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Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Emblematics and the Brazilian Avant-Garde (1920-30s)
Series:
Avant-Garde Critical Studies
Author:
In Antropofagia, Aarnoud Rommens shows how this Brazilian avant-garde movement (1920-30s) deconstructed early tendencies in the European vanguard. Through imaginative re-readings, the author reinterprets Antropofagia’s central texts and images as elements within an ever-changing, neo-baroque memory palace. Not only does the movement subvert established conceptions of the pre- and postcolonial; it is also a counter-colonial critique of verbal and visual literacy. To do justice to the dynamic between visibility and legibility, Rommens develops the inventive methodology of ‘emblematics’. The book’s implications are wide-ranging, prompting a revaluation of the avant-garde as a transmedial tactic for disrupting our reading and viewing habits.
Perspectives from Critical Theory and Beyond
Today, more than ever, it is easy to understand how populism has become such a contested word in contemporary politics. Despite its relatively short history, the term follows a rather volatile trajectory in terms of its historical development and presence as a political practice. When we look at its political and moral impact, one can see that despite its often strict national commitments and narratives, populism is rather a global political phenomenon. As embodiment of anti-establishment narratives, polarizing attitudes, and emancipatory appeal, we can follow its occurrence from Central and Eastern Europe, Latin America, the USA and UK, the Middle East, all the way to China and India. This edited volume helps fill a gap in the existing literature on Critical Theory (broadly construed) and populism, focusing on the multiple dimensions of historical and contemporary contexts for today’s rising populist movements and their often – but not necessarily – hostile relations towards cosmopolitanism, globalization, environmentalism, and general notions of inclusion and justice.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Perspectives from Critical Theory and Beyond
Today, more than ever, it is easy to understand how populism has become such a contested word in contemporary politics. Despite its relatively short history, the term follows a rather volatile trajectory in terms of its historical development and presence as a political practice. When we look at its political and moral impact, one can see that despite its often strict national commitments and narratives, populism is rather a global political phenomenon. As embodiment of anti-establishment narratives, polarizing attitudes, and emancipatory appeal, we can follow its occurrence from Central and Eastern Europe, Latin America, the USA and UK, the Middle East, all the way to China and India. This edited volume helps fill a gap in the existing literature on Critical Theory (broadly construed) and populism, focusing on the multiple dimensions of historical and contemporary contexts for today’s rising populist movements and their often – but not necessarily – hostile relations towards cosmopolitanism, globalization, environmentalism, and general notions of inclusion and justice.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
Contributors are: Emília Barna, Ronald Beiner, Dustin J. Byrd, Samir Gandesha, Carlos Antonio Giovinazzo Júnior, Mlado Ivanovic, Yonathan Listik, Grigoris Markou, Jeremiah Morelock, Felipe Ziotti Narita, Ágnes Patakfalvi- Czirják, Maria Cristina Dancham Simões and Hassan Zaheer.
This book emerges at a time when critical race studies, postcolonial thought, and decolonial theory are under enormous pressure as part of a global conservative backlash. However, this is also an exciting moment, where new horizons of knowledge appear and new epistemic practices (e.g. symmetry, collaboration, undisciplining) gain traction. Through our critical engagements with structural, relational, and personal aspects of knowing and unknowing we work towards a greater multiplicity of knowledges and practices. Calling into question the asymmetrical global economy of knowledge and its uneven division of intellectual labour, our interdisciplinary volume explores what a decolonial horizon could entail for African Studies at the crossroads.
Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
African Studies at the Crossroads
Series:
Africa Multiple, Volume: 4
This book emerges at a time when critical race studies, postcolonial thought, and decolonial theory are under enormous pressure as part of a global conservative backlash. However, this is also an exciting moment, where new horizons of knowledge appear and new epistemic practices (e.g. symmetry, collaboration, undisciplining) gain traction. Through our critical engagements with structural, relational, and personal aspects of knowing and unknowing we work towards a greater multiplicity of knowledges and practices. Calling into question the asymmetrical global economy of knowledge and its uneven division of intellectual labour, our interdisciplinary volume explores what a decolonial horizon could entail for African Studies at the crossroads.
Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
Contributors are Akosua Adomako Ampofo, Eric A. Anchimbe, Edwin Asa Adjei, Susan Arndt, Muyiwa Falaiye, Katharina Greven, Christine Hanke, Amanda Hlengwa, Catherine Kiprop, Elísio Macamo, Nelson Maldonado-Torres, Cassandra Mark-Thiesen, Lena Naumann, Thando Njovane, Samuel Ntewusu, Anthony Okeregbe, Zandisiwe Radebe, Elelwani Ramugondo, Eleanor Schaumann
From Literature to Social Media
This book's primary task is to test the contemporary value of performance and performativity. Performative Identities in Culture: From Literature to Social Media undertakes this task via a host of chapters on a vast spectrum of performativity-related topics such as: literature (British, American, Welsh), film, art, social media, and sports. Within these contexts, the book raises a number of questions relevant today. How is minority culture constructed and performed in literature? How can one manifest identity in multicultural contexts? How has performativity been transformed in audiovisual media, like film, video games and social media? And, can the digital itself be performative?
From Literature to Social Media
This book's primary task is to test the contemporary value of performance and performativity. Performative Identities in Culture: From Literature to Social Media undertakes this task via a host of chapters on a vast spectrum of performativity-related topics such as: literature (British, American, Welsh), film, art, social media, and sports. Within these contexts, the book raises a number of questions relevant today. How is minority culture constructed and performed in literature? How can one manifest identity in multicultural contexts? How has performativity been transformed in audiovisual media, like film, video games and social media? And, can the digital itself be performative?
A Merry Moralist
Author:
The nucleus of Jacob Campo Weyerman’s (1677–1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its sole contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
A Merry Moralist
Author:
The nucleus of Jacob Campo Weyerman’s (1677–1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its sole contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
Debate in Early English Poetry and Drama