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Author:
What was published in Naples during the Spanish Vicerealm? How did books, pamphlets, broadsheets and newspapers contribute to the political awareness of the Neapolitan people? To what extent did the authorities engage with this politically-charged literary world? This book aims to answer these questions by discussing an untapped body of sources, in manuscript and printed form. What emerges is a vivid picture of a vibrant printing industry and a rich cultural landscape. Three moments of crisis of the seventeenth century – the eruption of Vesuvius, Masaniello’s revolt and a major plague epidemic – are used as a test of the capability of the Spanish authorities in regards to political and propagandistic communication.
Author:
What was published in Naples during the Spanish Vicerealm? How did books, pamphlets, broadsheets and newspapers contribute to the political awareness of the Neapolitan people? To what extent did the authorities engage with this politically-charged literary world? This book aims to answer these questions by discussing an untapped body of sources, in manuscript and printed form. What emerges is a vivid picture of a vibrant printing industry and a rich cultural landscape. Three moments of crisis of the seventeenth century – the eruption of Vesuvius, Masaniello’s revolt and a major plague epidemic – are used as a test of the capability of the Spanish authorities in regards to political and propagandistic communication.
Marx & Engels on Capitalism, Class Struggle and Crisis
Author:
Whether loving or hating it, many visualize capitalism as an unstoppable juggernaut. For those of us who would defeat it, we must identify its weaknesses. Fortunately, Marx and Engels’ writings on “crisis” reveal them. They show how its endless imposition of exploitative and alienating work creates such antagonistic conflicts everywhere as to make it, ultimately, a far more fragile monster than it first appears. Each of its efforts to shape social relationships, subordinating them to the work of commodity production and its control over society, has been and can be thrown into crisis by those of us resisting its way of life and seeking to create more appealing alternatives.
Marx & Engels on Capitalism, Class Struggle and Crisis
Author:
Whether loving or hating it, many visualize capitalism as an unstoppable juggernaut. For those of us who would defeat it, we must identify its weaknesses. Fortunately, Marx and Engels’ writings on “crisis” reveal them. They show how its endless imposition of exploitative and alienating work creates such antagonistic conflicts everywhere as to make it, ultimately, a far more fragile monster than it first appears. Each of its efforts to shape social relationships, subordinating them to the work of commodity production and its control over society, has been and can be thrown into crisis by those of us resisting its way of life and seeking to create more appealing alternatives.
This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.
Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.
Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.
This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel’s glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer’s bookplates on Regensburg insects; Schiffermüller’s watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.
Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.
Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.
Pagan Antiquity and the Biblical Text in the Scholarly World of Guillaume Bonjour (1670-1714)
Author:
The present work offers the first major study of the Augustinian historian and missionary Guillaume Bonjour (1670-1714) and places Bonjour’s hitherto unstudied contributions to pagan mythography, biblical chronology, and ancient religion in their historical, intellectual context. It argues that Bonjour was part of a prominent scholarly tradition which advanced a new understanding of and approach to studying pagan antiquity, an approach which, if developed with the intention of elucidating and further confirming traditional assumptions about the authority of biblical history, nevertheless proved innovative for the way in which it postulated a new relationship between the “sacred” and the “profane” in ancient history.
Pagan Antiquity and the Biblical Text in the Scholarly World of Guillaume Bonjour (1670-1714)
Author:
The present work offers the first major study of the Augustinian historian and missionary Guillaume Bonjour (1670-1714) and places Bonjour’s hitherto unstudied contributions to pagan mythography, biblical chronology, and ancient religion in their historical, intellectual context. It argues that Bonjour was part of a prominent scholarly tradition which advanced a new understanding of and approach to studying pagan antiquity, an approach which, if developed with the intention of elucidating and further confirming traditional assumptions about the authority of biblical history, nevertheless proved innovative for the way in which it postulated a new relationship between the “sacred” and the “profane” in ancient history.
Author:
This book is the first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode in the history of the curator.
Author:
This book is the first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode in the history of the curator.
Apophthegmata (Liber V)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber V)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.
Apophthegmata (Liber VI)
Editor:
This work provides a commented critical edition of Erasmus’s Apophthegmata (books V–VIII), the most successful early modern collection of memorable sayings and anecdotes. The substantial introduction analyses the genre of apophthegmata in antiquity, and the genesis, composition, sources and particularities of Erasmus’s work.