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Ibn al-Azraq and His Ideal Sultanate
Author:
Ibn al-Azraq (d. 896/1491) was a renowned Andalusian jurist (faqīh) and statesman who lived during the final period of the Nasrid emirate of Granada. His most famous work, Badāʾiʿ al-Silk fī Ṭabāʾiʿ al-Mulk (Unprecedented Lines about the Nature of Political Rule), is a political treatise that builds upon Ibn Khaldūn’s (d. 808/1406) social theory (Ꜥilm al-Ꜥumrān). In The grand critic of Ibn Khaldūn Elena Şahin critically analyses the major aspects of Ibn al-Azraq’s political thought.
In this contribution on the field of the history of Islamic political thought, Elena Şahin demonstrates that while Ibn al-Azraq integrates the thrust of Ibn Khaldūn’s approach, Ibn al-Azraq’s work should be regarded as part of a larger conversation amongst various scholars, engaging, for example with the Andalusian jurist al-Shāṭibī’s (d. 790/1388) theory of Maqāṣid al-Sharīʿa. Widening the analysis of Ibn al-Azraq’s work illuminates that Ibn al-Azraq’s political theory was in opposition to that of Ibn Khaldūn, and thus gives us a better understanding of the dynamic debates within Andalusian political thought.
In this contribution on the field of the history of Islamic political thought, Elena Şahin demonstrates that while Ibn al-Azraq integrates the thrust of Ibn Khaldūn’s approach, Ibn al-Azraq’s work should be regarded as part of a larger conversation amongst various scholars, engaging, for example with the Andalusian jurist al-Shāṭibī’s (d. 790/1388) theory of Maqāṣid al-Sharīʿa. Widening the analysis of Ibn al-Azraq’s work illuminates that Ibn al-Azraq’s political theory was in opposition to that of Ibn Khaldūn, and thus gives us a better understanding of the dynamic debates within Andalusian political thought.
Ibn al-Azraq and His Ideal Sultanate
Author:
Ibn al-Azraq (d. 896/1491) was a renowned Andalusian jurist (faqīh) and statesman who lived during the final period of the Nasrid emirate of Granada. His most famous work, Badāʾiʿ al-Silk fī Ṭabāʾiʿ al-Mulk (Unprecedented Lines about the Nature of Political Rule), is a political treatise that builds upon Ibn Khaldūn’s (d. 808/1406) social theory (Ꜥilm al-Ꜥumrān). In The grand critic of Ibn Khaldūn Elena Şahin critically analyses the major aspects of Ibn al-Azraq’s political thought.
In this contribution on the field of the history of Islamic political thought, Elena Şahin demonstrates that while Ibn al-Azraq integrates the thrust of Ibn Khaldūn’s approach, Ibn al-Azraq’s work should be regarded as part of a larger conversation amongst various scholars, engaging, for example with the Andalusian jurist al-Shāṭibī’s (d. 790/1388) theory of Maqāṣid al-Sharīʿa. Widening the analysis of Ibn al-Azraq’s work illuminates that Ibn al-Azraq’s political theory was in opposition to that of Ibn Khaldūn, and thus gives us a better understanding of the dynamic debates within Andalusian political thought.
In this contribution on the field of the history of Islamic political thought, Elena Şahin demonstrates that while Ibn al-Azraq integrates the thrust of Ibn Khaldūn’s approach, Ibn al-Azraq’s work should be regarded as part of a larger conversation amongst various scholars, engaging, for example with the Andalusian jurist al-Shāṭibī’s (d. 790/1388) theory of Maqāṣid al-Sharīʿa. Widening the analysis of Ibn al-Azraq’s work illuminates that Ibn al-Azraq’s political theory was in opposition to that of Ibn Khaldūn, and thus gives us a better understanding of the dynamic debates within Andalusian political thought.
The (Un)Making of Indonesian Islam in the Netherlands
Author:
This groundbreaking book tells the untold story of Indonesian Islam in museums. Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention it deserves in museum collections and exhibitions. This book unravels the historical silences rooted in Dutch colonial rule that have marginalized Indonesian Islamic material culture. Delving into the colonial archives, it traces the journey of Indonesian objects in Dutch museums, exploring their original meanings and their re-appropriation during instances of collecting, classification, interpretation and public display. Through this lens, the book addresses the enduring impacts of colonialism and offers pathways for the decolonization of museums today.
The (Un)Making of Indonesian Islam in the Netherlands
Author:
This groundbreaking book tells the untold story of Indonesian Islam in museums. Often overshadowed by Hindu-Buddhist art, Indonesian Islamic heritage rarely receives the attention it deserves in museum collections and exhibitions. This book unravels the historical silences rooted in Dutch colonial rule that have marginalized Indonesian Islamic material culture. Delving into the colonial archives, it traces the journey of Indonesian objects in Dutch museums, exploring their original meanings and their re-appropriation during instances of collecting, classification, interpretation and public display. Through this lens, the book addresses the enduring impacts of colonialism and offers pathways for the decolonization of museums today.