Browse results

You are looking at 1 - 10 of 1,167 items for :

  • Text Edition x
  • Ancient Philosophy x
  • Primary Language: English x
Clear All

Series:

Christoph Sander

Why does a magnet attract iron, why does a compass needle point north? While the magnet or lodestone was known since antiquity, magnetism became one of the most important topics in early modern natural science and technology. In Magnes Christoph Sander explores this fascinating subject and draws, for the first time, a comprehensive picture of the early modern research on magnetism (c. 1500–1650). The study examines in breadth, covering all disciplines of this epoch, what scholars understood by ‘magnet’ and ‘magnetism,’ the properties they ascribed to it, in which instruments and practices magnetism was employed, and how they tried to explain this exciting phenomenon. This historical panorama is unpreceded and based on around 1500 historical sources, including over 100 manuscripts.

Series:

Edited by John F. Finamore, Christina-Panagiota Manolea and Sarah Klitenic Wear

Studies in Hermias’ Commentary on Plato’s Phaedrus is a collection of twelve essays that consider aspects of Hermias’ philosophy, including his notions of the soul, logic, and method of exegesis. The essays also consider Hermias’ work in the tradition of Neoplatonism, particularly in relation to the thought of Iamblichus and Proclus. The collection grapples with the question of the originality of Hermias’ commentary—the only extant work of Hermias—which is a series of lectures notes of his teacher, Syrianus.

Plato’s Timaeus and the Missing Fourth Guest

Finding the Harmony of the Spheres

Series:

Donna M. Altimari Adler

In Plato's Timaeus and the Missing Fourth Guest, Donna M. Altimari Adler proposes a new Timaeus scale structure. She finds the harmonic cosmos in Plato's text, mathematically, regarding it as a number generator. Plato's primary number sequence, she argues, yields a matrix defining a sophisticated harmony of the spheres. She stresses the Decad as the pattern governing both human perception and the generation of all things, in the text, including the World Soul and musical scale symbolizing it. She precisely identifies Plato's "fabric" and its locus of severance and solves other thorny problems of interpretation, e.g., properly naming the sets of three and four bands, born of splitting the band of difference, and explaining their differing motions and speeds.

Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor

Eine Studie zu Ps-Dionysius-Rezeption, triplex via und analogem Weltbild bei Maximus Confessor

Series:

Jonathan Bieler

In The Concept of Unity as the Principle of Coherence in Maximus Confessor Jonathan Bieler lays out the importance of the concepts of transcendent divine unity, goodness and truth for understanding the coherence of the whole of Maximus’ thought, which brings together theology, anthropology and Christology into a unified vision that is based on an analogy between creator and creation. Interpreting the concepts of Maximus’ thought remains a contentious subject in Maximian scholarship. By evaluating the interior coherence and historical situation of Maximus’ thought in general and by studying the influence of Ps-Dionysius the Areopagite’s methodology on Maximus’ Christology in particular the author shows the context in which Maximus’ well-known conceptual distinctions can be understood in a helpful way. Jonathan Bieler erläutert in Der Einheitsbegriff als Kohärenzprinzip bei Maximus Confessor die zentrale Rolle der Begriffe der göttlichen Einheit, Güte und Wahrheit für ein Verständnis der Kohärenz von Maximus’ Denken, das Gotteslehre, Anthropologie und Christologie zu einer einheitlichen Sicht versammelt, beruhend auf einer Analogie zwischen Schöpfer und Geschöpf. Die Interpretation von Maximus’ Konzepten ist ein umstrittenes Gebiet in der Forschung. Durch eine Auswertung der inneren Kohärenz und der historischen Situation des Maximus und durch eine Untersuchung des Einflusses, den Ps-Dionysius Areopagitas Methodik auf die Christologie des Maximus ausgeübt hat, zeigt der Autor den Kontext auf, in dem Maximus’ begriffliche Unterscheidungen auf eine hilfreiche Weise verstanden werden können.