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The Diasporic Mediasphere of Chinese Migrants in New Zealand
Author: Phoebe H. Li
What role does diasporic Chinese media play in the process of Chinese migrants' adaptation to their new home country? With China's rise, to what extent has the expansion of its "soft power" swayed the changing identities of the Chinese overseas? A Virtual Chinatown provides a timely and original analysis to answer such questions.

Using a media and communication studies approach to investigate the reciprocal relationship between Chinese-language media and the Chinese migrant community in New Zealand, Phoebe Li goes beyond conventional scholarship on the Chinese Diaspora as practised by social historians, anthropologists and demographers. Written in an accessible and reader-friendly manner, this book will also appeal to academics and students with interests in other transnational communities, alternative media, and minority politics.

Settler colonialism was a major aspect of the imperial age that began in the sixteenth century and has encompassed the whole world unto the present. Modern settler societies have together constituted one of the major routes to economic development from their foundation in resource abundance and labour scarcity. This book is a major and wide-ranging comparative historical enquiry into the experiences of the settler world. The roles of indigenous dispossession, large-scale immigrant labour, land abundance, trade, capital, and the settler institutions, are central to this economic formation and its history. The chapters examine those economies that emerged as genuine colonial hybrids out of their differing neo-European backgrounds, with distinctive post-independence structures and an institutional persistence into the present as independent states.

Contributors include Stanley Engerman, Susan Carter, Henry Willebald, Luis Bertola, Claude Lützelschwab, Frank Tough, Kathleen Dimmer, Tony Ward, Drew Keeling, Carl Mosk, David Meredith, Martin Shanahan, John K Wilson, Bernard Attard, Grietjie Verhoef, Tim Rooth, Francine McKenzie, Jorge Alvarez, Jim McAloon, as well as the editors.