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The Construction of the Feminine Voice in Early Medieval Chinese Literature
This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
The Construction of the Feminine Voice in Early Medieval Chinese Literature
This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
The Buddhist Thought and Practice of Sheng’an Shixian (1686–1734) and Other Patriarchs
Series:
Numen Book Series, Volume: 175
This vigorously-researched publication for advanced graduate students and fellow scholars of the Chinese Pure Land tradition (Jingtu famen) in the wider context of Chinese Buddhism extends the horizon opened up by recent leading scholars to reconstruct a more insightful understanding of the Jingtu famen and the notion of zong. Focusing on previously unstudied writings of Shixian and other patriarchs, the findings support the argument that the Jingtu famen is an advanced form of Mahāyānist meditation rooted in the Mādhyamika and Yogācāra traditions. The original English translation of Master Shixian’s writings provided also paves the way for other researchers to conduct new and extended studies.
What is cultural semantics? How to define and analyze it in the lexicon of modern Chinese?
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
What is cultural semantics? How to define and analyze it in the lexicon of modern Chinese?
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
A Critique of the Sinocentric Paradigm
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history.
Exposing its agenda and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Exposing its agenda and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
A Critique of the Sinocentric Paradigm
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history.
Exposing its agenda and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Exposing its agenda and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Editor / Translator:
Contrary to the usual sympathetic image of Kang Youwei found in historical studies, The Big Cheat offers a starkly negative portrayal of Kang. Its author, Huang Shizhong, a late Qing revolutionary and prolific author of over 20 novels, depicts Kang as a lifelong master fraud. His attack on Kang sheds light on the reform-revolution divide featured in every narrative about the rise of modern China.
Huang’s novel stands as a period testimony to the political and ideological struggles for China’s future during the last years of the Qing dynasty before it fell in 1912. This is the first English language edition of the novel, translated by Luke S. K. Kwong, who offers an extensive introduction contextualizing Huang's novel in historical perspective.
Huang’s novel stands as a period testimony to the political and ideological struggles for China’s future during the last years of the Qing dynasty before it fell in 1912. This is the first English language edition of the novel, translated by Luke S. K. Kwong, who offers an extensive introduction contextualizing Huang's novel in historical perspective.
Contrary to the usual sympathetic image of Kang Youwei found in historical studies, The Big Cheat offers a starkly negative portrayal of Kang. Its author, Huang Shizhong, a late Qing revolutionary and prolific author of over 20 novels, depicts Kang as a lifelong master fraud. His attack on Kang sheds light on the reform-revolution divide featured in every narrative about the rise of modern China.
Huang’s novel stands as a period testimony to the political and ideological struggles for China’s future during the last years of the Qing dynasty before it fell in 1912. This is the first English language edition of the novel, translated by Luke S. K. Kwong, who offers an extensive introduction contextualizing Huang's novel in historical perspective.
Huang’s novel stands as a period testimony to the political and ideological struggles for China’s future during the last years of the Qing dynasty before it fell in 1912. This is the first English language edition of the novel, translated by Luke S. K. Kwong, who offers an extensive introduction contextualizing Huang's novel in historical perspective.
Selected Essays