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China's Old Churches

The History, Architecture, and Legacy of Catholic Sacred Structures in Beijing, Tianjin, and Hebei Province


Alan Richard Sweeten

China’s Old Churches, by Alan Sweeten, examines the history of Catholicism (1600 to the present) as reflected by the location, style, and details of sacred structures in three crucial north China areas. Examined are the most famous and important churches in the urban settings of Beijing and Tianjin as well as lesser-known ones in rural Hebei Province.
Missionaries built Western-looking churches to make a broad religious statement important to themselves and Chinese worshippers. Non-Catholics, however, tended to see churches as socio-politically foreign and invasive. The physical-visual impact of church structures is significant. Today, restored old and new churches are still mostly of Western style, serving a growing number of Catholics who actively support a Marian movement.

Handbooks and Anthologies for Officials in Imperial China

A Descriptive and Critical Bibliography


Pierre-Étienne Will

The 1,165 entries of Handbooks and Anthologies for Officials of Imperial China by Pierre-Étienne Will and collaborators provide a descriptive list of extant manuscript and printed works—mainly from the Song, Ming, and Qing dynasties—created with the aim to instruct officials and other administrators of imperial China about the technical and ethical aspects of government, and to provide tools and guides to help with the relevant procedures. Both generalist and specialized texts are considered. Among the latter, such disciplines as the administration of justice, famine relief, and the military receive particular attention. Each entry includes the publishing history of the work considered (including modern editions), an analysis of contents, and a biographical sketch of the author.

The Mandate of Heaven

Strategy, Revolution, and the First European Translation of 'Sunzi’s Art of War' (1772)


Adam Parr

The Mandate of Heaven examines the first European version of Sunzi’s Art of War, which was translated from Chinese by Joseph Amiot, a French missionary in Beijing, and published in Paris in 1772. His work is presented in English for the first time. Amiot undertook this project following the suppression of the Society of Jesus in France with the aim of demonstrating the value of the China mission to the French government. He addressed his work to Henri Bertin, minister of state, beginning a thirty-year correspondence between the two men. Amiot framed his translation in order to promote a radical agenda using the Chinese doctrine of the “mandate of heaven.” This was picked up within the sinophile and radical circle of the physiocrats, who promoted China as a model for revolution in Europe. The work also arrived just as the concept of strategy was emerging in France. Thus Amiot’s Sunzi can be placed among seminal developments in European political and strategic thought on the eve of the revolutionary era.

Roger V. Des Forges

From 1644 to 2003, many Chinese historians and novelists debated the existence and the identity of a provincial graduate from Qi county in Henan province who reportedly helped the commoner rebel Li Zicheng overthrow the Ming polity (1368−1644) only to be suspected of disloyalty and killed by the rebel leader, thus clearing the way for the Qing that ruled China from 1644 to 1911. In 2004 there was discovered a genealogical manuscript that goes far towards solving the Li Yan puzzle and allows us to see how rumors were incorporated into histories and literary works that appealed to a wide variety of people over the course of three and a half centuries. In this essay, I compare and contrast the emerging mythistorical figure of Li Yan with other scholar-rebel-advisors in Chinese and world history and suggest that he was most akin to the Lord Chancellor Thomas More in sixteenth-century England who spoke truth to power and was celebrated in twentieth-century history and literature.

Daniel Barish

The physical spaces of imperial education during the Qing were carefully constructed sites of political architecture that sought to shape the behavior of princes, emperors, and their teachers while projecting dynamic images of power. This article examines a range of buildings associated with the Qing pedagogical apparatus. It argues that the changing spaces of imperial education drew on both classical ideals and international iconographies of power to create and disseminate a fluid vision of rule. In the eighteenth century, the Qianlong emperor ordered the construction of the Biyong Hall at the center of the Imperial Academy in Beijing for exclusive use by the emperor during the Imperial Lecture, combining classical Han Chinese and Manchu expressions of authority. Throughout the nineteenth century, heirs to the throne and young emperors were trained in classrooms filled with calligraphy penned by their ancestors. Aphorisms drawing on the Confucian classics, as well as Daoist and Buddhist texts, urged the young rulers to strive for dynastic renewal. Finally, at the start of the twentieth century as the Qing worked to transition to a constitutional monarchy, imperial classrooms around Beijing were infused with Western architectural styles, incorporating new strands of authority for the reforming Qing dynasty.

Sarah Schneewind

Although post-mortem apotheosis and secular honor in temples have received more attention, shrines to living men were also ordinary institutions from Han times onwards in Chinese history. Previous scholarship so far on pre-mortem shrines in Tang and Song relates them to pre-mortem commemoration in inscribed records of local commendation on the one hand and Neo-Confucian Daoxue Shrines to Local Worthies on the other. That scholarly work suggests that Tang and Song premortem shrines when political were basically elite institutions; and that when common people were involved their motivations were religious rather than political. In Ming times, by contrast, premortem shrines were normatively established by commoners and constituted a venue for popular political participation, while the steles commemorating the shrines explicitly argued that non-elite people had the right to political speech. This article speculates, as a hypothesis awaiting further research, that both Yuan modes of government generally, and creative uses of premortem enshrinement in Yuan times specifically, may have contributed to Ming populism.

Editors Frontiers of History in China