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Arab Christians and the Qurʾan from the Origins of Islam to the Medieval Period is a collection of essays on the use and interpretation of the Qur’an by Christians writing in Arabic in the period of Islamic rule in the Middle East up to the end of the thirteenth century. These essays originated in the seventh Woodbrooke-Mingana Symposium on Arab Christianity held in Birmingham, UK, in 2013, and are edited by Mark Beaumont.
Contributors are: David Bertaina, Sidney Griffith, Sandra Keating, Michael Kuhn, Juan Pedro Monferrer-Sala, Gordon Nickel, Emilio Platti and David Thomas
Contributors are: David Bertaina, Sidney Griffith, Sandra Keating, Michael Kuhn, Juan Pedro Monferrer-Sala, Gordon Nickel, Emilio Platti and David Thomas
Volume Editor:
Arab Christians and the Qurʾan from the Origins of Islam to the Medieval Period is a collection of essays on the use and interpretation of the Qur’an by Christians writing in Arabic in the period of Islamic rule in the Middle East up to the end of the thirteenth century. These essays originated in the seventh Woodbrooke-Mingana Symposium on Arab Christianity held in Birmingham, UK, in 2013, and are edited by Mark Beaumont.
Contributors are: David Bertaina, Sidney Griffith, Sandra Keating, Michael Kuhn, Juan Pedro Monferrer-Sala, Gordon Nickel, Emilio Platti and David Thomas
Contributors are: David Bertaina, Sidney Griffith, Sandra Keating, Michael Kuhn, Juan Pedro Monferrer-Sala, Gordon Nickel, Emilio Platti and David Thomas
Christian Heresiology and the Intellectual Background to Earliest Christian-Muslim Relations
Author:
How did Islam come to be considered a Christian heresy? In this book, Peter Schadler outlines the intellectual background of the Christian Near East that led John, a Christian serving in the court of the caliph in Damascus, to categorize Islam as a heresy. Schadler shows that different uses of the term heresy persisted among Christians, and then demonstrates that John’s assessment of the beliefs and practices of Muslims has been mistakenly dismissed on assumptions he was highly biased. The practices and beliefs John ascribes to Islam have analogues in the Islamic tradition, proving that John may well represent an accurate picture of Islam as he knew it in the seventh and eighth centuries in Syria and Palestine.
Christian Heresiology and the Intellectual Background to Earliest Christian-Muslim Relations
Author:
How did Islam come to be considered a Christian heresy? In this book, Peter Schadler outlines the intellectual background of the Christian Near East that led John, a Christian serving in the court of the caliph in Damascus, to categorize Islam as a heresy. Schadler shows that different uses of the term heresy persisted among Christians, and then demonstrates that John’s assessment of the beliefs and practices of Muslims has been mistakenly dismissed on assumptions he was highly biased. The practices and beliefs John ascribes to Islam have analogues in the Islamic tradition, proving that John may well represent an accurate picture of Islam as he knew it in the seventh and eighth centuries in Syria and Palestine.
The Bible in Arabic among Jews, Christians and Muslims
Series:
Biblia Arabica, Volume: 5
Volume Editor:
Senses of Scripture, Treasures of Tradition offers recent findings on the reception, translation and use of the Bible in Arabic among Jews, Samaritans, Christians and Muslims from the early Islamic era to the present day. In this volume, edited by Miriam L. Hjälm, scholars from different fields have joined forces to illuminate various aspects of the Bible in Arabic: it depicts the characteristics of this abundant and diverse textual heritage, describes how the biblical message was made relevant for communities in the Near East and makes hitherto unpublished Arabic texts available. It also shows how various communities interacted in their choice of shared terminology and topics, and how Arabic Bible translations moved from one religious community to another.
Contributors include: Amir Ashur, Mats Eskhult, Nathan Gibson, Dennis Halft, Miriam L. Hjälm, Cornelia Horn, Naḥem Ilan, Rana H. Issa, Geoffrey K. Martin, Roy Michael McCoy III, Juan Pedro Monferrer-Sala, Meirav Nadler-Akirav, Sivan Nir, Meira Polliack, Arik Sadan, Ilana Sasson, David Sklare, Peter Tarras, Alexander Treiger, Frank Weigelt, Vevian Zaki, Marzena Zawanowska.
