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Contributors are Paul A. Broyles, Sarah Croix, Gavin Fort, Sophia Germanidou, Danielle Griego, Máire Johnson, Daniel T. Kline, Jenni Kuuliala, Lahney Preston-Matto, Melissa Raine, Eve Salisbury, Ruth Salter, Bridgette Slavin, and Mary A. Valante.
Contributors are Paul A. Broyles, Sarah Croix, Gavin Fort, Sophia Germanidou, Danielle Griego, Máire Johnson, Daniel T. Kline, Jenni Kuuliala, Lahney Preston-Matto, Melissa Raine, Eve Salisbury, Ruth Salter, Bridgette Slavin, and Mary A. Valante.
Drawing on case studies from cities such as Toledo, Cordoba, and Seville, it collects for the first time recent research in urban studies using both archaeological and historical sources. Against the common portrayal of these cities characterized by discontinuities due to decadence, decline and invasions, it is instead continuity – that is, a gradual transformation – which emerges as the defining characteristic.
The volume argues for a fresh interpretation of Iberian cities across this period, seen as a continuum of structural changes across time, and proposes a new history of the Iberian Peninsula, written from the perspective of the cities.
Contributors are Javier Arce, María Asenjo González, Antonio Irigoyen López, Alberto León Muñoz, Matthias Maser, Sabine Panzram, Gisela Ripoll, Torsten dos Santos Arnold, Isabel Toral-Niehoff, Fernando Valdés Fernández, and Klaus Weber.
Drawing on case studies from cities such as Toledo, Cordoba, and Seville, it collects for the first time recent research in urban studies using both archaeological and historical sources. Against the common portrayal of these cities characterized by discontinuities due to decadence, decline and invasions, it is instead continuity – that is, a gradual transformation – which emerges as the defining characteristic.
The volume argues for a fresh interpretation of Iberian cities across this period, seen as a continuum of structural changes across time, and proposes a new history of the Iberian Peninsula, written from the perspective of the cities.
Contributors are Javier Arce, María Asenjo González, Antonio Irigoyen López, Alberto León Muñoz, Matthias Maser, Sabine Panzram, Gisela Ripoll, Torsten dos Santos Arnold, Isabel Toral-Niehoff, Fernando Valdés Fernández, and Klaus Weber.
From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members.
Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch
From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members.
Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch
Contributors are Francesco Borri, Silvia Cadamuro, Alessandra Cianciosi, Elisa Corrò, Stefano Gasparri, Sauro Gelichi, Cecilia Moine, Annamaria Pazienza, Sandra Primon, and Chiara Provesi.
Contributors are Francesco Borri, Silvia Cadamuro, Alessandra Cianciosi, Elisa Corrò, Stefano Gasparri, Sauro Gelichi, Cecilia Moine, Annamaria Pazienza, Sandra Primon, and Chiara Provesi.
The ironmaking practice had its origins in increasing demands for iron, due to growth in urbanization, church power, kingship and mercantile networks. Rundberget’s main hypothesis is that iron became the economic basis for political developments, from chiefdom to kingdom. Iron extraction activity grew from the late Viking Age, throughout the early medieval period, before it came to a sudden collapse around AD 1300. This trend correlates with the rise and fall of the kingdom.
The ironmaking practice had its origins in increasing demands for iron, due to growth in urbanization, church power, kingship and mercantile networks. Rundberget’s main hypothesis is that iron became the economic basis for political developments, from chiefdom to kingdom. Iron extraction activity grew from the late Viking Age, throughout the early medieval period, before it came to a sudden collapse around AD 1300. This trend correlates with the rise and fall of the kingdom.
Contributors are Jonathan Arnold, Shane Bjornlie, Samuel Cohen, Kate Cooper, Deborah Deliyannis, Cam Grey, Guy Halsall, Gerda Heydemann, Mark Johnson, Sean Lafferty, Natalia Lozovsky, Federico Marazzi, Christine Radtki, Kristina Sessa, Paolo Squatriti, Brian Swain, and Rita Lizzi Testa.
Contributors are Jonathan Arnold, Shane Bjornlie, Samuel Cohen, Kate Cooper, Deborah Deliyannis, Cam Grey, Guy Halsall, Gerda Heydemann, Mark Johnson, Sean Lafferty, Natalia Lozovsky, Federico Marazzi, Christine Radtki, Kristina Sessa, Paolo Squatriti, Brian Swain, and Rita Lizzi Testa.
Contributors are John Bintliff, Jeremy Evans, Axel Gering, Stefan Groh, Yoshiki Hori, Nikolaos D. Karydis, Veli Köse, Luke Lavan, Zsolt Magyar, Philip Mills, John Pearce, Steve Roskams, Helga Sedlmayer, Ellen Swift, Itamar Taxel, Douglas Underwood, Lutgarde Vandeput and Joe Williams.
Contributors are John Bintliff, Jeremy Evans, Axel Gering, Stefan Groh, Yoshiki Hori, Nikolaos D. Karydis, Veli Köse, Luke Lavan, Zsolt Magyar, Philip Mills, John Pearce, Steve Roskams, Helga Sedlmayer, Ellen Swift, Itamar Taxel, Douglas Underwood, Lutgarde Vandeput and Joe Williams.
Contributors are Alyssa A. Bandow, Fanny Bessard, Michel Bonifay, Kim Bowes, Stefano Costa, Jeremy Evans, Elizabeth Fentress, Piroska Hárshegyi, Adam Izdebski, Luke Lavan, Tamara Lewit, Phil Mills, Katalin Ottományi, Peter Sarris, Emanuele Vaccaro, Agnès Vokaer, Mark Whittow and Andrea Zerbini.
Contributors are Alyssa A. Bandow, Fanny Bessard, Michel Bonifay, Kim Bowes, Stefano Costa, Jeremy Evans, Elizabeth Fentress, Piroska Hárshegyi, Adam Izdebski, Luke Lavan, Tamara Lewit, Phil Mills, Katalin Ottományi, Peter Sarris, Emanuele Vaccaro, Agnès Vokaer, Mark Whittow and Andrea Zerbini.
Contributors are Susannah Belcher, Neil Christie, Ian Colvin, John Conyard, Jon Coulston, Jim Crow, Florin Curta, Hugh Elton, James Howard-Johnston, Jordi Galbany, Jordi Guàrdia, John Haldon, Michel Kazanski, Maria Kouroumali, Michael Kulikowski, Christopher Lillington-Martin, Marta Maragall, Oriol Mercadal, Jordi Nadal, Oriol Olesti, Alexander Sarantis, Conor Whately, Michael Whitby and John Wilkes.
Contributors are Susannah Belcher, Neil Christie, Ian Colvin, John Conyard, Jon Coulston, Jim Crow, Florin Curta, Hugh Elton, James Howard-Johnston, Jordi Galbany, Jordi Guàrdia, John Haldon, Michel Kazanski, Maria Kouroumali, Michael Kulikowski, Christopher Lillington-Martin, Marta Maragall, Oriol Mercadal, Jordi Nadal, Oriol Olesti, Alexander Sarantis, Conor Whately, Michael Whitby and John Wilkes.