Browse results

You are looking at 1 - 10 of 192 items for :

  • Literature and Cultural Studies x
  • American Studies x
  • Social Sciences x
  • Primary Language: English x
Clear All
The Music of Protest and Hope in Jane Addams's Chicago
In Eleanor Smith’s Hull House Songs : The Music of Protest and Hope in Jane Addams’s Chicago, the authors republish Hull House Songs (1916), together with critical commentary. Hull-House Songs contains five politically engaged compositions written by the Hull-House music educator, Eleanor Smith. The commentary that accompanies the folio includes an examination of Smith’s poetic sources and musical influences; a study of Jane Addams’s aesthetic theories; and a complete history of the arts at Hull-House. Through this focus upon aesthetic and cultural programs at Hull-House, the authors identify the external, and internalized, forces of domination (class position, racial identity, patriarchal disenfranchisement) that limited the work of the Hull-House women, while also recovering the sometimes hidden emancipatory possibilities of their legacy.

With an afterword by Jocelyn Zelasko.
Author: David Gleicher
Beyond Marx and Other Entries is a truly original book by David Gleicher, author of The Rescue of the Third Class on the Titanic: A Revisionist History (Liverpool University Press, 2006). It explores deep areas of semiotics, joined with economics, anthropology, sociology, history and philosophy and political science, even Franz Kafka's literary works. These are communicated by entries, based primarily on Gleicher’s actual blog Looking through the crack from 2013 to 2017. No other book quite compares to it, but one might equate it to impressionist art, or the 'the one and the many'. Each entry is independent; nothing in one makes even an allusion to another. Readers, however, cannot help but to make connections themselves and develop their own understandings of dystopian possibilities.
Intertextuality & Subversion
Poetic Revolutionaries is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of texts by a range of writers for whom formal and poetic experimentation is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of avant-garde practice, intertextuality, parody, representation, and performance such as those of Mikhaïl Bakhtin, Julia Kristeva, Gérard Genette, Margaret A. Rose, Linda Hutcheon, Fredric Jameson, Ross Chambers and Judith Butler, these readings explore how a confluence of writing strategies – covering the structural, narratological, stylistic and scenographic – can work to boost a text’s subversive power.
In: "Mouths on Fire with Songs"
In: "Mouths on Fire with Songs"
Negotiating Multi-Ethnic Identities on the Contemporary North American Stage
This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of authenticity. In¬spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan–Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, “Mouths on Fire with Songs” shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today.
In: "Mouths on Fire with Songs"
In: "Mouths on Fire with Songs"
In: "Mouths on Fire with Songs"
In: "Mouths on Fire with Songs"