Contributors include: Amir Ashur, Mats Eskhult, Nathan Gibson, Dennis Halft, Miriam L. Hjälm, Cornelia Horn, Naḥem Ilan, Rana H. Issa, Geoffrey K. Martin, Roy Michael McCoy III, Juan Pedro Monferrer-Sala, Meirav Nadler-Akirav, Sivan Nir, Meira Polliack, Arik Sadan, Ilana Sasson, David Sklare, Peter Tarras, Alexander Treiger, Frank Weigelt, Vevian Zaki, Marzena Zawanowska.
The Bible in Arabic among Jews, Christians and Muslims
Series:
Biblia Arabica, Volume: 5
Volume Editor:
Senses of Scripture, Treasures of Tradition offers recent findings on the reception, translation and use of the Bible in Arabic among Jews, Samaritans, Christians and Muslims from the early Islamic era to the present day. In this volume, edited by Miriam L. Hjälm, scholars from different fields have joined forces to illuminate various aspects of the Bible in Arabic: it depicts the characteristics of this abundant and diverse textual heritage, describes how the biblical message was made relevant for communities in the Near East and makes hitherto unpublished Arabic texts available. It also shows how various communities interacted in their choice of shared terminology and topics, and how Arabic Bible translations moved from one religious community to another.
Contributors include: Amir Ashur, Mats Eskhult, Nathan Gibson, Dennis Halft, Miriam L. Hjälm, Cornelia Horn, Naḥem Ilan, Rana H. Issa, Geoffrey K. Martin, Roy Michael McCoy III, Juan Pedro Monferrer-Sala, Meirav Nadler-Akirav, Sivan Nir, Meira Polliack, Arik Sadan, Ilana Sasson, David Sklare, Peter Tarras, Alexander Treiger, Frank Weigelt, Vevian Zaki, Marzena Zawanowska.
Contributors include: Amir Ashur, Mats Eskhult, Nathan Gibson, Dennis Halft, Miriam L. Hjälm, Cornelia Horn, Naḥem Ilan, Rana H. Issa, Geoffrey K. Martin, Roy Michael McCoy III, Juan Pedro Monferrer-Sala, Meirav Nadler-Akirav, Sivan Nir, Meira Polliack, Arik Sadan, Ilana Sasson, David Sklare, Peter Tarras, Alexander Treiger, Frank Weigelt, Vevian Zaki, Marzena Zawanowska.
Paul and Seneca in Dialogue assembles an international group of scholars to compare the philosophical and theological strands in Paul and Seneca’s writings, placing them in dialogue with one another. Arguably, no other first-century, non-Christian writer’s thoughts resemble Paul’s as closely as Seneca’s, and scholars have often found value in comparing Pauline concepts with Seneca’s writings. Nevertheless, apart from the occasional article, broad comparison, or cross-reference, an in-depth critical comparison of these writers has not been attempted for over fifty years – since Sevenster’s monograph of 1961. In the light of the vast amount of research offering new perspectives on both Paul and Seneca since the early 1960s, this new comparison of the two writers is long overdue.
Paul and Seneca in Dialogue assembles an international group of scholars to compare the philosophical and theological strands in Paul and Seneca’s writings, placing them in dialogue with one another. Arguably, no other first-century, non-Christian writer’s thoughts resemble Paul’s as closely as Seneca’s, and scholars have often found value in comparing Pauline concepts with Seneca’s writings. Nevertheless, apart from the occasional article, broad comparison, or cross-reference, an in-depth critical comparison of these writers has not been attempted for over fifty years – since Sevenster’s monograph of 1961. In the light of the vast amount of research offering new perspectives on both Paul and Seneca since the early 1960s, this new comparison of the two writers is long overdue.
Attributed to Abū Ḥāmid al-Ghazālī
al-Radd al-jamīl attributed to al-Ghazālī (d. 1111) is the most extensive and detailed refutation of the divinity of Jesus by a Muslim author in the classical period of Islam. Since the discovery of the manuscript in the 1930’s scholars have debated whether the great Muslim theologian al-Ghazālī was really the author.
