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The Brand of Print

Marketing Paratexts in the Early English Book Trade

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Andrea Silva

The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts.

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Edited by Anne-Pascale Pouey-Mounou and Paul J. Smith

For this bilingual (English-French) anthology of early modern fictitious catalogues, selections were made from a multitude of texts, from the genre’s beginnings (Rabelais’s satirical catalogue of the Library of St.-Victor (1532)) to its French and Dutch specimens from around 1700. In thirteen chapters, written by specialists in the field, diverse texts containing fictitious booklists are presented and contextualized. Several of these texts are well known (by authors such as Fischart, Doni, and Le Noble), others – undeservedly – are less known, or even unrecorded. The anthology is preceded by a literary historical and theoretical introduction addressing the parodic and satirical aspects of the genre, and its relationship to other genres: theatre, novel, and pamphlet. Contributors include: Helwi Blom, Tobias Bulang, Raphaël Cappellen, Ronnie Ferguson, Dirk Geirnaert, Jelle Koopmans, Marijke Meijer Drees, Claudine Nédelec, Patrizia Pellizzari, Anne-Pascale Pouey-Mounou, Paul J. Smith, and Dirk Werle.

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Kenneth J. Woo

In Nicodemism and the English Calvin Kenneth J. Woo reassesses John Calvin's decades-long attack against Nicodemism, which Calvin described as evangelicals playing Catholic to avoid hardship or persecution. Frequently portrayed as a static argument varying little over time, the reformer's anti-Nicodemite polemic actually was adapted to shifting contexts and diverse audiences. Calvin's strategic approach to Nicodemism was not lost on readers, influencing its reception in England.

Quatre sermons (1552) presents Calvin's anti-Nicodemism in the only sermons he personally prepared for publication. By setting this work in its original context and examining its reception in five sixteenth-century English editions, Woo demonstrates how Calvin and others deployed his rhetoric against Nicodemism to address concerns having little to do with religious dissimulation.

Imagining the Americas in Print

Books, Maps and Encounters in the Atlantic World

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Michiel van Groesen

In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.

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Edited by Alexander Samuel Wilkinson and Graeme Kemp

The early modern European book world was confronted with many crises and controversies. Some conflicts were of such monumental scale that they wrought significant reconfigurations of the trade. Others were more quotidian in nature – evidence of the intensely competitive and at times predatory nature of the industry. How publishing negotiated and responded to the various crises, conflicts and disputes of the age is explored by the rich and varied interdisciplinary contributions in this volume. To succeed in the business of books, printers and publishers needed to seize the advantage in the often complex environments in which they operated. What was required was determination, resilience, and inventiveness, even in the most challenging of times.

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Edited by Tracy Chapman Hamilton and Mariah Proctor-Tiffany

This collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and medieval geography. It explores how women’s geographic and familial networks spread well beyond the borders that defined men’s sense of region and how the movement of their belongings can reveal essential information about how women navigated these often-disparate spaces. Beginning in early medieval Scandinavia, ranging from Byzantium to Rus', and multiple lands in Western Europe up to 1500, the essays span a great spatio-temporal range. Moreover, the types of objects extend from traditionally studied works like manuscripts and sculpture to liturgical and secular ceremonial instruments, icons, and articles of personal adornment, such as textiles and jewelry, even including shoes.

Sailing Across the World's Oceans

History & Catalogue of Dutch Charts Printed on Vellum 1580-1725

Günter Schilder and Hans Kok

After covering the Dutch VOC manuscript charts on vellum in Sailing for the East (ESHC 10, 2010), the printed charts on vellum by commercial Amsterdam chart-publishers cried out for scrutiny as well. Sailing Across the World’s Oceans discusses these rare remaining charts, of which some 150 copies could be traced, mostly kept in international institutions. Their titles run from Europe to Indian Ocean and Atlantic Ocean, the latter commonly called West-Indische Paskaerten. The charts are described and analysed in an illustrated cartobibliography. The extensive introduction investigates the development of Amsterdam as a recognized centre for map production and distribution in Europe. It also discusses navigation techniques used in the sixteenth and seventeenth centuries. The developing world image is considered, as it may be derived from Dutch contributions. This book delivers insight into chart-making history that has not been available before.

Evina Steinova

Abstract

Manuscript fragment Chicago, Newberry Library, Masi Fragm. 14 was previously misidentified as containing an unknown sermon or biblical excerpts.1 It is, in fact, a remnant of large-format deluxe Bible containing a set of Spanish prefaces to the Pauline epistles. These prefaces identify the deluxe codex as a descendant of a Theodulf Bible, a scholarly revision of the biblical text produced in the first decades of the ninth century by Theodulf of Orleans. Only seven copies of the Theodulf Bible are known. It is thus relevant that the Newberry fragment may have been dependent on another, previously unknown copy that was kept in one of the large monasteries of northwestern France, from which the fragment most probably comes. Because of its provenance from Haspres, the deluxe manuscript may have been produced in the nearby abbey of St. Vaast in Arras or perhaps by the community of the abbey of Jumièges.