyri (one of which is written in Hieratic script), 19 Demotic ostraca, 44 Greek documentary papyri and one Coptic ostracon. All texts are published with transcription, translation, commentary and colour photographs.
A New Approach to De facie quae in orbe lunae apparet
In Plutarch’s Moon Luisa Lesage Gárriga offers a new approach on Plutarch’s views on cosmos, the afterlife and salvation, focusing on one of his most fascinating treatises. Dealing with the nature and function of the moon from multiple perspectives, this treatise offers a comprehensive overview of scientific knowledge and religious-philosophical thought from the first centuries CE. Yet, up until now no single scholar has attempted an integral approach to its various and complementary perspectives, generally focusing on a specific aspect, as if they were unrelated. By means of this study, the author shows that De facie is a literary creation that reflects and conveys a coherent worldview, finally providing a solid and overarching understanding of the treatise.
A New Approach to De facie quae in orbe lunae apparet
In Plutarch’s Moon Luisa Lesage Gárriga offers a new approach on Plutarch’s views on cosmos, the afterlife and salvation, focusing on one of his most fascinating treatises. Dealing with the nature and function of the moon from multiple perspectives, this treatise offers a comprehensive overview of scientific knowledge and religious-philosophical thought from the first centuries CE. Yet, up until now no single scholar has attempted an integral approach to its various and complementary perspectives, generally focusing on a specific aspect, as if they were unrelated. By means of this study, the author shows that De facie is a literary creation that reflects and conveys a coherent worldview, finally providing a solid and overarching understanding of the treatise.
Capital of Roman Baetica and Caliphate of al-Andalus
A Companion to Late Antique and Medieval Islamic Cordoba cover the history and culture of Roman, late antique, Visigoth and al-Andalus Cordoba in nineteen contributions, from the foundation of the city in the 169/168 B.C. by the praetor Marcus Claudius Marcellus to the end of the Muslim period in 1236 B.C., when the city fell into the hands of Ferdinand III the Saint, King of Castile.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Capital of Roman Baetica and Caliphate of al-Andalus