This is a new critical edition of the Arabic text and the first complete English translation. The introduction situates this work in the history of Muslim anti-Christian polemical writing. Mark Beaumont and Maha El Kaisy-Friemuth argue that this refutation comes from an admirer of al-Ghazālī who sought to advance some of his key ideas for an Egyptian audience.
This is a new critical edition of the Arabic text and the first complete English translation. The introduction situates this work in the history of Muslim anti-Christian polemical writing. Mark Beaumont and Maha El Kaisy-Friemuth argue that this refutation comes from an admirer of al-Ghazālī who sought to advance some of his key ideas for an Egyptian audience.
Attributed to Abū Ḥāmid al-Ghazālī
al-Radd al-jamīl attributed to al-Ghazālī (d. 1111) is the most extensive and detailed refutation of the divinity of Jesus by a Muslim author in the classical period of Islam. Since the discovery of the manuscript in the 1930’s scholars have debated whether the great Muslim theologian al-Ghazālī was really the author.
This is a new critical edition of the Arabic text and the first complete English translation. The introduction situates this work in the history of Muslim anti-Christian polemical writing. Mark Beaumont and Maha El Kaisy-Friemuth argue that this refutation comes from an admirer of al-Ghazālī who sought to advance some of his key ideas for an Egyptian audience.
This is a new critical edition of the Arabic text and the first complete English translation. The introduction situates this work in the history of Muslim anti-Christian polemical writing. Mark Beaumont and Maha El Kaisy-Friemuth argue that this refutation comes from an admirer of al-Ghazālī who sought to advance some of his key ideas for an Egyptian audience.
Three Christian Scholars and Their Engagement with Islamic Thought (9th Century C.E.)
Author:
Early Christian-Muslim Debate on the Unity of God examines the writings of three of the earliest known Christian theologians to write comprehensive theological works in Arabic. Theodore Abū Qurra, Abū Rā’iṭa and ‘Ammār al-Baṣrī provide valuable insight into early Christian-Muslim debate shortly after the rise of the Islamic empire.
Through close examination of their writings on the doctrine of the Trinity, Sara Husseini demonstrates the creativity of these theologians, who make use of language, style and argumentation characteristic of Islamic theological thought (kalām), in order to help articulate their long-established religious truths. Husseini offers close analysis of the authors individually and comparatively, exploring their engagement with Islamic theology and their role in this fascinating period.
Through close examination of their writings on the doctrine of the Trinity, Sara Husseini demonstrates the creativity of these theologians, who make use of language, style and argumentation characteristic of Islamic theological thought (kalām), in order to help articulate their long-established religious truths. Husseini offers close analysis of the authors individually and comparatively, exploring their engagement with Islamic theology and their role in this fascinating period.
Three Christian Scholars and Their Engagement with Islamic Thought (9th Century C.E.)
Author:
Early Christian-Muslim Debate on the Unity of God examines the writings of three of the earliest known Christian theologians to write comprehensive theological works in Arabic. Theodore Abū Qurra, Abū Rā’iṭa and ‘Ammār al-Baṣrī provide valuable insight into early Christian-Muslim debate shortly after the rise of the Islamic empire.
Through close examination of their writings on the doctrine of the Trinity, Sara Husseini demonstrates the creativity of these theologians, who make use of language, style and argumentation characteristic of Islamic theological thought (kalām), in order to help articulate their long-established religious truths. Husseini offers close analysis of the authors individually and comparatively, exploring their engagement with Islamic theology and their role in this fascinating period.
Through close examination of their writings on the doctrine of the Trinity, Sara Husseini demonstrates the creativity of these theologians, who make use of language, style and argumentation characteristic of Islamic theological thought (kalām), in order to help articulate their long-established religious truths. Husseini offers close analysis of the authors individually and comparatively, exploring their engagement with Islamic theology and their role in this fascinating period.
A Comparative Perspective
The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.
A Comparative Perspective
The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.