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Author: Amy Newland
Printed and Painted: The Meiji Art of Ogata Gekkō (1859–1920) is the first English-language publication to offer an in-depth look at the life and career of the Japanese painter and woodblock-print designer Ogata Gekkō. This publication brings together 140 prints and paintings by Gekkō, his students and his contemporaries such as Kawanabe Kyōsai, Tsukioka Yoshitoshi and Yōshū Chikanobu across five subject areas: history and legend; pictures of beautiful women; the natural world, rural and city views; literature and theatre; and modern wars and modern soldiers. The extensive introduction brings to life the character and art of Gekkō, including a translation of a personal account by his accomplished student, the shin-hanga (New Print) artist Yamamura Kōka. An artist often overlooked in discussions of the art of the Meiji period (1868–1912), the publication seeks to highlight the vibrant printed and painted world of the era.
Wang Yiting’s Art of Exchange with Japan
Author: Walter Davis
Culture in Common explores the transnational history of traditionalist art in modern East Asia through a contextualist account of a Chinese artist’s engagement with Japan. Crossing national and disciplinary divides, Walter Davis illuminates how Wang Yiting (1867-1938) mediated Sino-Japanese cooperation in fields to which he contributed importantly—art, business, philanthropy, and religion—adapting traditional forms of expression to projects and concerns of a modern, international milieu.

Grounded in the Japanese archive, Culture in Common expands our understanding of Wang Yiting’s oeuvre and artistic practices, reveals origins, accomplishments, promises, and limitations of the cross-cultural exchanges he espoused in an era of increasing international tensions, and draws attention to the historical importance and shifting historiographical fortunes of twentieth-century Sino-Japanese visual culture.